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Book Title: Verdict of the Gods

Playwright: Iwu Jeff

Publisher: Transconventional Publishers

Date Published: July, 2020

ISBN: 978-978-979-443-0

Number of Pages: 84

Reviewer: Nwokeabia, Ifeanyi John.



When gods choose not to let the rain drop, the effort of a rain maker is in vain. The birds of the air always feel betrayed and confused when a thunderous fart is released in the air by an unknown spirit. The land, water and the entire space of Achara which has experienced in the past, peace and transquility, turns into a mourning zone. Night visited Achara community in a broad daylight.Iwu Jeff's play, Verdict of the Gods is an epic tragedy. It exposes a land in turmoil. But the big question is: can sins of fathers be visited on their children?

Sleep has become a stranger to the eyes of the citizens of Achara. Eze Obioha, the traditional ruler of the community is disturbed;  his emotions restless. An elder cannot fold his arms and watch a goat suffer in parturition. He seeks measures to dispel the spell wreaking havoc in his land as a leader who has the well being of the people at heart, and consequently, his family suffers the same endemic,. He's traumatised and unrelentingly quests for answers and solutions to the plight of his people.

In page 9 of the play: 

EZE OBIOHA : My daughters are down, they can no longer speak...we have followed every smell our nose can perceive, yet we have not seen any rotten thing. Where is the smell of evil coming from? Oh! My ancestors, please give us another eye, another nose, another ear and mouth. The ones we are wearing have no use ... Our gods are silent my people. I am not spared from this calamity. The spell is everywhere...

Eze Obioha being a leader who feels the pain of his people, he continually summons his cabinet members to put heads together to find lasting solutions to their problems. The cry of his people has become a thorn on his fresh and he sometimes laments to the gods questioning them on the ways his community or himself has wronged them.

In pag 77, he has this to say:

EZE OBIOHA: ...my son died two nights ago; before he died, an extra hand came out through his chest. My daughter was suddenly struck with imbecility... Who did my fathers offend?

Countless questions are asked and ountless visitations, made to the shrine of different Dibias but all efforts prove abortive. The gods remain remain 'mute' and 'tongue-tied', refusing to draw humans to the closer view of their boiling angers. Drought and famine become two beautiful maid married without a bride price, gummed like bedbugs to their land and refusing to leave. Death toll keeps multiplying on daily basis. The living prefers death as solutions are not in sight. Who will save the dying land?

Amidst the seriousness of the play, Iwu introduces two characters: Ezemma and Nwokeocha, who are members of the cabinet to ease the tension arouse by the unfolding events. These two revered men help to crack the ribs of the readers with comic banter.

In page 20;

EZEMMA: what am I saying? Wisdom! Wisdom! Igwe, I am full of...[Nwokeocha intrudes]

NWOKEOCHA [scornfully] Madman!

EZEMMA: will you shut up and listen to...

NWOKEOCHA: What wisdom can one possibly get from a lunatic? I do not blame you; a child that suckled a goat's milk will definitely act like a goat even in his old age. You need to return to your mother in her grave so you can have a taste of her breast milk.

EZEMMA: [Rises and faces Nwokeocha] How dare you call my dead mother into this? I see, you have really want to show me that you have grown enough hairs around your manhood.

ELDERS: Chai! [Elders exclaim, laughing and turning left and right] Enough!

NWOKEOCHA: [Stands up, pointing a finger at Ezemma] And you whose hairs are now overgrown into a forest, you need to be weeded...

This play is both revelational and revolutional. On the former, Iwu reveals that there's more to scapegotism as a concept. Some great African writers Wole Soyinka, Femi Osofisan and a host of others in their various plays, but Verdict of the Gods introduces a new scapegotism. However, on the latter, it demolishes the stereotype created  in most African writings, where the  God of the new religion is often given ultimate power of purifying African lands of its mess. In Verdict of the Gods, it is different as the  African gods reign supreme in sanctifying their people and their lands of sins.

The masterful ink of the playwright is laudable in his ability to select suitable words for his characters. The social standing of his characters are discernable through the quality of their language. Every scene in this play is opened with a beautiful African proverb dancing into your eyes and the use of African proverbs by the characters show the rich culture of Achara community.

