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The true beauty of a woman, is her value

Maureen Onyinye Kenneth
Updated 7 Months ago · 0 Likes · 1 Comments
  Every woman deserves to respected and given what is due.  There shouldn't be any gender discrimination or unfair judgement towards their case. They should be encouraged to do more.
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Women are wonderful beings and giving them the encouragement and right partnership to thrive brings out the best in them.


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By Izunna Okafor


Another great loss hit the Nigerian literary community in the early hours of Tuesday, as Prof. John Pepper Clark (popularly known as J.P. Clark) joined his ancestors at 85.


His death was disclosed in a statement signed by Prof. C. C. Clark (for the family) and Mr. Ilaye Clark (for the children), and which was made available to newsmen on Tuesday morning. 

The statement reads, “The Clark-Fuludu Bekederemo family of Kiagbodo Town, Delta State, wishes to announce that Emeritus Professor of Literature and Renowned Writer, Prof. John Pepper Clark, has finally dropped his pen in the early hours of today, Tuesday, 13 October 2020.

“Prof. J. P. Clark has paddled on to the great beyond in comfort of his wife, children and siblings, around him.

“The family appreciates your prayers at this time.

Other details will be announced later by the family.”


Until his death this morning in an undisclosed Lagos hospital after a brief illness, Prof. J.P. Clark was a professor of English and renowned poet and playwright. His outstanding works include: Poems (poetry, published 1961), 

The Raft (drama, published 1964), A Reed in the Tide (poetry, published 1965), Ozidi (drama, published1966), The Boat (drama, published 1981), A Decade of Tongues (poetry, published 1981), State of the Union (poetry, published 1981), Mandela and Other Poems (poetry, published 1988), among others.


1991, Clark received the Nigerian National Order of Merit Award for literary excellence, among other recognitions that define him as one of Africa's pre-eminent and distinguished authors.


J. P. Clark hailed from Kiagbodo, Burutu council area of Delta state, and was a younger brother to elder statesman and Ijaw national leader, Chief Edwin Kiagbodo Clark.


It is worthy to note that J.P. Clark died an octogenarian, which was also same for Nigeria's Chinua Achebe, Nigeria's Chukwuemeka Ike, Cameroon's Ferdinand Oyono, South Africa's André Brink, Kenya's Grace Ogot, Nigeria's Elechi Amadi, Malawi's David Rubadiri, among other great writers who were obviously of the same generation in the field of pen, including Nigeria's Gabriel Okara and Buchi Emecheta who died a nonagenarian and a septuagenarian respectively.  


Izunna Okafor writes from Awka, Anambra State, Nigeria

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By Izunna Okafor




It was indeed a blend of tears, encomium and fanfare as Nigeria's multiple award-winning author and literary crackerjack, Chimamanda Ngozi Adichie buried her father, Late Prof. James Nwoye Adichie.


The burial ceremony, held in Adichie's hometown, Abba in Njikoka Local Government Area of Anambra, began with a Holy Mass presided over by Auxiliary Bishop Jonas Benson Okoye of the Awka Catholic Diocese, and drew the attendance of Ex Governor Peter Obi of Anambra State, the Vice-Chancellor of Nnamdi Azikiwe University, Awka, Professor Charles Esimone, among other intellectuals and personalities, including the members of the Society of Young Nigerian Writers (Anambra State Chapter) who went to commiserate with the Adichie Family.


In his homily, Bishop Okoye described Prof. Nwoye as a hardworking man who used his wealth of knowledge, intellect and finance to serve the humanity, looking at his past records and legacies. He thus urged Christians to always show love to anyone they come across and live a worthy life that will not only give joy to humanity, but also earn them eternal repose at last.


On her own part, Chimamanda Adichie, who read the scriptures (both in Igbo and English languages) during the pontifical burial mass that held in St. Paul's Catholic Church, Abba, said her father lived an examplary life and was the kind of man everyone would love to have as father.


