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Paul M Emuekpere Jnr
Posted 2 Years ago · 2 Likes · 0 Comments
Hi! I am a younger enterprising Nigerian with the zeal to learn and expand my horizon. I am a comedian, mcee, actor, motivational speaker and a writer. By God's grace, i am presently working on a motivational book and a novel. I am most happy to be part of this amiable platform.
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9jaBooks
Posted 24 Days ago · 2 Likes · 0 Comments

Tech giant, Google will make available free Wi-Fi facilities in about 200 sites in Lagos and five other states in Nigeria between now and 2019.


Within this period, about 10 million Nigerians, including Internet Service Providers (ISPs) are expected to benefit immensely from this project. The other states are Kaduna; Port Harcourt (Rivers state); Ibadan (Oyo state); Enugu and Abuja.


The project, which comes as Google Station, is in partnership with 21st Century, a leading ISP in Nigeria. Four of the Stations, including Local Airport, Landmark; The Palms and Ikeja City Mall, went live on Wednesday.


Nigeria is the fifth country to launch Google Station, following India, Indonesia, Mexico and Thailand.



Google Station is a service that allows Google partners to roll out Wi-Fi hotspots in public places by providing software and advice on hardware to turn fibre connections into Wi-Fi.


Speaking with The Guardian and some five other select media houses on Wednesday, in Lagos, Google’s Vice-President, Product Management, Anjali Joshi, said the service, which is targeted primarily at countries, where the next-billion Internet users are set to come from, aimed to give users fast, secure, and easy-to-use Wi-Fi experience.


Joshi explained that in order to provide the service, Google offered fibre carriers, the companies, which build software for Internet-connected hardware, and venues a cloud-based platform and devices, which make it easier for them to provide, manage and monetise the Station hotspots.


She disclosed that the initiative is a long term project and that the security aspect has been fortified and encrypted to guard against any breaches.


Joshi said Google was doing this because the Internet has the potential to completely transform Africa. “Across the globe, countries which have invested in nurturing digital and innovation-based cultures not only enjoy extraordinary wealth (and job creation), but have also transformed the way people live and do business. That positive change can only happen, however, if everyone can access the Internet,” she stressed.


Speaking in the same vein, Google’s Country Director, Nigeria, Juliet Ehimuan-Chiazor, who said the move was to ensure that more Nigerians participate in the digital economy, noted that the technology firm hoped to roll out Station to as many public locations as possible, including markets, malls, bus stops, city centres, and cafés, universities so that people can have a consistent Wi-Fi experience during their daily routines.


On the choice of Nigeria now, Ehimuan-Chiazor said the country is an important market for Google and the largest market in Africa, saying that the target was to develop the technology ecosystem and later scaled to other part of Africa.


Silent on the amount gone into the investments, she disclosed that the initiative was targeted at a populated area, with the hope that by 2019 about 10 million Nigerians must have benefitted.

According to her, there are huge possibilities of the initiative helping the country to leapfrog the 30 per cent broadband target set by the Federal Government for this year, “knowing full well that a World Bank report claimed that there is direct correlation between broadband and GDP growth. That is a 10 per cent increase in broadband correlates to 1.38 per cent increase in GDP growth.


“Even beyond GDP growth, the Internet provides opportunities to pursue social and developmental objectives. So we expect this to fuel some changes, especially in creating jobs, helping the SMEs, among others.


“We have believed since the very beginning of Google that when more people have better, more dependable and secure access to the Internet, everyone in the entire Internet ecosystem benefits. Google Station will work to this mission by bringing more people fast, reliable, quality Wi-Fi to more places.”

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Onukele Udoka
Posted 1 Year ago · 1 Likes · 0 Comments
God is great
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9jaBooks
Updated 10 Days ago · 2 Likes · 0 Comments
The controversy surrounding the release of the highly anticipated movie, Half of a Yellow Sun (HOAYS), in Nigerian cinemas is yet to end as the Nigerian movies Censors Board is yet to approve it.
Half of A Yellow Sun did not premier at Nigerian cinemas in April 25 due to the producers inability to obtain public viewing certification from the Censors Board.
The Board has, however, said it has not banned the movie, but is yet to approve it for public viewing in Nigeria.
One of the media handlers of the movie, Bigsam Media, assured that a new cinema date will be announced as soon as regulatory issues are sorted out.
The $10 million movie has made history as the first African movie to get international release dates in the U.K., U.S., Australia, Portugal, Middle East and New Zealand. It is also the first Nigerian movie to be premiered at the Toronto International Film Festival in Canada. It is already showing in the U.K.
The HOAYS Movie is an adaptation of Chimamanda Adiches bestselling and award winning novel of same title. It stars OSCAR nominee and BAFTA award winner, Chiwetel Ejiofor, Thandie Newton, Onyeka Onwenu, Genevieve Nnaji, OC Ukeje, Anika Noni Rose, Joseph Mawle, John Boyega, Wale Ojo, Tina Mba, Zack Orji and Hakeem Kae-Kazim.
It was directed by U.K.-based Nigerian playwright, Biyi Bandele, and was produced by winner of an OSCAR and three BAFTAs, Andrea Calderwood, and Yewande Sadiku, an investment banker.

