Editor's Note:

Out of their ardency, eighteen poets and poetry lovers identified with the need to give the 2020 Valentine celebration a poetic taste glamour.

With a view to harvest and immortalize this zeal, each of these bards donated a tranche of poetic condiment in response to a call for submissions made in that regard.

The fabrication of these romantic lines of epopees, as was edited by Izunna Okafor, gave birth to this panoramic poetic montage —My Love My All.

Here in this second edition of this journey, these poets explore the theme to register what love holds for them and their inamoratos in its various dimensions.

They write:

My love my all

In whose heart my treasure grows

From whose spine my pleasure flows

Nigher oh my love for in you I repose my all

Where is the inamorata who chained my treasure

She whose smile holds my pleasure!

The time fast approaches,

With its augur on rose hedges..

Where are you, my love, my all.

You whose love tower, I grow tall.

The field of love is verdant with hue;

My heart wanders for nothing, but you!

Give me the love that leads the way

And the kiss that heals the pierced heart

The faith that nothing can dismay

Lest I sink to be a clod.

Stretch your loving hand to me my love

The hand which comforts beyond measure 

In the midst of adversity  

You shall forever be my treasure.   

Come to me my love. 

And feel me all as my heart trembles for your love 

Out of my loneliness  

Heal me and hold me closer to thee.

Loneliness becomes an unbearable sickness

Every second your absence is felt

Storms trouble my sailing heart

In every flash of our last romance.

Never will the world ever be sweet

If not with you reposing on my laps

In you alone

I found meaningless of life without a woman.

You are my all and true love

Both far and near

For in you, I felt what Nnewi's progenitor felt for Nnobi damsel

That made him start a religion deifying her

Your love tastes like abacha 

And Nwoke Udi special palm-wine

joined together

My love my all

Ị sọgbuo m!!!

The smile on your face is sun

The only thing that stands when everything becomes dark.

Your smile is a map directing men of goodwill

I will camp you in my heart forever.

For you are my salt

That flavors the taste of my love.

And you are my light,

That brightens my darkest plights.

For God's love to all,

He gave His only Son.

But for His love for me,

He gave a precious gift of you

my heart's key.

You pick the lock

Oh! You do it all over again

My heart, creaking, opening its arms to you

You, gliding in with a fragrance of warmth.

Your visits leave me nimble

Your sweet perfume arouses my soul

And when you sway, that liquefied sublime motion

My brain falls into oblivion.

Deeper in your veins my love flows

Beckoning you closer to my sinews 

Peak me to the point my love temper swells

For in you all trust I my all

Your love and touch are sensational

They give this feeling of nostalgia

And make me feel like an infant

Please let me be your boo just for a day or two.

Thy love is better than wine

Thy cheeks are comely with rows of jewels

As the lilly among thorns

So is my love for you!

As the apple tree among trees,

So are you before me always.

Thy lips are like a thread of scarlet,

Onitemi! kiss me, with the kisses of your mouth.

Clothe my heart with your love,

For its own love is dead.

Toss off one bit of it,

And the garden would be finer than Eden.

Hold my lips, let's make it last,

Now I am seconds closer to you.

Let it be a thing they could jot down,

Knowing well how much we love each other.

Youare my love my all, 

On this beautiful island of scented glory, surrounded by the emerald sea 

Under the blue sky and crescent moon of passion

And blessed with the sweet serenade of nightingales. 

I crave to dwell in the freshness of your presence

Which is as pure as a lily;

As rare as a blue rose 

And as lovely as venus.

I only desire company of you

To better express the freedom

Found in our affection

For you are my all.

In sincere confession of this,

I beseech God to marry us

In timeless matrimony of divine and infinite love

Beneath the twilight of cupid's divinest dreams.

My love you’re my all

My forever Valentine 

My giant for eternity you make me feel secure even when all around me is chaos!

Your imperfections are nature's reward to me.

They define your humanity, 

In that man who is perfect lies all the deceit in the world.

My love you’re my all

While we fold and drink from each others' lips

And as moon lends a scenting aroma to our eyes

At this love station, countless for the trip,

Then I hear a voice pouring from the skies:

"This liquid love will soon solidify

Only take your sleep gently and watch tears dry

For I shall be coming by,

Yes, I."

How can I make you see what I feel

When love is blind? 

When I push hard

You might think love is wicked 

Here you are staring at me

The only thing I want is to deep my lips into yours

And our love will be unbreakable 

Don't call it magic, it's a miracle!

