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Woman in Hong Kong gets married without knowing it

Updated 1 Year ago · 3 Likes · 0 Comments

A job scam was used to trick this woman into marrying a total stranger. Sounds funny buy she signed a marriage document thinking she was role playing and proving she could work as a wedding planner.

The woman has said she was told that she had to play the role of a bride in a simulated wedding as part of her training to be a wedding planner.

During the ceremony she and the man signed a genuine marriage document.

She only realised she was actually married after returning to Hong Kong, where she sought legal help.

Local police were unable to help due to a lack of evidence that a crime had taken place, so she approached the Hong Kong Federation of Trade Unions (FTU).

"It's a new form of marriage scam," Tong Kamgyiu, director of the Rights and Benefits Committee of FTU, told the BBC.

"I feel disappointed and cannot believe it's even happening in modern Hong Kong."

She remains married for now and may have to apply for a divorce. It is unclear who the man she married is, or if he entered Hong Kong after the marriage.

"The 21 year-old lady was taken advantage of while she knew nothing about the circumstances," said Mr Tong.

"Her biggest loss is to have a marriage record and it has caused her psychological damage."

Each year, Hong Kong police see an average of 1000 cross-border marriage scam cases.

Chinese residents who are married to a Hong Kong partner are able to apply to reside in the city.

BBC

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Updated 1 Month ago · 0 Likes · 0 Comments

Book Title: Verdict of the Gods

Playwright: Iwu Jeff

Publisher: Transconventional Publishers

Date Published: July, 2020

ISBN: 978-978-979-443-0

Number of Pages: 84

Reviewer: Nwokeabia, Ifeanyi John.



When gods choose not to let the rain drop, the effort of a rain maker is in vain. The birds of the air always feel betrayed and confused when a thunderous fart is released in the air by an unknown spirit. The land, water and the entire space of Achara which has experienced in the past, peace and transquility, turns into a mourning zone. Night visited Achara community in a broad daylight.Iwu Jeff's play, Verdict of the Gods is an epic tragedy. It exposes a land in turmoil. But the big question is: can sins of fathers be visited on their children?

Sleep has become a stranger to the eyes of the citizens of Achara. Eze Obioha, the traditional ruler of the community is disturbed;  his emotions restless. An elder cannot fold his arms and watch a goat suffer in parturition. He seeks measures to dispel the spell wreaking havoc in his land as a leader who has the well being of the people at heart, and consequently, his family suffers the same endemic,. He's traumatised and unrelentingly quests for answers and solutions to the plight of his people.

In page 9 of the play: 

EZE OBIOHA : My daughters are down, they can no longer speak...we have followed every smell our nose can perceive, yet we have not seen any rotten thing. Where is the smell of evil coming from? Oh! My ancestors, please give us another eye, another nose, another ear and mouth. The ones we are wearing have no use ... Our gods are silent my people. I am not spared from this calamity. The spell is everywhere...

Eze Obioha being a leader who feels the pain of his people, he continually summons his cabinet members to put heads together to find lasting solutions to their problems. The cry of his people has become a thorn on his fresh and he sometimes laments to the gods questioning them on the ways his community or himself has wronged them.

In pag 77, he has this to say:

EZE OBIOHA: ...my son died two nights ago; before he died, an extra hand came out through his chest. My daughter was suddenly struck with imbecility... Who did my fathers offend?

Countless questions are asked and ountless visitations, made to the shrine of different Dibias but all efforts prove abortive. The gods remain remain 'mute' and 'tongue-tied', refusing to draw humans to the closer view of their boiling angers. Drought and famine become two beautiful maid married without a bride price, gummed like bedbugs to their land and refusing to leave. Death toll keeps multiplying on daily basis. The living prefers death as solutions are not in sight. Who will save the dying land?

Amidst the seriousness of the play, Iwu introduces two characters: Ezemma and Nwokeocha, who are members of the cabinet to ease the tension arouse by the unfolding events. These two revered men help to crack the ribs of the readers with comic banter.