The cover design of the play has great significance in the over development and arrangement of the play. Its from cover has the head of three gods joined together in a threesome unity. However, the play is not arranged in Acts and Scenes but it's divided into three - Beginning, Middle and End. The use of three gods has Biblical allusion of God the Father, Son and HolySpirit. That's, the Trinity in one God. In this play, one discovers that these Gods are one and their verdict is equally one. Despite the deviation from play's convention of Acts and Scenes, the play maintains the three unity of place, time and event which solidifies its beauty as a play. Although some might raise alarm on his use of uppercase in 'Gods' but I don't think he has committed as grammatical blunder on that. I think, it's a question of choice.


The Playwright 

Iwu Jeff ( Iwuchukwu Jephta) is an award-winning writer who has written in the three genres of literature - poetry, drama and prose. His works have gained homes in different Anthologies and online publication.

From the beginning, through the middle and to the end, the play is suspensely decorated and readers won't have any reason to drop it for a moment until one gets to the very end. Are you ready to discover the verdict of the gods for Achara people? Are you equally ready to discover how a wounded lion got its healing balm? Grab your own copy of Verdict of the Gods.

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Posted 2 Months ago · 0 Likes · 0 Comments

Posted By Izunna Okafor



"Cry Of The Forest", a popular short story by award-winnig Nigerian writer, Godwin Cornelius Udagbor, has been translated into Hindi, an Indian Language. The translation was carried out by an Indian writer, Mrs Rukiya Begum, a poet, famous for works in her country, India.


Earlier in 2018, Cry Of The Forest received powerful recommendation from two Indian Literary giants; Professor Sahjahan Ali Ahmed and Dr Rajdeep Chowdhury. Udagbor’s work has been flying since its publication in 2018.


It has been revealed that Rukiya Begum began the translation in March 2020 and finished it in June of the same year.


Information has it that a mass production of the newly translated work is in progress, following useful negotiations between the author, Godwin Udagbor, his legal team, and the translator, Mrs Rukiya Begum.


The translator has been an avid (online) admirer of "Cry Of The Forest" and its author, an admiration that eventually culminated to such an intellectual relationship. Their online discussion invariably centered on  Polygamy.



Polygamy has two faces however; and in Africa, it implies a man marrying more than one wife simultaneously. In India it is Polyandry, that is, a woman marrying more than two husbands, to contrast with the popular African notion of Polygamy.



Presumably, it was this shocking contrast that magnetized Mrs Rukiya Begum that she decided not to let it go unattended to; hence, she decided to translate, from English to Hindi, Godwin Cornelius Udagbor’s bombshell as far she is concerned.


On his part, the author, Godwin Udagbor wishes that he could speak and write Hindi to enable him know and feel the emotions of a Hindi reader who has just discovered that, on the same planet earth, lives another version of the Polygamy their tradition has always fed them with.


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Osita Eze, Youth Pastor
Posted 3 Months ago · 0 Likes · 0 Comments

     Sometime ago, I attended a youth programme and overheard one of the high-ranking priests lamenting that many of the youths in the Anglican Church are breaking their (spiritual) fathers’ hearts by relocating to the Pentecostal circle especially after they had invested so much virtues in them.  Several questions came up in my mind when I heard this statement. (1). Is it really compulsory for a Christian youth to remain permanently in the church/ denomination he was born into? My answer to that question is “No”. If God is leading a Christian youth to relocate to another church especially if he or she is no longer enjoying spiritual balanced diet, he or she should by no means move on to another church.

(2). Must all outstanding Christian youths become members of the hierarchical pastoral order of a church? My answer is “No”. If God has not called a youth into the ministry let no pastor or priest ‘call’ him into any of the five-fold ministries.  He or she should not be cajoled or pressurized into accepting such ‘call’. Otherwise that would amount to asking the young man or woman to take on more responsibilities than he or she was created/destined to handle.