With you, it's like honey and bread

Sweet to the body and blessing to the soul

My love, with you I know we will reach for the stars and even beyond

With you, I have no cause to look elsewhere, cause I am at rest.

With you, I feel complete

You make me see the beauty in my imperfections

Your love gives me room to live and truly live

With you, I am a giant with great strides.

Give me your love, and I will give you my all

Kill me with love, and resurrect me with love

For it's a season of love

Oh! Valentine is here again.

Contributors:

Izunna Okafor

Nket Godwin

Odinaka Nworie

Innocent Chikodiri Paul

Nwokeabia, Ifeanyi John

O'star Eze

John Chizoba Vincent

Stanley Ezechukwu

Rosemary Nwadike

Dishon Obok

Gloria Oluchi John

Kayode Awojobi

Chidiebere Ezekwesili

Marcel Ike Okonkwo

Dayo Ayilara

Maureen Onyinye Kenneth

Udo Okoronkwo-chukwu

Michael David Ogbonnaya.

Compiled and Edited by Izunna Okafor

This would be certainly be a good read.

By Izunna Okafor

It was Haruki Murakami who once said that death is not the opposite of life, but a part of it —an aphorism buttressed strongly by George Eliot's apothegm that "Our dead are never dead to us, until we have forgotten them."

It is on these long-standing witty sayings that the Nigerian literary community received the her first shocking news of 2020, that foremost Nigerian novelist, who was also the Traditional Ruler of Ndikelionwu Kingdom in Orumba North Local Government Area of Anambra, Eze Prof. Chukwuemeka Ike has gone asleep.

The news which ushered in the dawn of the second Thursday of the year was hitherto faulted and scored a grapevine, to the credit of two points —the source from which it came, and the terminology with which it was broken. 

By way of reaction to the news, it was rightly argued that, in Igbo land, Traditional Rulers do not die. In other words, in Igbo land, it is wrong for one to say that a Traditional Ruler is dead; instead, one could say that the king has joined his ancestors, is sleeping, is resting, or has fallen asleep.

Secondly, no one is authorised to disclose such information (that the king is sleeping) except the affected community's cabinets or Council of Elders, in agreement with the members of the royal family or the ruling dynasty, as the case may be. 

Although, people, especially the closest relatives or community members may be aware that the king has fallen asleep, they won't dare disclose it or tattle over it, pending an authorised disclosure by the right source.

Little wonder why, when interviewed on the hideous development, a stakeholder from the Ndikelionwu Community, Prince Emma Okoli-Ijeoma said, “'As far as I am concerned as a member of the ruling house in this Ndikelionwu Ancient Kingdom, I am saying that Prof. Chukwuemeka Ike Eze Ndikelionwu, the 11th of Ndikelionwu is not yet dead!

In our tradition, nobody opens his mouth to tell outsiders that the Traditional Ruler is dead. You don’t say it because according to the customary law of Anambra state, king doesn’t die!

"If at all there is anything of that nature, one would say the king has joined his ancestors. It is not the duty of anybody to tell outsiders that the king is dead. It is after the royal family has met and agreed before such thing would be announced. Not just a rifraf would come and say what he doesn’t know!

"So I am saying that as far as the royal family is concerned, we have not announced anything to the public, that is, if something really happened."

Also, in most cases, the Elder In Council may not even announce the news, except a replacement or heir is found, especially in a situation where the crown is rotational.

These formed the basis upon which the news of Prof. Chukwuemeka Ike joining his ancestors was held in the air on arrival.

Be it as it may, succeeding sunset and sunrise have unmasked and unearthed the rock.

As Nze Prof. Chukwuemeka Ike rests on in his ancestral home and palace, Ndikelionwu, literary enthusiasts, fans and some other stakeholders in the country have continued to register their feelings and pour their tributes to the legend.

Breaking the news, the Anambra State's Commissioner for Information and Public Enlightenment, Mr.  C-Don Adinuba said, "Goodnight, Prof Chukwuemeka Ike. We all drank from the fountain of The Bottled Leopard as students to assuage our curiousity for mystery. We were stunned by the shenanigans of Expo ’77 and thrilled, to no end, by Sunset at Dawn.

“As you join your ancestors, let’s pray you never stumble from The Chicken Chasers or undone by Conspiracy of Silence. Adieu, a great man of letters, a king who wore humility like a robe.”