Source: http://www.premiumtimesng.com/arts-entertainment/160050-nigeria-entertainment-roundup-release-date-half-yellow-sun.html
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9jaBooks
Updated 23 Days ago · 4 Likes · 0 Comments
Chinua Achebe, who died in Boston today at the age of eighty-two, was a few weeks shy of thirty years old when Nigeria was granted independence from the British Empire, on October 1, 1960, and he was already acclaimed, worldwide, as the preëminent novelist of black Africa. The British publisher Heinemann had brought out Achebe's first novel, Things Fall Apart, only two years earlier, and it had to have been the first African novel that many of his admirers on the continent and off had read. The sure tragedian's authority with which Achebe tells the story of Okonkwo, an Igbo elder of immense strength and pride, a figure of heroic qualities within the traditions of his culture, who is ill-served, brought low, and undone by those same qualities in his first violent encounters with colonial power, has ensured that still today, with more than ten million copies sold, Things Fall Apart remains the best-known work of African literature.
The great African novel? The book could as truly be called a great novel, period. Many writers would prefer to carry that badge of universality, but Achebe who has gone to his grave without ever receiving the Nobel Prize he deserved as much as any novelist of his era has said that to be called simply a writer, rather than an African writer, is a statement of defeat. Why? Because his project has always been to resist emphatically the notion that African identity must be erased as a prerequisite to being called civilized. Growing up as what he called a British-protected child in the colonial order, the young writer came to see that the Empire's claim that Africans had no history was a violent, if at times ignorant or unconscious, counter-factual effort to annihilate the history of his continent's peoples.
Achebe made his case in many forms essays and lectures, interviews and acts of protest, and as an ideologue and propagandist for the failed Igbo-nationalist secessionist state of Biafra but he made it most cogently on the final page of Things Fall Apart. With the reader in the full emotional grip of the many dimensions of Okonkwo's epic fate, the author boldly and deftly adds another, shifting to the perspective of a colonial governor who considers Okonkwo's story good material perhaps not a whole chapter but a reasonable paragraph for the book he is planning to write:  The Pacification of the Primitive Tribes of the Lower Niger.
Having, with his first effort, created a permanent place for the African novel in the world literary canon, Achebe continued to be a prolific imaginative writer, producing novels and stories that evoked, in a range of voices, the trials of Nigeria's pre-colonial and colonial history, and the traumas of its post-independence ordeals: from No Longer at Ease and A Man of the People in the sixties to Girls at War and Anthills of the Savannah in the aftermath of the Biafran war. But the fact that he must be remembered as not only the father but the godfather of modern African literature owes at least as much to the decades he spent as the editor of Heinemann's African Writers Series. In that capacity, Achebe served as the discoverer, mentor, patron, and presenter-to-the-world of so many of the now-classic African authors of the latter half of the twentieth century. The series's orange-spined, generously inexpensive paperbacks carried a stamp of excellence that drew readers everywhere to essential works by writers as varied as Kenneth Kaunda, Ngugi wa Thiong'o, Dennis Brutus, Tayeb Salih, Léopold Sédar Senghor, Ousmane Sembène, Wole Soyinka, and Nadine Gordimer, to name but a few: it is an extraordinary legacy.
As a storyteller, as a voice of his nation, as a cultural impresario, an intellectual combatant and provocateur, Achebe gained with age the status in Nigeria of a bard and a sage that the modern world rarely affords to writers. After suffering terrible injuries in a car crash, he spent much of his time in the last decades of his life in America, where he settled into long-term professorships at Bard College and Brown University. But when he returned to Nigeria he was received as a national hero. Crowds of thousands sometimes tens of thousands gathered to pay tribute to him. The adoration hardly softened him, though. He was, in his old age, as much a scold to his compatriots as he had ever been in his youth.
I met Achebe a few times in his wheelchair-bound American years. When he gave you his hand it was at once firm and soft and notably warm. He had a gentle presence a man fully capable of wit and mischief and open laughter, but whose default expression, at ease, was one of sympathetic melancholy. His voice was another matter: low-pitched and rich and adamant. When he spoke, it was with great command and unmistakable music. In Boston, in 1999, at a celebration of the centennial of Ernest Hemingway s birth, I had the honor of sitting on a panel with Achebe, on the subject of writing about Africa. He was as cogently withering about Hemingway's Africa a place he could not recognize because there were no speaking Africans there as he was, in one of his most famous essays, about Joseph Conrad s. At the end of the session, the floor was opened to questions. An evidently confused woman in the audience took the opportunity to ask In what sense are you writers about Africa? The other panelists Nadine Gordimer and Kwame Anthony Appiah were too baffled to respond. Not Achebe. He leaned into his microphone, and very slowly and melodically, with rolling Rs and drawn out Os, roared: Read. Our. Books. The woman said, But I'm asking you. And Achebe said, I'm telling you: Read. Our. Books. 
What better epitaph for the man, and what better way to remember him today: read his books.
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