"My father was a very remarkable, kind and loving father. He was also a patient and honest man of integrity. He always had time for his children. In fact my father was the bedrock of whatever I am today. So I don't think I could have had a better father than him. I love him, and I will miss him so much," she said.


Contributing, former Governor Peter Obi of Anambra State who was also the Vice Presidential candidate of the Peoples Democratic Party (PDP) in the 2019 Presidential Election recounted his encounters with the deceased, and attested that he was an iconic man of peace who left enduring peace and legacies for his children and the society.


Popularly addressed by his chieftaincy title of 'Odelọra', Late Prof. James Nwoye Adichie who died on Wednesday June 10, 2020 at the age 88, was the first professor of Statistics in Nigeria. He is survived by Mrs. Grace Ifeoma Adichie (wife); Ijeoma Adichie, Uchenna Adichie, Chuks Adichie, Okey Adichie, Chimamanda Adichie, and Kenechukwu Adichie (children), as well as many grandchildren and other relatives.



Izunna Okafor writes from Awka, Anambra State, Nigeria

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Updated 25 Days ago · 0 Likes · 0 Comments

The Society of Young Nigerian Writers (Anambra State Chapter) is seeking submissions of quality poems and essays from writers across the wolrd, for her 5th Chinua Achebe Poetry/Essay Anthology.


The annual anthology is published in honour and memory of Late Prof. Chinua Achebe, a foremost Nigerian literary legend and the father of morden African Literature. The prestigious anthology will (as usual) be unveiled at the 5th edition of Chinua Achebe Literary Festival which is slated to hold on 16th November 2020, at the Anambra State Central E-Library (also known as Prof. Kenneth Dike Central E-Library), in south-eastern Nigeria. 


According to the Project Coordinator, Izunna Okafor, who is also the Coordinator of Society of Young Nigerian Writers in Anambra State, Chinua Achebe Literary Festival is an annual literary festival held by Society of Young Nigerian Writers in memory and honour of Achebe, in celebration of his life, works, contributions and legacies in the literary field. The event, he notes, was initiated in 2016, and holds on Achebe's date of birth since then, with the last edition held in 2019, during which the most recent edition of the anthology Chinua Achebe Essay/Poetry Anthology —"Arrows of Words" —was unveiled.


It is with a view to mark this year's edition of the Festival in a more remarkable and memorable way that the organizers are calling for quality poems and essays from burgeoning and accomplished writers to enter their thematically-articulated essays and poetry in memory of Achebe for the fifth anthology. The anthology is in honour of Prof. Chinua Achebe; hence, only entries that revolve around Achebe, his works, his literary prowess and legacies will be accepted for publication.



SUBMISSION GUIDELINES:


1. Only essays and poems are accepted for the anthology


2. Entrant must specify the genre of his entry, that is, specify whether it is Poetry or Essay


3. The essays and poems MUST be in the memory of Chinua Achebe, and may focus on his life, works personality, writing style or other areas.


4. The essays or poems should be brief and concise —a maximum of 500 words for essays or reviews, and a maximum of 30 lines for poetry.


5. Author’s information —location/contact address, phone number, e-mail address, and a short bio of no more than 40 words should be included in the submission.


6. Submission is FREE and open to writers from any part of the world.


7. Entry MUST be the original work of the author/poet.


8. Only one entry per person is allowed.


9. Entrant may choose/write on any interesting title of his/her choice.


10. Entries should be sent via: synwanambrachapter@gmail.com , with the subject "FIFTH CHINUA ACHEBE ESSAY/POETRY ANTHOLOGY (SPECIFY THE GENRE OF YOUR ENTRY)"


11. Entry MUST be type-written and sent in the body of the mail; NOT AS AN ATTACHMENT. Entries sent as attachment will be automatically disqualified.


12. Submission Deadline: 20th October 2020. Late Entry will not be accepted.


13. Entries could be written in either English or Igbo Language.



BENEFITS:


● All successful/shortlisted essays and poetry will be published in the Fifth Chinua Achebe Poetry/Essay Anthology (soft and hard copies).