On his own part, the Executive Governor of Anambra, H.E Chief Willie Obiano said, "I am saddened by the death of HRM Eze Chukwuemeka Ike. He was always a regal presence around us here, bringing his wealth of experience to bear on the deliberations of the Traditional Rulers Council. We shall sorely miss him. But we shall also find strength and consolation in his exemplary life and the legacies he left for mankind through his literary works and stellar contributions to the traditional institution in Anambra State.”

Former PDP Presidential Candidate, Alhaji Atiku Abubakar said, “I mourn one of Nigeria’s prolific novelists and traditional ruler of Ndikelionwu in Anambra State, H.R.H. (Prof.) Chukwuemeka Ike.

“He will be remembered for his classics: "Toads for Supper" and "Sunset at Dawn" among others. May he rest in peace."

In similar tones, other literary enthusiasts and concerned Nigerians have also bared their minds thematically on the development, ruefully registering their reactions to the news and their tributes for the legend, as collated below:

Denja Abdullahi, immediate past President of the Association of Nigerian Authors (ANA) says:

"Prof. Ike's death was sad all the same but it was not a shock because he was an old man. He was a contemporary of all other first generation of Nigerian writers and his death was like the end of an era. We could say that the last of the titans has gone home.  

Tributarily, Abdullahi said, "Prof. Chukwuemeka Ike was a productive writer of several novels with interesting stories and catchy titles. You could locate his works between the popular and literary fiction genre. He was a very good satirist of the human condition.I feel that he was not celebrated enough like some other people feel. It may be because of his self-effacing nature and unwillingness to indulge in needless literary and critical controversies.

"He has gone beyond just being a writer to contribute to the development of the Nigerian Book Industry through his Nigerian Book Foundation. He was always there anywhere you invite him to if it had to do with writing,writers and the books. 

"Prof Chukwuemeka Ike will live eternally in the minds of all of us through his evergreen stories of the foibles of man."

Mr. Oseloka Henry Obaze, a published author, poet and literary enthusiast says:

"The passing of HRM Prof. Chukwuemeka Ike, Eze Ndikelionwu is numbing.   He was an exceptional, gifted, resolute and most unassuming person.  I was privileged to be considered his friend and welcomed freely into his palace. He was chair of my book presentation in 2018. 

His tribute: "Eze Chukwuemeka Ike lived life fully and made enduring contributions to our educational system, literature, cultureand traditional institution. He motived many writers, even those who never met him personally. 

"He has immortalized his name and his footprints will linger for years to come.  May God grant him eternal rest and his dear wife HRM Bimpe Ike, the fortitude to bear the loss."

Okeke Chika Jerry, an author, publisher and literary arts promoter says:

"I was in deed shocked when I heard the sad news over the radio. I wished he stayed a bit longer so that this generation of ours will have tapped a lot more from his wealth of wisdom. 

"But I believe Professor Ike is not totally dead and he will never die completely because all his works are still breathing all over the world. "Rest in peace Papa ndi authors."

Odili Ujubuońu, award-winning author and literary enthusiast says: 

"This is a huge loss. Chukwuemeka Ike was a great inspiration to a lot of writers who came after him. The choice of subject matters he treated in his novels spoke a lot about the kind of man he was and the whole essence of his writing.

"He was never complex in his style and or his plot and that led us easily into the wonderful worlds he created. These worlds would live forever with us. Through them, we would keep remembering him. May his gentle and kind soul find eternal peace."

Reginald Chiedu Ofodile, author and international award-winning actor says:

"I received news of his demise with sighs. I'm told Professor Ike is asleep, which is a correct phrase to apply to a traditional ruler. His subsiding into sleep did not shock me. He lost his only child three years ago. It must have been a massive blow, and he was also in his late 80s."

Tribute: "Eze Ike was an engaging, fluent and satirical writer. He created fascinating characters and witty, wicked situations. I remember 'Sweetie' in TOADS FOR SUPPER, 'Peace Bozo' in THE CHICKEN CHASERS, 'Mrs Ikin' and 'Dr Okoro' in THE NAKED GODS... and many others.  I recall his books appeared under the FONTANA imprint, not the AFRICAN WRITERS' SERIES."

Prof. Sam Uzochukwu, Igbo Poet and Novelist says:

"Prof Ike's death is indeed a loss to the nation, particularly to the literary class.Though he lived to old age, death, particularly of an icon always evokes shock to the living; so I feel shocked by his death as his other admirers .