(3). Is it really wrong for a member of a church or denomination to attend programmes of other churches or denominations? My answer is “No”. It is quite alarming that several Christian leaders had promoted and are still promoting disunity by discouraging their younger followers from attending meetings or fellowship organized by other church leaders or even interact with other Christians no matter how spiritual or godly they are.  Some of them even go to the extent of suspending those who attended such programmes from their responsibility (ies) in church. Let us stop the hypocrisy. Pray for unity in the Body of Christ, preach unity in the Body of Christ and practice unity in the Body of Christ.

(4). Is it compulsory for a Christian youth to remain bounded to his or her church/denomination by marrying a fellow believer from his or her church? Marrying a believer from your church/ denomination is a good idea but it is advisable that a Christian marries a man or woman that fears God, irrespective of his or her denomination.

     Please do not get me wrong. It is not that I do not care about the emotional pains pastors go through each time their followers relocate to another church for whatever reason. I do but the best bet is that pastors and priests should learn to release people from their hearts when they leave the churches they oversee without hurting themselves or anyone. It is also important for a pastor or priest to identify and discover the departments or units of his church where more hands are needed and personally ask the Lord of the harvest to send more labourers to meet those specific needs in the church he pastors.

                                                                                                        

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Osita Eze, Youth Pastor
Posted 3 Months ago · 0 Likes · 0 Comments

 

     According to the Oxford Advanced Learner’s Dictionary, a slave is ‘a person that is controlled by another person or thing’. He does not have an independent mind-his decisions are strongly influenced by another person or thing.

     A slave to sin is a person who is controlled by the force of sin. He cannot do without committing sin. He is strongly bonded to the yoke of sin no matter how much he tries to break free from it.  

 

WHAT IS SIN?

     Sin is the transgression of the law. It is an act of disobedience to God’s established laws and commandments. Anyone who lives with the habit of breaking God’s laws is a sinner.

 

CONSEQUENCES OF BEING A SLAVE TO SIN

      There are six main consequences of being a slave to sin. They are:

1. He is an alien to God: Anyone still living in sin is a stranger in God’s house. He does not have a permanent residence in God’s kingdom. “The slave does not continue in the house (God’s family) for ever… (John 8:35a, words in bracket mine). He cannot have access to God’s kingdom riches unless he repents from sin.

 2. He is the devil’s possession: Anyone who has the devil’s property (sin) in him is automatically a toy in the hands of the devil. “He who commits sin is of the devil” (1 John 3:8a). The devil uses him to fulfil his whims and caprices.

3. His prayers are unanswered: A sinner’s prayer is an abomination before God (Isaiah 59:1-2). God doesn’t hear such prayer. The only prayer of a sinner that is acceptable to God is the prayer of genuine repentance.

4. He is a victim of God’s wrath: God’s face is against anyone who does evil (1 Peter 3:12b).  His wrath rests evidently with sinners daily (Psalm 7:11b, John 3:36b).  

5. He is spiritually separated from God: Sin separates a man from God because His eyes are too holy to behold iniquity (Isaiah 59:2). It makes a man to be far from God. It is the cry for mercy that brings him close to God.

6. He has an eternal home in hell: A sinner has a permanent home in hell, a place that burns with fire and brimstone eternally if he fails to repent from his sins (Revelation 21:8). No unrighteous person will enter into heaven, the eternal home prepared for the saints.

 

THE WAY OUT OF SLAVERY

     Living a life that is free from the bondage of sin is a choice to be made by those who are tired of being the devil’s captive. 

     The first step to living a sin-free live is to hate sin, confess your previous sins and forsake them (Proverb 28:13).

     Secondly, you must invite Jesus into your heart by faith now that He can still be found. When He comes in, He will break the yoke of sin in your life and give you the power to become God’s child (Matthew 11:28-29, John 1:12).

   Thirdly, you must make a permanent commitment to Jesus to serve Him as your Lord and Saviour all the days of your life. Living a sin-free life comes with its own special demand and package-a life of total surrender to the Lordship of Jesus now and forever.

     Lastly, learn everything you need to know about Jesus by attending a church where God’s words are taught with sincerity. Study and meditate on His actions, teachings and commandments. Ensure that you obey Him every time and everywhere. Regular obedience to God is the surest way to maintaining your liberty in Christ Jesus. Make the decision to obey Him today. Shalom.