● Online promotion of successful/published essays and poems and the entrants.


● All successful entrants shall receive Certificate of Participation.


● Each successful entrant is entitled to author's copy of the published anthology


● Authors/poets of the best ten essays and poems shall be given outstanding recognitions and Certificate of Award at the 2020 Chinua Achebe Literary Festival.


● Entrants (if present at the event) shall be allowed to present their essays/poems at the event.


● Automatic/free membership and admission into the the Society of Young Nigerian Writers (for successful/published young Nigerian entrants.)


For inquiries or support, contact:


synwanambrachapter@gmail.com


08163938812

Izunna Okafor (Coordinator, Society of Young Nigerian Writers Anambra Chapter)


07010178124

Maureen Onyinyechi Kenneth

(Secretary)

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Osita Eze, Youth Pastor
Posted 1 Month ago · 0 Likes · 0 Comments


 

     Permit me to begin by commending the efforts of Senator AbiodunOlujimi for initiating the Gender Equality Bill recently rejected by members of the house of Senate. An erudite person may want to find out what the bill is all about. The bill proposed by Senator Abiodun Olujimi on the 15th of March, 2016 was to guarantee gender equality in politics, education, employment and marriage. The bill also seeks to protect the female gender against gender discrimination. The bill was rejected by a larger number of Senators in Nigeria because an aspect of the bill does not agree with what our traditional and reIigious institutions preach.

In my opinion, the bill is worth the consideration of members of Senate for many reasons.

     Firstly, I believe that there would be no meaningful development in every sector of Nigeria’s economy without the maximum involvement of the female gender in nation-building. The female gender is capable of increasing the financial, intellectual and technological base of Nigeria if given equal opportunities and rights as given to their male counterparts.

     Secondly, the rejection of the bill will never makeNigeria achieve conformity with the United Nations Conventions on gender issues. The poor representation of female gender in Nigeria in workplaces, educational institutions and governmental agencies will continue to negate international, regional and national benchmarks of at least thirty percent representation of the female gender generally agreed upon by members of the United Nations of which Nigeria is an active part of.

     Furthermore, everybody in spite of gender is created with specific talent and skill which needs to be expressed. Equal rights and opportunities to employment and education will provide an enabling environment for the female’s personal development and give them a senseof belonging to a nation which has their interest at heart. The female constitutes about sixty percent of Nigeria’s population, yet they occupy less than fifteen percent of the political postsin the national, state and local government levels-a trend which does not speak well of Nigeria as the most populous black nation on earth. The female gender must be given their place of pride in the scheme of things. The law will serve as the template to achieve this. The bill must not be delayed but immediately passed into law.

     Lastly, the rejection of the bill will only continue to promote gender discrimination and this will continue to make women insecure, deny them meaningful employment, expose them to exploitation and sexual violence and encourage other discriminatory practices against women. To avoid all these, the Nigerian Senate must therefore wake up to its task of making credible laws and accept the Gender Equality Bill presented before it. Its failure to do this would simply mean one thing: hatred for their wives, mothers, sisters and daughters.

    However, while the above-listed reasons may be valid, I have a few reservations on the aspect of the bill that emphasizes gender equality in marriage. I am of the opinion that a woman may not enjoy equality with her husband in the true sense of the word.This is because our traditional and religious institutions do not preach gender equality in marriage. The men have always been the leaders of their various families and have always been responsible for their welfare. Their authority to lead is believed to have been bestowed on them by God Almighty.No one dare alter this natural order.

    In addition, male and female were created with physiological and behavioural differences. They were never created to be competitors-they have their areas of strengths and weaknesses. Each of them must discover and learn to cherish these differences in their own interests.While it is true that men and women were created to play different but complementary social roles, it is important that men should stand and speak up for the women in their lives. Defensive mechanisms that would promote the welfare of their female counterparts should be put in place.