"Prof. Ike was among the respected writers, in the same class as Chinua Achebe, for which Umuahia Govt college was renowned. He produced novels that dealt with topical issues of his time. 

"Above all, Prof. Ike was a man imbued with tenacity of purpose. He never wavered on any issue he was convinced about. This quality of his was manifested when I worked with him, a few years ago, on an Igbo project for which we were appointed by the Anambra State Govt.

May the Lord grant him eternal rest, amen."

Untill he slept off, Eze Prof. Chukwuemeka Ike (born on April 23, 1931) was award-winning and pioneer Nigerian writer, known for a mixture of lampoon, humor and satire, a writing style believed to be tied to his Igbo cultural upbringing.

He attended the Government College, Umuahia, where he started writing for the school magazine, The Umuahian, which published his first ever written story —‘A Dreamland,’ a work which set his foot on the literary space.

Some eminent Nigerian writers who attended the school include Chinua Achebe, Christopher Okigbo, and Ken Saro Wiwa, among others.

A graduate of the University College, Ibadan, Prof. Ike made a plethora of impacts and left great legacies in the literary and academic fields, and was conferred the Nigerian National Order of Merit (NNOM) Award which is Nigeria's highest and most prestigious national prize for academic and intellectual attainment, making him the second Novelist to receive the award since its inauguration in 1979, the first being Prof. Chinua Achebe.

Prof. Ike's works include Toads for Supper (1965), The Naked God’s (1970), The Potter’s Wheel (1973), Sunset and Dawn (1976), Expo ’77 (1980), The Bottled Leopard (1985), Our Children are Coming (1990); Conspiracy of Silence  (2001), among other publications.

Away from the literary flank, Prof. Ike served as an academic in different roles such as a lecturer at the University of Ibadan, registrar at the University of Nigeria, Nsukka (UNN), and visiting professor at the University of Jos.

He was also the President of the Nigerian Book Foundation, as well as the first Nigerian to be the registrar of the West Africa Examination Council (WAEC).

Ike slept at 88.

As Prof. Chukwuemeka Ike peacefully joined his ancestors, Nigerian literary community, fans, and the world at large heartily bid him farewell and wish him eternal repose in the world of immorality.

Goodnight great man.

About the Author:

Izunna Okafor is an award-winning Nigerian Novelist, Poet, Journalist, Essayist, Editor, Translator, Publicist, Igbo Language Activist and Administrator who hails from Ebenator in Nnewi South L.G.A of Anambra State Nigeria. He writes perfectly in English and Igbo languages, and has published several books in both languages.

Izunna has received over 25 awards, and has over 2000 articles published online, both nationally and internationally. 

He can be reached via: izunnaokafor70@mail.com

Book Title: Verdict of the Gods

Playwright: Iwu Jeff

Publisher: Transconventional Publishers

Date Published: July, 2020

ISBN: 978-978-979-443-0

Number of Pages: 84

Reviewer: Nwokeabia, Ifeanyi John.

When gods choose not to let the rain drop, the effort of a rain maker is in vain. The birds of the air always feel betrayed and confused when a thunderous fart is released in the air by an unknown spirit. The land, water and the entire space of Achara which has experienced in the past, peace and transquility, turns into a mourning zone. Night visited Achara community in a broad daylight.Iwu Jeff's play, Verdict of the Gods is an epic tragedy. It exposes a land in turmoil. But the big question is: can sins of fathers be visited on their children?

Sleep has become a stranger to the eyes of the citizens of Achara. Eze Obioha, the traditional ruler of the community is disturbed;  his emotions restless. An elder cannot fold his arms and watch a goat suffer in parturition. He seeks measures to dispel the spell wreaking havoc in his land as a leader who has the well being of the people at heart, and consequently, his family suffers the same endemic,. He's traumatised and unrelentingly quests for answers and solutions to the plight of his people.

In page 9 of the play: 

EZE OBIOHA : My daughters are down, they can no longer speak...we have followed every smell our nose can perceive, yet we have not seen any rotten thing. Where is the smell of evil coming from? Oh! My ancestors, please give us another eye, another nose, another ear and mouth. The ones we are wearing have no use ... Our gods are silent my people. I am not spared from this calamity. The spell is everywhere...