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Osita Eze, Youth Pastor
Posted 5 Months ago · 0 Likes · 0 Comments

As Christians who believe in God, we are channels of God’s power to the outside world. God’s power is a spiritual liquid formula that serves as a deposit of His presence in every believer. It is a life-giving power that flows from within thus bringing healing and divine health to the church and conviction in the hearts of those who hear us. Unfortunately, we have lost it. We no longer preach to the peoples of the world by the assistance of God’s tangible power. The church has become entangled with worldliness and is struggling to come out of it.

     What can be the probable factors responsible for this? There are four basic factors responsible for the seizure of God’s power in our generation. They are:

1. Lack of focus: A lot of times, we, the church has failed to take the river of God’s powerto places where it is needed. We only concentrate it on our church or denomination activities and programmes. We have become too self-centred to the extent that we no longer care to do something positive about reaching out to those outside the four walls of our church building and denomination. We now give priority to building of cathedrals and raising of millionaires instead of preaching and teaching the whole counsel of God to our hearers. We are divided by our various church doctrines rather than the finality of the Scripture.

2. Because there are holes in the riverbeds: Oftentimes, when there is a heavy downpour from the sky, water does not always flow easily to places where it is needed because of the presence of potholes.These holes serve as a limit to the flow of the deluge of water.

We are the channels through which God demonstrates His mighty power to the world. When there are holes in our lives as a church, the river of His power sinks without flowing. For instance, many people go for ordination into any of the five-fold ministries of Jesus Christ-Apostle, Prophet, Evangelist, Pastor and Teacher without being adequately prepared for this spiritual assignment. Many of them do not submit themselves to godly discipleship. They have become spiritual bastards and have thus taught their followers to be same with them. They are without spiritual guide and mentoring.

     Some churches and para-church organizations are employing poor individuals and young unemployed graduates as pastors in their denomination for the sake of God’s kingdom and their denomination’s expansion. Some don’t even have well prepared follow-up outlines for their converts. They simply leave and expose them to greater influence of the world and the devil.

3. Because too many people depend on our river: Pastors with experiential daily knowledge of God are the most strategic change agents to deal with the problems in our society. Many church attendees look up to their pastors for help and solution to their spiritual problems. They see him as a person without weaknesses and problems.They throng into his office and home even at odd hours for counseling and prayers. They don’t do this with the intention of wearing out the pastor. But in actual sense, every true pastor called of God will always want to help their members because it is his responsibility.

     When people draw too much virtue from the pastor without him going back to God to be refilled with spiritual strength, God’s power will not flow to other people’s direction. Jesus understood this fact. And the scriptures records that each time He ministered healing to the sick andoppressed, virtues flows out of Him. He returned to God to be filled with new power and anointing. He did not rely on yesterday’s revelation and anointing for today’s ministration. It was each day, new revelation. He was always retreating from activities and from the multitudes to regain new strength. The reverse is now the case with many pastors and Christian leaders who have become empty cisterns because they no longer go on spiritual retreats.

4. When there are limitations: Sin and inconsistency in observing our consecration are limiting factors to the flow of God’s power. When a minister does not pay proper attention to his strengths and deal with his weaknesses, there is the tendency for him to see more of his weaknesses than his strength.

     A lot of times when God speaks or instructs us to deny ourselves of certain pleasures so that we can be more sensitive to Him, we see Him as a wicked God who forces His will on us. As a result, we begin to rely more on our strength rather than on our God. Samson, in the Bible at a point was no longer committed to his consecration. He reliedon his physical strength rather than God. He almost lost out of God’s plan for his life if not for the mercy of God that prevailed over him. The lesson here is this: Sin is a reproach and it has the capacity to block the flow of God’s power to our generation.

     To clear the blocked channels of God’s rivers of living water, Christians must have faith in Christ and obey His teachings. Jesus said: “He who believes in Me, as the Scripture has said, out of his heart will flow rivers of living water” (John 7:38, NKJV). Prompt obedience to the words of Christ is the secret to blessing our generation with the rivers of living waters which is evidently needed in our world today. 