    In the interim, it is advisable that Senator Abiodun Olujimi should take into consideration some of the sentiments expressed by her colleagues especially on issues pertaining to gender equality, make basic amendments on the bill and re-present it to the Senate.

    In conclusion, I want to state this clearly that the Gender Equality Bill is not a battle of the sexes; it is not a bill that removes the submissiveness of women to their husbands neither is it a bill that seeks to erode the responsibility of the women in her home. It only seeks to give the woman more opportunity to assist herself and the man in the home. It is a bill that will benefit the men andthe society at large.

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Book Title: Verdict of the Gods

Playwright: Iwu Jeff

Publisher: Transconventional Publishers

Date Published: July, 2020

ISBN: 978-978-979-443-0

Number of Pages: 84

Reviewer: Nwokeabia, Ifeanyi John.



When gods choose not to let the rain drop, the effort of a rain maker is in vain. The birds of the air always feel betrayed and confused when a thunderous fart is released in the air by an unknown spirit. The land, water and the entire space of Achara which has experienced in the past, peace and transquility, turns into a mourning zone. Night visited Achara community in a broad daylight.Iwu Jeff's play, Verdict of the Gods is an epic tragedy. It exposes a land in turmoil. But the big question is: can sins of fathers be visited on their children?

Sleep has become a stranger to the eyes of the citizens of Achara. Eze Obioha, the traditional ruler of the community is disturbed;  his emotions restless. An elder cannot fold his arms and watch a goat suffer in parturition. He seeks measures to dispel the spell wreaking havoc in his land as a leader who has the well being of the people at heart, and consequently, his family suffers the same endemic,. He's traumatised and unrelentingly quests for answers and solutions to the plight of his people.

In page 9 of the play: 

EZE OBIOHA : My daughters are down, they can no longer speak...we have followed every smell our nose can perceive, yet we have not seen any rotten thing. Where is the smell of evil coming from? Oh! My ancestors, please give us another eye, another nose, another ear and mouth. The ones we are wearing have no use ... Our gods are silent my people. I am not spared from this calamity. The spell is everywhere...

Eze Obioha being a leader who feels the pain of his people, he continually summons his cabinet members to put heads together to find lasting solutions to their problems. The cry of his people has become a thorn on his fresh and he sometimes laments to the gods questioning them on the ways his community or himself has wronged them.

In pag 77, he has this to say:

EZE OBIOHA: ...my son died two nights ago; before he died, an extra hand came out through his chest. My daughter was suddenly struck with imbecility... Who did my fathers offend?

Countless questions are asked and ountless visitations, made to the shrine of different Dibias but all efforts prove abortive. The gods remain remain 'mute' and 'tongue-tied', refusing to draw humans to the closer view of their boiling angers. Drought and famine become two beautiful maid married without a bride price, gummed like bedbugs to their land and refusing to leave. Death toll keeps multiplying on daily basis. The living prefers death as solutions are not in sight. Who will save the dying land?

Amidst the seriousness of the play, Iwu introduces two characters: Ezemma and Nwokeocha, who are members of the cabinet to ease the tension arouse by the unfolding events. These two revered men help to crack the ribs of the readers with comic banter.

In page 20;

EZEMMA: what am I saying? Wisdom! Wisdom! Igwe, I am full of...[Nwokeocha intrudes]

NWOKEOCHA [scornfully] Madman!

EZEMMA: will you shut up and listen to...

NWOKEOCHA: What wisdom can one possibly get from a lunatic? I do not blame you; a child that suckled a goat's milk will definitely act like a goat even in his old age. You need to return to your mother in her grave so you can have a taste of her breast milk.

EZEMMA: [Rises and faces Nwokeocha] How dare you call my dead mother into this? I see, you have really want to show me that you have grown enough hairs around your manhood.

ELDERS: Chai! [Elders exclaim, laughing and turning left and right] Enough!

NWOKEOCHA: [Stands up, pointing a finger at Ezemma] And you whose hairs are now overgrown into a forest, you need to be weeded...