Eze Obioha being a leader who feels the pain of his people, he continually summons his cabinet members to put heads together to find lasting solutions to their problems. The cry of his people has become a thorn on his fresh and he sometimes laments to the gods questioning them on the ways his community or himself has wronged them.

In pag 77, he has this to say:

EZE OBIOHA: ...my son died two nights ago; before he died, an extra hand came out through his chest. My daughter was suddenly struck with imbecility... Who did my fathers offend?

Countless questions are asked and ountless visitations, made to the shrine of different Dibias but all efforts prove abortive. The gods remain remain 'mute' and 'tongue-tied', refusing to draw humans to the closer view of their boiling angers. Drought and famine become two beautiful maid married without a bride price, gummed like bedbugs to their land and refusing to leave. Death toll keeps multiplying on daily basis. The living prefers death as solutions are not in sight. Who will save the dying land?

Amidst the seriousness of the play, Iwu introduces two characters: Ezemma and Nwokeocha, who are members of the cabinet to ease the tension arouse by the unfolding events. These two revered men help to crack the ribs of the readers with comic banter.

In page 20;

EZEMMA: what am I saying? Wisdom! Wisdom! Igwe, I am full of...[Nwokeocha intrudes]

NWOKEOCHA [scornfully] Madman!

EZEMMA: will you shut up and listen to...

NWOKEOCHA: What wisdom can one possibly get from a lunatic? I do not blame you; a child that suckled a goat's milk will definitely act like a goat even in his old age. You need to return to your mother in her grave so you can have a taste of her breast milk.

EZEMMA: [Rises and faces Nwokeocha] How dare you call my dead mother into this? I see, you have really want to show me that you have grown enough hairs around your manhood.

ELDERS: Chai! [Elders exclaim, laughing and turning left and right] Enough!

NWOKEOCHA: [Stands up, pointing a finger at Ezemma] And you whose hairs are now overgrown into a forest, you need to be weeded...

This play is both revelational and revolutional. On the former, Iwu reveals that there's more to scapegotism as a concept. Some great African writers Wole Soyinka, Femi Osofisan and a host of others in their various plays, but Verdict of the Gods introduces a new scapegotism. However, on the latter, it demolishes the stereotype created  in most African writings, where the  God of the new religion is often given ultimate power of purifying African lands of its mess. In Verdict of the Gods, it is different as the  African gods reign supreme in sanctifying their people and their lands of sins.

The masterful ink of the playwright is laudable in his ability to select suitable words for his characters. The social standing of his characters are discernable through the quality of their language. Every scene in this play is opened with a beautiful African proverb dancing into your eyes and the use of African proverbs by the characters show the rich culture of Achara community.

The cover design of the play has great significance in the over development and arrangement of the play. Its from cover has the head of three gods joined together in a threesome unity. However, the play is not arranged in Acts and Scenes but it's divided into three - Beginning, Middle and End. The use of three gods has Biblical allusion of God the Father, Son and HolySpirit. That's, the Trinity in one God. In this play, one discovers that these Gods are one and their verdict is equally one. Despite the deviation from play's convention of Acts and Scenes, the play maintains the three unity of place, time and event which solidifies its beauty as a play. Although some might raise alarm on his use of uppercase in 'Gods' but I don't think he has committed as grammatical blunder on that. I think, it's a question of choice.

The Playwright 

Iwu Jeff ( Iwuchukwu Jephta) is an award-winning writer who has written in the three genres of literature - poetry, drama and prose. His works have gained homes in different Anthologies and online publication.

From the beginning, through the middle and to the end, the play is suspensely decorated and readers won't have any reason to drop it for a moment until one gets to the very end. Are you ready to discover the verdict of the gods for Achara people? Are you equally ready to discover how a wounded lion got its healing balm? Grab your own copy of Verdict of the Gods.

In a bid to contribute her own tranche in the fight against coronavirus, the Society of Young Nigerian Writers which is a national umbrella of young writers in Nigeria, has unveiled a new classical anthology on COVID-19.  

This was contained in a statement signed by Izunna Okafor who is the National Coordinator and Chairman of the Writers Against COVID-19 Movement, —a broad project under which the anthology was birthed —as well as the Editor-in-Chief of the anthology.

According to the statement, the journey to the anthology began in April, following their announcing of a 'Call for Submissions' to that effect, in response to which over 200 writers from different countries of the world submitted 'pretty' poems and essays.