In page 20;

EZEMMA: what am I saying? Wisdom! Wisdom! Igwe, I am full of...[Nwokeocha intrudes]

NWOKEOCHA [scornfully] Madman!

EZEMMA: will you shut up and listen to...

NWOKEOCHA: What wisdom can one possibly get from a lunatic? I do not blame you; a child that suckled a goat's milk will definitely act like a goat even in his old age. You need to return to your mother in her grave so you can have a taste of her breast milk.

EZEMMA: [Rises and faces Nwokeocha] How dare you call my dead mother into this? I see, you have really want to show me that you have grown enough hairs around your manhood.

ELDERS: Chai! [Elders exclaim, laughing and turning left and right] Enough!

NWOKEOCHA: [Stands up, pointing a finger at Ezemma] And you whose hairs are now overgrown into a forest, you need to be weeded...

This play is both revelational and revolutional. On the former, Iwu reveals that there's more to scapegotism as a concept. Some great African writers Wole Soyinka, Femi Osofisan and a host of others in their various plays, but Verdict of the Gods introduces a new scapegotism. However, on the latter, it demolishes the stereotype created  in most African writings, where the  God of the new religion is often given ultimate power of purifying African lands of its mess. In Verdict of the Gods, it is different as the  African gods reign supreme in sanctifying their people and their lands of sins.

The masterful ink of the playwright is laudable in his ability to select suitable words for his characters. The social standing of his characters are discernable through the quality of their language. Every scene in this play is opened with a beautiful African proverb dancing into your eyes and the use of African proverbs by the characters show the rich culture of Achara community.

The cover design of the play has great significance in the over development and arrangement of the play. Its from cover has the head of three gods joined together in a threesome unity. However, the play is not arranged in Acts and Scenes but it's divided into three - Beginning, Middle and End. The use of three gods has Biblical allusion of God the Father, Son and HolySpirit. That's, the Trinity in one God. In this play, one discovers that these Gods are one and their verdict is equally one. Despite the deviation from play's convention of Acts and Scenes, the play maintains the three unity of place, time and event which solidifies its beauty as a play. Although some might raise alarm on his use of uppercase in 'Gods' but I don't think he has committed as grammatical blunder on that. I think, it's a question of choice.


The Playwright 

Iwu Jeff ( Iwuchukwu Jephta) is an award-winning writer who has written in the three genres of literature - poetry, drama and prose. His works have gained homes in different Anthologies and online publication.

From the beginning, through the middle and to the end, the play is suspensely decorated and readers won't have any reason to drop it for a moment until one gets to the very end. Are you ready to discover the verdict of the gods for Achara people? Are you equally ready to discover how a wounded lion got its healing balm? Grab your own copy of Verdict of the Gods.

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Teo Han Siang
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Financial reports are critical since they contain significant information about the financial health of a business. These reports allow business owners to make an informed decision as they highlight which companies’ areas offer the best return-on-investment. Unless exempted, companies in Singapore are mandated to file their financial reports or statements with ACRA. The reports must abide by the Singapore Financial Reporting Standards or SFRS that the Accounting Standards Council issued.

Other benefits of financial reporting include:

  • Enhanced debt management: Regardless of the business sector, debt can cripple the company’s development all the same. Financial reports allow companies to track their current assets divided by their current liabilities on their balance to help gauge their liquidity and handle their debts accordingly.
  • Identification of trend: Financial statements allow business owners to spot trends, both past and the present, which empower them to overcome potential weaknesses while assisting them in making improvements that will be beneficial to their business’s overall health.
  • Real-time tracking: By getting access to centralised, real-time insights, business owners would be able to make informed business decisions swiftly, hence, preventing any possible hurdles while keeping their financial fluidity all the time.
  • Liabilities management: Proper liabilities management is a vital part of the ongoing financial health of the company. Examples of integral liabilities include business loans and credit cards. The financial statements allow business owners to determine whether they need to decrease existing liabilities before making an official business loan application.