This play is both revelational and revolutional. On the former, Iwu reveals that there's more to scapegotism as a concept. Some great African writers Wole Soyinka, Femi Osofisan and a host of others in their various plays, but Verdict of the Gods introduces a new scapegotism. However, on the latter, it demolishes the stereotype created  in most African writings, where the  God of the new religion is often given ultimate power of purifying African lands of its mess. In Verdict of the Gods, it is different as the  African gods reign supreme in sanctifying their people and their lands of sins.

The masterful ink of the playwright is laudable in his ability to select suitable words for his characters. The social standing of his characters are discernable through the quality of their language. Every scene in this play is opened with a beautiful African proverb dancing into your eyes and the use of African proverbs by the characters show the rich culture of Achara community.

The cover design of the play has great significance in the over development and arrangement of the play. Its from cover has the head of three gods joined together in a threesome unity. However, the play is not arranged in Acts and Scenes but it's divided into three - Beginning, Middle and End. The use of three gods has Biblical allusion of God the Father, Son and HolySpirit. That's, the Trinity in one God. In this play, one discovers that these Gods are one and their verdict is equally one. Despite the deviation from play's convention of Acts and Scenes, the play maintains the three unity of place, time and event which solidifies its beauty as a play. Although some might raise alarm on his use of uppercase in 'Gods' but I don't think he has committed as grammatical blunder on that. I think, it's a question of choice.


The Playwright 

Iwu Jeff ( Iwuchukwu Jephta) is an award-winning writer who has written in the three genres of literature - poetry, drama and prose. His works have gained homes in different Anthologies and online publication.

From the beginning, through the middle and to the end, the play is suspensely decorated and readers won't have any reason to drop it for a moment until one gets to the very end. Are you ready to discover the verdict of the gods for Achara people? Are you equally ready to discover how a wounded lion got its healing balm? Grab your own copy of Verdict of the Gods.

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In a bid to contribute her own tranche in the fight against coronavirus, the Society of Young Nigerian Writers which is a national umbrella of young writers in Nigeria, has unveiled a new classical anthology on COVID-19.  


This was contained in a statement signed by Izunna Okafor who is the National Coordinator and Chairman of the Writers Against COVID-19 Movement, —a broad project under which the anthology was birthed —as well as the Editor-in-Chief of the anthology.

 

According to the statement, the journey to the anthology began in April, following their announcing of a 'Call for Submissions' to that effect, in response to which over 200 writers from different countries of the world submitted 'pretty' poems and essays.


The statement reads in parts, "The fight against the novel coronavirus has become a global affray that requires the collective effort of every creature –writers inclusive –and the application of every efficacious weapon at man’s disposal– pen inclusive. This is buttressed by Edward Bulwer-Lytton’s age-long aphorism that ‘pen is mightier than sword’.


"Unarguably, this basically informed this journey to this classic anthology – the quest to employ the weapon of pen in the fight against coronavirus.


"In response to our Call for Submission which lasted for 30 days, a total of 249 beautiful poems and essays were received from writers from different countries of the world, jostling for space in the anthology. However, after a series of vetting, the editorial team found 97 entries worthy for the anthology, particularly with regard to adherence to the theme. 


"These writers, employing the tool of creativity, and toeing the path of experience and art diversity, masterfully dissect the theme, unleash their ripostes and make headway towards defeating the world’s latest enemy – coronavirus. It was the conglomeration of these ninety-six classical works of these writers that gave birth to this masterpiece – Ripostes of Locked Down Voices, which is a must-read for everyone.


"Obviously, with this publication, another feat has indeed been recorded in this global fight against the monstrous virus christened ‘COVID-19’. And this will hauntingly stand as global writers’ common ‘voice’ and ‘punch’ in this universal fight, even for generations to come. 


"My appreciation and congratulations to this troop of writers who identified with this noble cause, including those whose works could not make it to the anthology. As I always say, keep writing, for writing is part of life. 