The statement reads in parts, "The fight against the novel coronavirus has become a global affray that requires the collective effort of every creature –writers inclusive –and the application of every efficacious weapon at man’s disposal– pen inclusive. This is buttressed by Edward Bulwer-Lytton’s age-long aphorism that ‘pen is mightier than sword’.

"Unarguably, this basically informed this journey to this classic anthology – the quest to employ the weapon of pen in the fight against coronavirus.

"In response to our Call for Submission which lasted for 30 days, a total of 249 beautiful poems and essays were received from writers from different countries of the world, jostling for space in the anthology. However, after a series of vetting, the editorial team found 97 entries worthy for the anthology, particularly with regard to adherence to the theme. 

"These writers, employing the tool of creativity, and toeing the path of experience and art diversity, masterfully dissect the theme, unleash their ripostes and make headway towards defeating the world’s latest enemy – coronavirus. It was the conglomeration of these ninety-six classical works of these writers that gave birth to this masterpiece – Ripostes of Locked Down Voices, which is a must-read for everyone.

"Obviously, with this publication, another feat has indeed been recorded in this global fight against the monstrous virus christened ‘COVID-19’. And this will hauntingly stand as global writers’ common ‘voice’ and ‘punch’ in this universal fight, even for generations to come. 

"My appreciation and congratulations to this troop of writers who identified with this noble cause, including those whose works could not make it to the anthology. As I always say, keep writing, for writing is part of life. 

"I must also appreciate the indefatigable National President of the Society of Young  Nigerian Writers (SYNW), and initiator of Writers Against COVID-19 Movement, Mr. Wole Adedoyin, for this wonderful initiative, which has indeed offered writers the opportunity to contribute their pencraft and creativity towards winning this battle; and also for giving us the wonderful opportunity to steer this worthy journey. 

"My appreciation also goes to my highly-talented and hardworking editorial team members – Musa Sunusi Ahmad (National PRO, SYNW, and Sec. Gen., Writers Against COVID-19 Movement ), Luqman Alawole (SYNW Coordinator, Osun State), Angelica C. Uwaezuoke (SYNW Coordinator, University of Nigeria, Nsukka),  Alabi Matthew (SYNW Coordinator, University of Lagos), and Abdulrazak Denja Balema (SYNW Coordinator, Federal University Lokoja) – and other Committee Members of the Writers Against COVID-19 Movement – Innocent David Chinaecherem (SYNW Coordinator, Federal University of Technology, Owerri), Henry Ndifreke Precious (SYNW Coordinator, University of Abuja), Sakinah Yusuf (SYNW Coordinator, Bayero University, Kano), Adebayo Iwalola (SYNW Coordinator Adekunle Ajasin University) – who all gave their best in every ramification towards the success of this project. 

"It was nice working with you bards. May your pen never run dry. Thanks also to everyone else for being part of this.

To you all, I say, let’s do it again next time."

Posted By Izunna Okafor

"Cry Of The Forest", a popular short story by award-winnig Nigerian writer, Godwin Cornelius Udagbor, has been translated into Hindi, an Indian Language. The translation was carried out by an Indian writer, Mrs Rukiya Begum, a poet, famous for works in her country, India.

Earlier in 2018, Cry Of The Forest received powerful recommendation from two Indian Literary giants; Professor Sahjahan Ali Ahmed and Dr Rajdeep Chowdhury. Udagbor’s work has been flying since its publication in 2018.

It has been revealed that Rukiya Begum began the translation in March 2020 and finished it in June of the same year.

Information has it that a mass production of the newly translated work is in progress, following useful negotiations between the author, Godwin Udagbor, his legal team, and the translator, Mrs Rukiya Begum.

The translator has been an avid (online) admirer of "Cry Of The Forest" and its author, an admiration that eventually culminated to such an intellectual relationship. Their online discussion invariably centered on  Polygamy.

Polygamy has two faces however; and in Africa, it implies a man marrying more than one wife simultaneously. In India it is Polyandry, that is, a woman marrying more than two husbands, to contrast with the popular African notion of Polygamy.

Presumably, it was this shocking contrast that magnetized Mrs Rukiya Begum that she decided not to let it go unattended to; hence, she decided to translate, from English to Hindi, Godwin Cornelius Udagbor’s bombshell as far she is concerned.