Business entities exempted from the financial report filing are as follows:

  • Partnerships, including limited partnerships
  • Sole proprietorships
  • Solvent EPCs or Exempt Private Companies. While solvent EPCs are exempted, they are encouraged to file their financial statements.
  • Dormant unlisted companies, which are dormant from their establishment’s time or since the end of the past financial year.

To ensure accurate and legally compliant financial reporting, business owners should seek assistance from reputable Singapore accounting services. When selecting accounting services in Singapore, be sure to consider factors like the agency’s credibility, reliability, industry expertise, pricing model, and extra services.

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In a bid to contribute her own tranche in the fight against coronavirus, the Society of Young Nigerian Writers which is a national umbrella of young writers in Nigeria, has unveiled a new classical anthology on COVID-19.  


This was contained in a statement signed by Izunna Okafor who is the National Coordinator and Chairman of the Writers Against COVID-19 Movement, —a broad project under which the anthology was birthed —as well as the Editor-in-Chief of the anthology.

 

According to the statement, the journey to the anthology began in April, following their announcing of a 'Call for Submissions' to that effect, in response to which over 200 writers from different countries of the world submitted 'pretty' poems and essays.


The statement reads in parts, "The fight against the novel coronavirus has become a global affray that requires the collective effort of every creature –writers inclusive –and the application of every efficacious weapon at man’s disposal– pen inclusive. This is buttressed by Edward Bulwer-Lytton’s age-long aphorism that ‘pen is mightier than sword’.


"Unarguably, this basically informed this journey to this classic anthology – the quest to employ the weapon of pen in the fight against coronavirus.


"In response to our Call for Submission which lasted for 30 days, a total of 249 beautiful poems and essays were received from writers from different countries of the world, jostling for space in the anthology. However, after a series of vetting, the editorial team found 97 entries worthy for the anthology, particularly with regard to adherence to the theme. 


"These writers, employing the tool of creativity, and toeing the path of experience and art diversity, masterfully dissect the theme, unleash their ripostes and make headway towards defeating the world’s latest enemy – coronavirus. It was the conglomeration of these ninety-six classical works of these writers that gave birth to this masterpiece – Ripostes of Locked Down Voices, which is a must-read for everyone.


"Obviously, with this publication, another feat has indeed been recorded in this global fight against the monstrous virus christened ‘COVID-19’. And this will hauntingly stand as global writers’ common ‘voice’ and ‘punch’ in this universal fight, even for generations to come. 


"My appreciation and congratulations to this troop of writers who identified with this noble cause, including those whose works could not make it to the anthology. As I always say, keep writing, for writing is part of life. 


"I must also appreciate the indefatigable National President of the Society of Young  Nigerian Writers (SYNW), and initiator of Writers Against COVID-19 Movement, Mr. Wole Adedoyin, for this wonderful initiative, which has indeed offered writers the opportunity to contribute their pencraft and creativity towards winning this battle; and also for giving us the wonderful opportunity to steer this worthy journey. 


"My appreciation also goes to my highly-talented and hardworking editorial team members – Musa Sunusi Ahmad (National PRO, SYNW, and Sec. Gen., Writers Against COVID-19 Movement ), Luqman Alawole (SYNW Coordinator, Osun State), Angelica C. Uwaezuoke (SYNW Coordinator, University of Nigeria, Nsukka),  Alabi Matthew (SYNW Coordinator, University of Lagos), and Abdulrazak Denja Balema (SYNW Coordinator, Federal University Lokoja) – and other Committee Members of the Writers Against COVID-19 Movement – Innocent David Chinaecherem (SYNW Coordinator, Federal University of Technology, Owerri), Henry Ndifreke Precious (SYNW Coordinator, University of Abuja), Sakinah Yusuf (SYNW Coordinator, Bayero University, Kano), Adebayo Iwalola (SYNW Coordinator Adekunle Ajasin University) – who all gave their best in every ramification towards the success of this project. 


"It was nice working with you bards. May your pen never run dry. Thanks also to everyone else for being part of this.