"I must also appreciate the indefatigable National President of the Society of Young  Nigerian Writers (SYNW), and initiator of Writers Against COVID-19 Movement, Mr. Wole Adedoyin, for this wonderful initiative, which has indeed offered writers the opportunity to contribute their pencraft and creativity towards winning this battle; and also for giving us the wonderful opportunity to steer this worthy journey. 


"My appreciation also goes to my highly-talented and hardworking editorial team members – Musa Sunusi Ahmad (National PRO, SYNW, and Sec. Gen., Writers Against COVID-19 Movement ), Luqman Alawole (SYNW Coordinator, Osun State), Angelica C. Uwaezuoke (SYNW Coordinator, University of Nigeria, Nsukka),  Alabi Matthew (SYNW Coordinator, University of Lagos), and Abdulrazak Denja Balema (SYNW Coordinator, Federal University Lokoja) – and other Committee Members of the Writers Against COVID-19 Movement – Innocent David Chinaecherem (SYNW Coordinator, Federal University of Technology, Owerri), Henry Ndifreke Precious (SYNW Coordinator, University of Abuja), Sakinah Yusuf (SYNW Coordinator, Bayero University, Kano), Adebayo Iwalola (SYNW Coordinator Adekunle Ajasin University) – who all gave their best in every ramification towards the success of this project. 


"It was nice working with you bards. May your pen never run dry. Thanks also to everyone else for being part of this.

To you all, I say, let’s do it again next time."

You can (freely) download the anthology here or here .
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Posted 3 Months ago · 0 Likes · 0 Comments

Posted By Izunna Okafor



"Cry Of The Forest", a popular short story by award-winnig Nigerian writer, Godwin Cornelius Udagbor, has been translated into Hindi, an Indian Language. The translation was carried out by an Indian writer, Mrs Rukiya Begum, a poet, famous for works in her country, India.


Earlier in 2018, Cry Of The Forest received powerful recommendation from two Indian Literary giants; Professor Sahjahan Ali Ahmed and Dr Rajdeep Chowdhury. Udagbor’s work has been flying since its publication in 2018.


It has been revealed that Rukiya Begum began the translation in March 2020 and finished it in June of the same year.


Information has it that a mass production of the newly translated work is in progress, following useful negotiations between the author, Godwin Udagbor, his legal team, and the translator, Mrs Rukiya Begum.


The translator has been an avid (online) admirer of "Cry Of The Forest" and its author, an admiration that eventually culminated to such an intellectual relationship. Their online discussion invariably centered on  Polygamy.



Polygamy has two faces however; and in Africa, it implies a man marrying more than one wife simultaneously. In India it is Polyandry, that is, a woman marrying more than two husbands, to contrast with the popular African notion of Polygamy.



Presumably, it was this shocking contrast that magnetized Mrs Rukiya Begum that she decided not to let it go unattended to; hence, she decided to translate, from English to Hindi, Godwin Cornelius Udagbor’s bombshell as far she is concerned.


On his part, the author, Godwin Udagbor wishes that he could speak and write Hindi to enable him know and feel the emotions of a Hindi reader who has just discovered that, on the same planet earth, lives another version of the Polygamy their tradition has always fed them with.


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The Society of Young Nigerian Writers, through her newly launched 'Writers Against COVID-19' movement invites writers to submit poems and essays on COVID-19 for her upcoming COVID-19 Poetry/Essay Anthology.

The proposed anthology is in reaction to the novel COVID-19 pandemic currently 'harassing' the world; and it offers writers copious page to register their views on the pandemic, as well as contribute their pencraft towards winning the war against the virus.


In the words of the project's Coordinator, Izunna Okafor, "the maiden anthology will feature 'responsive' and 'bang-up' works on COVID-19 by ardent writers from different parts of the world, and will hauntingly stand as global writers' common 'voice' and 'punch' in the fight against coronavirus."

The anthology which is expected to be available by the fall of May exclusively focuses on 'CORONAVIRUS'. Thus, only works  written on the theme will be accepted for publication therein.