On his part, the author, Godwin Udagbor wishes that he could speak and write Hindi to enable him know and feel the emotions of a Hindi reader who has just discovered that, on the same planet earth, lives another version of the Polygamy their tradition has always fed them with.

The Society of Young Nigerian Writers, through her newly launched 'Writers Against COVID-19' movement invites writers to submit poems and essays on COVID-19 for her upcoming COVID-19 Poetry/Essay Anthology.

The proposed anthology is in reaction to the novel COVID-19 pandemic currently 'harassing' the world; and it offers writers copious page to register their views on the pandemic, as well as contribute their pencraft towards winning the war against the virus.

In the words of the project's Coordinator, Izunna Okafor, "the maiden anthology will feature 'responsive' and 'bang-up' works on COVID-19 by ardent writers from different parts of the world, and will hauntingly stand as global writers' common 'voice' and 'punch' in the fight against coronavirus."

The anthology which is expected to be available by the fall of May exclusively focuses on 'CORONAVIRUS'. Thus, only works  written on the theme will be accepted for publication therein.

Before submitting your entry, here are few THINGS TO NOTE:

1. Submission is FREE and open to writers from any part of the world.

2. Entry must focus on the theme —Coronavirus

3. 'Coronavirus' is NOT the title of the anthology, neither must it be the title of your entry. It is only but a theme, and must be adhered to while writing.

4. Entrant can give their work any interesting title of their choice.

5. There is NO monetary prize attached. The cause being championed by the movement and the anthology is a worthy one, and thus requires ardency, volunteerism and sacrifice.

6. Only works that 'comply' to the submission guidelines will be selected and published.

SUBMISSION GUIDELINES:

1. Only ONE entry per entrant (poem or essay).

2. Entry MUST be written in English Language

3. Entry should be brief and concise —a maximum of 500 words for essays, and a 30 lines for poetry.

4. Author’s information —location, contact details, and a short bio of no more than 40 words should be included in the submission.

5. Entry MUST be type-written and sent in the body of the mail; NOT AS AN ATTACHMENT. Entries sent as attachment will be automatically disqualified.

6. Entry MUST be original work of the entrant.

7. All entries should be sent on or before 23rd May, 2020. Late entry will not be accepted.

8. Entries should be sent via mail to writersagainstcovid19movement@gmail.com 

9. The subject of mail should be 'COVID-19 ANTHOLOGY'.

BENEFITS:

1. All successful and shortlisted entries will be published in the COVID-19 Poetry/Essay Anthology.

2. Online promotion of the successful/published entries and entrants.

3. All successful/published entrants are entitled to e-copy of the published anthology.

4. All successful/published entrants will be given Certificates of Participation.

5. Automatic/free membership and admission into the the Society of Young Nigerian Writers will be given to successful/published young Nigerian entrants.

For further inquiries, support or partnership, contact:

writersagainstcovid19movement@gmail.com 

Or, call:

+2348163938812, Izunna Okafor

+2347069085422, Musa Sunusi Ahmad

Society of Young Nigerian Writers, (SYNW), which is a national umbrella of young writers in Nigeria, has joined in the global fight against coronavirus, by launching and championing a new movement — 'Writers Against Covid-19'.

This was disclosed by Chairman and Coordinator of the movement, Izunna Okafor, through a release he jointly signed with the Secretary of the movement's committee, Musa Sunusi Ahmad who also doubles as the National Public Relation Officer of the SYNW.

According to the release, the movement was primarily formed to integrate writers in the ongoing  fight against COVID-19 pandemic, and to give them platforms to employ their pen, creativity and dexterity towards combating and winning the war against the novel virus, which is currently 'harassing' the world in all ramifications.

The ideation cum formation of the movement is more or less corroboratory to Edward Bulwer-Lytton's age-long pithy saying, that 'pen is mightier than sword'; and is also in keeping with the fact that writers have a plethora of roles to play in this global fight against the novel virus, and to which many of them are very ardent to give their best, if given a platform.

The statement reads in part:

"The pursuit of this new movement is tripartite in nature, with regards to the (equally new) projects it has been launched to undertake.

"One of these is administration of the association's newly launched online certificate course on coronavirus, called 'SYNW Covid-19 Correspondence Course' (which could be taken at:  www.https://covid19correspondencecourse.blogspot.com ). 

"The correspondence course has been rightly renamed after Menegian Saro-Wiwa, son of late playwright, Ken Saro-Wiwa, who recently died of COVID-19 in London.