To you all, I say, let’s do it again next time."

You can (freely) download the anthology here or here .
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Posted 2 Months ago · 0 Likes · 0 Comments

Posted By Izunna Okafor



"Cry Of The Forest", a popular short story by award-winnig Nigerian writer, Godwin Cornelius Udagbor, has been translated into Hindi, an Indian Language. The translation was carried out by an Indian writer, Mrs Rukiya Begum, a poet, famous for works in her country, India.


Earlier in 2018, Cry Of The Forest received powerful recommendation from two Indian Literary giants; Professor Sahjahan Ali Ahmed and Dr Rajdeep Chowdhury. Udagbor’s work has been flying since its publication in 2018.


It has been revealed that Rukiya Begum began the translation in March 2020 and finished it in June of the same year.


Information has it that a mass production of the newly translated work is in progress, following useful negotiations between the author, Godwin Udagbor, his legal team, and the translator, Mrs Rukiya Begum.


The translator has been an avid (online) admirer of "Cry Of The Forest" and its author, an admiration that eventually culminated to such an intellectual relationship. Their online discussion invariably centered on  Polygamy.



Polygamy has two faces however; and in Africa, it implies a man marrying more than one wife simultaneously. In India it is Polyandry, that is, a woman marrying more than two husbands, to contrast with the popular African notion of Polygamy.



Presumably, it was this shocking contrast that magnetized Mrs Rukiya Begum that she decided not to let it go unattended to; hence, she decided to translate, from English to Hindi, Godwin Cornelius Udagbor’s bombshell as far she is concerned.


On his part, the author, Godwin Udagbor wishes that he could speak and write Hindi to enable him know and feel the emotions of a Hindi reader who has just discovered that, on the same planet earth, lives another version of the Polygamy their tradition has always fed them with.


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The Society of Young Nigerian Writers, through her newly launched 'Writers Against COVID-19' movement invites writers to submit poems and essays on COVID-19 for her upcoming COVID-19 Poetry/Essay Anthology.

The proposed anthology is in reaction to the novel COVID-19 pandemic currently 'harassing' the world; and it offers writers copious page to register their views on the pandemic, as well as contribute their pencraft towards winning the war against the virus.


In the words of the project's Coordinator, Izunna Okafor, "the maiden anthology will feature 'responsive' and 'bang-up' works on COVID-19 by ardent writers from different parts of the world, and will hauntingly stand as global writers' common 'voice' and 'punch' in the fight against coronavirus."

The anthology which is expected to be available by the fall of May exclusively focuses on 'CORONAVIRUS'. Thus, only works  written on the theme will be accepted for publication therein.

Before submitting your entry, here are few THINGS TO NOTE:

1. Submission is FREE and open to writers from any part of the world.

2. Entry must focus on the theme —Coronavirus

3. 'Coronavirus' is NOT the title of the anthology, neither must it be the title of your entry. It is only but a theme, and must be adhered to while writing.

4. Entrant can give their work any interesting title of their choice.

5. There is NO monetary prize attached. The cause being championed by the movement and the anthology is a worthy one, and thus requires ardency, volunteerism and sacrifice.

6. Only works that 'comply' to the submission guidelines will be selected and published.


SUBMISSION GUIDELINES:

1. Only ONE entry per entrant (poem or essay).

2. Entry MUST be written in English Language

3. Entry should be brief and concise —a maximum of 500 words for essays, and a 30 lines for poetry.

4. Author’s information —location, contact details, and a short bio of no more than 40 words should be included in the submission.

5. Entry MUST be type-written and sent in the body of the mail; NOT AS AN ATTACHMENT. Entries sent as attachment will be automatically disqualified.