Before submitting your entry, here are few THINGS TO NOTE:

1. Submission is FREE and open to writers from any part of the world.

2. Entry must focus on the theme —Coronavirus

3. 'Coronavirus' is NOT the title of the anthology, neither must it be the title of your entry. It is only but a theme, and must be adhered to while writing.

4. Entrant can give their work any interesting title of their choice.

5. There is NO monetary prize attached. The cause being championed by the movement and the anthology is a worthy one, and thus requires ardency, volunteerism and sacrifice.

6. Only works that 'comply' to the submission guidelines will be selected and published.


SUBMISSION GUIDELINES:

1. Only ONE entry per entrant (poem or essay).

2. Entry MUST be written in English Language

3. Entry should be brief and concise —a maximum of 500 words for essays, and a 30 lines for poetry.

4. Author’s information —location, contact details, and a short bio of no more than 40 words should be included in the submission.

5. Entry MUST be type-written and sent in the body of the mail; NOT AS AN ATTACHMENT. Entries sent as attachment will be automatically disqualified.

6. Entry MUST be original work of the entrant.

7. All entries should be sent on or before 23rd May, 2020. Late entry will not be accepted.

8. Entries should be sent via mail to writersagainstcovid19movement@gmail.com 

9. The subject of mail should be 'COVID-19 ANTHOLOGY'.


BENEFITS:

1. All successful and shortlisted entries will be published in the COVID-19 Poetry/Essay Anthology.

2. Online promotion of the successful/published entries and entrants.

3. All successful/published entrants are entitled to e-copy of the published anthology.

4. All successful/published entrants will be given Certificates of Participation.

5. Automatic/free membership and admission into the the Society of Young Nigerian Writers will be given to successful/published young Nigerian entrants.

For further inquiries, support or partnership, contact:

writersagainstcovid19movement@gmail.com 

Or, call:

+2348163938812, Izunna Okafor

+2347069085422, Musa Sunusi Ahmad

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Society of Young Nigerian Writers, (SYNW), which is a national umbrella of young writers in Nigeria, has joined in the global fight against coronavirus, by launching and championing a new movement — 'Writers Against Covid-19'.


This was disclosed by Chairman and Coordinator of the movement, Izunna Okafor, through a release he jointly signed with the Secretary of the movement's committee, Musa Sunusi Ahmad who also doubles as the National Public Relation Officer of the SYNW.


According to the release, the movement was primarily formed to integrate writers in the ongoing  fight against COVID-19 pandemic, and to give them platforms to employ their pen, creativity and dexterity towards combating and winning the war against the novel virus, which is currently 'harassing' the world in all ramifications.

The ideation cum formation of the movement is more or less corroboratory to Edward Bulwer-Lytton's age-long pithy saying, that 'pen is mightier than sword'; and is also in keeping with the fact that writers have a plethora of roles to play in this global fight against the novel virus, and to which many of them are very ardent to give their best, if given a platform.

The statement reads in part:

"The pursuit of this new movement is tripartite in nature, with regards to the (equally new) projects it has been launched to undertake.

"One of these is administration of the association's newly launched online certificate course on coronavirus, called 'SYNW Covid-19 Correspondence Course' (which could be taken at:  www.https://covid19correspondencecourse.blogspot.com ). 

"The correspondence course has been rightly renamed after Menegian Saro-Wiwa, son of late playwright, Ken Saro-Wiwa, who recently died of COVID-19 in London.

"The movement is also charged with managing and regularly updating the SYNW COVID-19 Information Hub —

www.https://synwcovid19informationhub.blogspot.com (which is a new site exclusively created by the association, for publishing news relating to coronavirus).

"Lastly, the movement is to publish an electronic anthology on the COVID-19 pandemic (which is expected to be out by May, featuring literary works on coronavirus, from writers across the world)."

Izunna Okafor further noted through the release that, "aside publishing of successful writers' works in the anthology, certificate(s) of participation and automatic membership into the association will also be given to the successful participants in each of the projects."