 

As Christians who believe in God, we are channels of God’s power to the outside world. God’s power is a spiritual liquid formula that serves as a deposit of His presence in every believer. It is a life-giving power that flows from within thus bringing healing and divine health to the church and conviction in the hearts of those who hear us. Unfortunately, we have lost it. We no longer preach to the peoples of the world by the assistance of God’s tangible power. The church has become entangled with worldliness and is struggling to come out of it.

     What can be the probable factors responsible for this? There are four basic factors responsible for the seizure of God’s power in our generation. They are:

1. Lack of focus: A lot of times, we, the church has failed to take the river of God’s powerto places where it is needed. We only concentrate it on our church or denomination activities and programmes. We have become too self-centred to the extent that we no longer care to do something positive about reaching out to those outside the four walls of our church building and denomination. We now give priority to building of cathedrals and raising of millionaires instead of preaching and teaching the whole counsel of God to our hearers. We are divided by our various church doctrines rather than the finality of the Scripture.

2. Because there are holes in the riverbeds: Oftentimes, when there is a heavy downpour from the sky, water does not always flow easily to places where it is needed because of the presence of potholes.These holes serve as a limit to the flow of the deluge of water.

We are the channels through which God demonstrates His mighty power to the world. When there are holes in our lives as a church, the river of His power sinks without flowing. For instance, many people go for ordination into any of the five-fold ministries of Jesus Christ-Apostle, Prophet, Evangelist, Pastor and Teacher without being adequately prepared for this spiritual assignment. Many of them do not submit themselves to godly discipleship. They have become spiritual bastards and have thus taught their followers to be same with them. They are without spiritual guide and mentoring.

     Some churches and para-church organizations are employing poor individuals and young unemployed graduates as pastors in their denomination for the sake of God’s kingdom and their denomination’s expansion. Some don’t even have well prepared follow-up outlines for their converts. They simply leave and expose them to greater influence of the world and the devil.

3. Because too many people depend on our river: Pastors with experiential daily knowledge of God are the most strategic change agents to deal with the problems in our society. Many church attendees look up to their pastors for help and solution to their spiritual problems. They see him as a person without weaknesses and problems.They throng into his office and home even at odd hours for counseling and prayers. They don’t do this with the intention of wearing out the pastor. But in actual sense, every true pastor called of God will always want to help their members because it is his responsibility.

     When people draw too much virtue from the pastor without him going back to God to be refilled with spiritual strength, God’s power will not flow to other people’s direction. Jesus understood this fact. And the scriptures records that each time He ministered healing to the sick andoppressed, virtues flows out of Him. He returned to God to be filled with new power and anointing. He did not rely on yesterday’s revelation and anointing for today’s ministration. It was each day, new revelation. He was always retreating from activities and from the multitudes to regain new strength. The reverse is now the case with many pastors and Christian leaders who have become empty cisterns because they no longer go on spiritual retreats.

4. When there are limitations: Sin and inconsistency in observing our consecration are limiting factors to the flow of God’s power. When a minister does not pay proper attention to his strengths and deal with his weaknesses, there is the tendency for him to see more of his weaknesses than his strength.

     A lot of times when God speaks or instructs us to deny ourselves of certain pleasures so that we can be more sensitive to Him, we see Him as a wicked God who forces His will on us. As a result, we begin to rely more on our strength rather than on our God. Samson, in the Bible at a point was no longer committed to his consecration. He reliedon his physical strength rather than God. He almost lost out of God’s plan for his life if not for the mercy of God that prevailed over him. The lesson here is this: Sin is a reproach and it has the capacity to block the flow of God’s power to our generation.

     To clear the blocked channels of God’s rivers of living water, Christians must have faith in Christ and obey His teachings. Jesus said: “He who believes in Me, as the Scripture has said, out of his heart will flow rivers of living water” (John 7:38, NKJV). Prompt obedience to the words of Christ is the secret to blessing our generation with the rivers of living waters which is evidently needed in our world today. 