6. Entry MUST be original work of the entrant.

7. All entries should be sent on or before 23rd May, 2020. Late entry will not be accepted.

8. Entries should be sent via mail to writersagainstcovid19movement@gmail.com 

9. The subject of mail should be 'COVID-19 ANTHOLOGY'.


BENEFITS:

1. All successful and shortlisted entries will be published in the COVID-19 Poetry/Essay Anthology.

2. Online promotion of the successful/published entries and entrants.

3. All successful/published entrants are entitled to e-copy of the published anthology.

4. All successful/published entrants will be given Certificates of Participation.

5. Automatic/free membership and admission into the the Society of Young Nigerian Writers will be given to successful/published young Nigerian entrants.

For further inquiries, support or partnership, contact:

writersagainstcovid19movement@gmail.com 

Or, call:

+2348163938812, Izunna Okafor

+2347069085422, Musa Sunusi Ahmad

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Updated 5 Months ago · 0 Likes · 0 Comments

Society of Young Nigerian Writers, (SYNW), which is a national umbrella of young writers in Nigeria, has joined in the global fight against coronavirus, by launching and championing a new movement — 'Writers Against Covid-19'.


This was disclosed by Chairman and Coordinator of the movement, Izunna Okafor, through a release he jointly signed with the Secretary of the movement's committee, Musa Sunusi Ahmad who also doubles as the National Public Relation Officer of the SYNW.


According to the release, the movement was primarily formed to integrate writers in the ongoing  fight against COVID-19 pandemic, and to give them platforms to employ their pen, creativity and dexterity towards combating and winning the war against the novel virus, which is currently 'harassing' the world in all ramifications.

The ideation cum formation of the movement is more or less corroboratory to Edward Bulwer-Lytton's age-long pithy saying, that 'pen is mightier than sword'; and is also in keeping with the fact that writers have a plethora of roles to play in this global fight against the novel virus, and to which many of them are very ardent to give their best, if given a platform.

The statement reads in part:

"The pursuit of this new movement is tripartite in nature, with regards to the (equally new) projects it has been launched to undertake.

"One of these is administration of the association's newly launched online certificate course on coronavirus, called 'SYNW Covid-19 Correspondence Course' (which could be taken at:  www.https://covid19correspondencecourse.blogspot.com ). 

"The correspondence course has been rightly renamed after Menegian Saro-Wiwa, son of late playwright, Ken Saro-Wiwa, who recently died of COVID-19 in London.

"The movement is also charged with managing and regularly updating the SYNW COVID-19 Information Hub —

www.https://synwcovid19informationhub.blogspot.com (which is a new site exclusively created by the association, for publishing news relating to coronavirus).

"Lastly, the movement is to publish an electronic anthology on the COVID-19 pandemic (which is expected to be out by May, featuring literary works on coronavirus, from writers across the world)."

Izunna Okafor further noted through the release that, "aside publishing of successful writers' works in the anthology, certificate(s) of participation and automatic membership into the association will also be given to the successful participants in each of the projects."

He also appreciated the President of the Society of Young Nigerian Writers, Mr. Wole Adedoyin, and other National Executive Members of the association for coming up with such an apt movement.

He called on both bourgeoning and established writers from different parts of the world to identify with, and take part in the projects; even as he solicited the support of goodhearted individuals, private and public organisations, as well as government, to support the movement to achieve its reputable objectives.

Okafor, who himself is an author and equally the National Secretary of the young writers association, advised that further enquiries about the movement could be directed to the committee via: writersagainstcovid19movement@gmail.com .

Other committee members of the movement include: 

Angelica C. Uwaezuoke — (SYNW Coordinator, University of Nigeria Nsukka) 

Abdulrazak Denja Balema — (SYNW Coordinator, Federal University Lokoja)

Sakinah Yusuf — (SYNW Coordinator, Bayero University, Kano)

Adebayo Iwalola — (SYNW Coordinator, Adekunle Ajasin University)

Innocent David Chinaecherem — (SYNW Coordinator, Federal University of 

Technology Owerri)

Alabi Matthew — (SYNW Coordinator, University of Lagos)

Luqman Alawode — (SYNW Coordinator, Osun State)

Henry Ndifreke Precious — (SYNW Coordinator, University of Abuja)

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