He also appreciated the President of the Society of Young Nigerian Writers, Mr. Wole Adedoyin, and other National Executive Members of the association for coming up with such an apt movement.

He called on both bourgeoning and established writers from different parts of the world to identify with, and take part in the projects; even as he solicited the support of goodhearted individuals, private and public organisations, as well as government, to support the movement to achieve its reputable objectives.

Okafor, who himself is an author and equally the National Secretary of the young writers association, advised that further enquiries about the movement could be directed to the committee via: writersagainstcovid19movement@gmail.com .

Other committee members of the movement include: 

Angelica C. Uwaezuoke — (SYNW Coordinator, University of Nigeria Nsukka) 

Abdulrazak Denja Balema — (SYNW Coordinator, Federal University Lokoja)

Sakinah Yusuf — (SYNW Coordinator, Bayero University, Kano)

Adebayo Iwalola — (SYNW Coordinator, Adekunle Ajasin University)

Innocent David Chinaecherem — (SYNW Coordinator, Federal University of 

Technology Owerri)

Alabi Matthew — (SYNW Coordinator, University of Lagos)

Luqman Alawode — (SYNW Coordinator, Osun State)

Henry Ndifreke Precious — (SYNW Coordinator, University of Abuja)

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By SYNW Media

As the world celebrated the 2020 World Poetry Day, young writers in Anambra State, under the umbrella of Society of Young Nigerian Writers have reiterated call for immortalization of Chinua Achebe, one of Nigeria's foremost literary figures.


The Coordinator of the association, Mr. Izunna Okafor announced this during a one-day literary event organized by the association, in commemoration of the day in Anambra State.


The event which held at the Anambra State Central E-Library, Awka on Saturday, was also used to mark the association's March monthly reading, and also for remembering seven years of Achebe's exit, who coincidentally died on World Poetry Day (21st March, 2013).


He disclosed that the association has been in the forefront in celebrating the legend, Achebe,  and his works, through the annual 'Chinua Achebe Literary Festival'; through publishing of annual poetry/essay anthology in his honour; and through organizing annual secondary school essay writing competition in his honour, which he said, was recently endowed by the Anambra Newspapers and Printing Corporation, among other numerous ways they keep Achebe's memory alive.


According to him, the 2019 edition of the Chinua Achebe Literary Festival birthed a world class anthology —Arrows of Words; and also birthed a six-point communiqué and recommendation, which the association sent (with accompanying letter) to the State Governor, Chief Dr. Willie Obiano, and other concerned ministries and agencies of the State Government, for implementation.


He disclosed that the number-one item in the six-point communiqué (which he said they deliberately did not publish online for public consumption, until one month after the event) was the call for Chinua Achebe's immortalization, as well as suggestions/recommendations on how that could be best done.


Okafor, an award-winnig author and journalist, however, further regretted that, up till today, the State Government is yet to commence implementation of any of the items contained in the communiqué.


"The State Government needs not ignore or allow such a wonderful communiqué as that to die a natural death, as that would not be fair or encouraging who aspire to toe Achebe's path," he added.


He therefore reminded the State Government and other concerned authorities of the need to productively utilize the communiqué and immortalize Chinua Achebe, who he said is overdue for the that, owing to his great contributions and legacies in the literary field of life, before bowing out seven years ago. 


Others who spoke at the event, including the author of "Pregnancy of the gods" and Managing Director/Chief Creative Officer of Brande Aristotle Limited, Mr. Odili Ujubuońu; award-winnig Journalist, Dr. Odogwu Emeka Odogwu, among others, tasked the young writers on creativity, and further re-emphasize the inestimable importance of such literary gatherings to those who truly want to excel in the literary field.


The three-in-one event featured readings (both in honour of Achebe and the World Poetry Day), literary appreciation, observance of a minute silence in honour of Chinua Achebe's soul, among other literary packages slated for the day.

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