"The movement is also charged with managing and regularly updating the SYNW COVID-19 Information Hub —

www.https://synwcovid19informationhub.blogspot.com (which is a new site exclusively created by the association, for publishing news relating to coronavirus).

"Lastly, the movement is to publish an electronic anthology on the COVID-19 pandemic (which is expected to be out by May, featuring literary works on coronavirus, from writers across the world)."

Izunna Okafor further noted through the release that, "aside publishing of successful writers' works in the anthology, certificate(s) of participation and automatic membership into the association will also be given to the successful participants in each of the projects."

He also appreciated the President of the Society of Young Nigerian Writers, Mr. Wole Adedoyin, and other National Executive Members of the association for coming up with such an apt movement.

He called on both bourgeoning and established writers from different parts of the world to identify with, and take part in the projects; even as he solicited the support of goodhearted individuals, private and public organisations, as well as government, to support the movement to achieve its reputable objectives.

Okafor, who himself is an author and equally the National Secretary of the young writers association, advised that further enquiries about the movement could be directed to the committee via: writersagainstcovid19movement@gmail.com .

Other committee members of the movement include: 

Angelica C. Uwaezuoke — (SYNW Coordinator, University of Nigeria Nsukka) 

Abdulrazak Denja Balema — (SYNW Coordinator, Federal University Lokoja)

Sakinah Yusuf — (SYNW Coordinator, Bayero University, Kano)

Adebayo Iwalola — (SYNW Coordinator, Adekunle Ajasin University)

Innocent David Chinaecherem — (SYNW Coordinator, Federal University of 

Technology Owerri)

Alabi Matthew — (SYNW Coordinator, University of Lagos)

Luqman Alawode — (SYNW Coordinator, Osun State)

Henry Ndifreke Precious — (SYNW Coordinator, University of Abuja)

As the world celebrated the 2020 World Poetry Day, young writers in Anambra State, under the umbrella of Society of Young Nigerian Writers have reiterated call for immortalization of Chinua Achebe, one of Nigeria's foremost literary figures.

The Coordinator of the association, Mr. Izunna Okafor announced this during a one-day literary event organized by the association, in commemoration of the day in Anambra State.

The event which held at the Anambra State Central E-Library, Awka on Saturday, was also used to mark the association's March monthly reading, and also for remembering seven years of Achebe's exit, who coincidentally died on World Poetry Day (21st March, 2013).

He disclosed that the association has been in the forefront in celebrating the legend, Achebe,  and his works, through the annual 'Chinua Achebe Literary Festival'; through publishing of annual poetry/essay anthology in his honour; and through organizing annual secondary school essay writing competition in his honour, which he said, was recently endowed by the Anambra Newspapers and Printing Corporation, among other numerous ways they keep Achebe's memory alive.

According to him, the 2019 edition of the Chinua Achebe Literary Festival birthed a world class anthology —Arrows of Words; and also birthed a six-point communiqué and recommendation, which the association sent (with accompanying letter) to the State Governor, Chief Dr. Willie Obiano, and other concerned ministries and agencies of the State Government, for implementation.

He disclosed that the number-one item in the six-point communiqué (which he said they deliberately did not publish online for public consumption, until one month after the event) was the call for Chinua Achebe's immortalization, as well as suggestions/recommendations on how that could be best done.

Okafor, an award-winnig author and journalist, however, further regretted that, up till today, the State Government is yet to commence implementation of any of the items contained in the communiqué.

"The State Government needs not ignore or allow such a wonderful communiqué as that to die a natural death, as that would not be fair or encouraging who aspire to toe Achebe's path," he added.

He therefore reminded the State Government and other concerned authorities of the need to productively utilize the communiqué and immortalize Chinua Achebe, who he said is overdue for the that, owing to his great contributions and legacies in the literary field of life, before bowing out seven years ago. 

Others who spoke at the event, including the author of "Pregnancy of the gods" and Managing Director/Chief Creative Officer of Brande Aristotle Limited, Mr. Odili Ujubuońu; award-winnig Journalist, Dr. Odogwu Emeka Odogwu, among others, tasked the young writers on creativity, and further re-emphasize the inestimable importance of such literary gatherings to those who truly want to excel in the literary field.

The three-in-one event featured readings (both in honour of Achebe and the World Poetry Day), literary appreciation, observance of a minute silence in honour of Chinua Achebe's soul, among other literary packages slated for the day.