 

As Christians who believe in God, we are channels of God’s power to the outside world. God’s power is a spiritual liquid formula that serves as a deposit of His presence in every believer. It is a life-giving power that flows from within thus bringing healing and divine health to the church and conviction in the hearts of those who hear us. Unfortunately, we have lost it. We no longer preach to the peoples of the world by the assistance of God’s tangible power. The church has become entangled with worldliness and is struggling to come out of it.

     What can be the probable factors responsible for this? There are four basic factors responsible for the seizure of God’s power in our generation. They are:

1. Lack of focus: A lot of times, we, the church has failed to take the river of God’s powerto places where it is needed. We only concentrate it on our church or denomination activities and programmes. We have become too self-centred to the extent that we no longer care to do something positive about reaching out to those outside the four walls of our church building and denomination. We now give priority to building of cathedrals and raising of millionaires instead of preaching and teaching the whole counsel of God to our hearers. We are divided by our various church doctrines rather than the finality of the Scripture.

2. Because there are holes in the riverbeds: Oftentimes, when there is a heavy downpour from the sky, water does not always flow easily to places where it is needed because of the presence of potholes.These holes serve as a limit to the flow of the deluge of water.

We are the channels through which God demonstrates His mighty power to the world. When there are holes in our lives as a church, the river of His power sinks without flowing. For instance, many people go for ordination into any of the five-fold ministries of Jesus Christ-Apostle, Prophet, Evangelist, Pastor and Teacher without being adequately prepared for this spiritual assignment. Many of them do not submit themselves to godly discipleship. They have become spiritual bastards and have thus taught their followers to be same with them. They are without spiritual guide and mentoring.

     Some churches and para-church organizations are employing poor individuals and young unemployed graduates as pastors in their denomination for the sake of God’s kingdom and their denomination’s expansion. Some don’t even have well prepared follow-up outlines for their converts. They simply leave and expose them to greater influence of the world and the devil.

3. Because too many people depend on our river: Pastors with experiential daily knowledge of God are the most strategic change agents to deal with the problems in our society. Many church attendees look up to their pastors for help and solution to their spiritual problems. They see him as a person without weaknesses and problems.They throng into his office and home even at odd hours for counseling and prayers. They don’t do this with the intention of wearing out the pastor. But in actual sense, every true pastor called of God will always want to help their members because it is his responsibility.

     When people draw too much virtue from the pastor without him going back to God to be refilled with spiritual strength, God’s power will not flow to other people’s direction. Jesus understood this fact. And the scriptures records that each time He ministered healing to the sick andoppressed, virtues flows out of Him. He returned to God to be filled with new power and anointing. He did not rely on yesterday’s revelation and anointing for today’s ministration. It was each day, new revelation. He was always retreating from activities and from the multitudes to regain new strength. The reverse is now the case with many pastors and Christian leaders who have become empty cisterns because they no longer go on spiritual retreats.

4. When there are limitations: Sin and inconsistency in observing our consecration are limiting factors to the flow of God’s power. When a minister does not pay proper attention to his strengths and deal with his weaknesses, there is the tendency for him to see more of his weaknesses than his strength.

     A lot of times when God speaks or instructs us to deny ourselves of certain pleasures so that we can be more sensitive to Him, we see Him as a wicked God who forces His will on us. As a result, we begin to rely more on our strength rather than on our God. Samson, in the Bible at a point was no longer committed to his consecration. He reliedon his physical strength rather than God. He almost lost out of God’s plan for his life if not for the mercy of God that prevailed over him. The lesson here is this: Sin is a reproach and it has the capacity to block the flow of God’s power to our generation.

     To clear the blocked channels of God’s rivers of living water, Christians must have faith in Christ and obey His teachings. Jesus said: “He who believes in Me, as the Scripture has said, out of his heart will flow rivers of living water” (John 7:38, NKJV). Prompt obedience to the words of Christ is the secret to blessing our generation with the rivers of living waters which is evidently needed in our world today. 

 

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Updated 6 Months ago · 0 Likes · 0 Comments
By SYNW Media

As the world celebrated the 2020 World Poetry Day, young writers in Anambra State, under the umbrella of Society of Young Nigerian Writers have reiterated call for immortalization of Chinua Achebe, one of Nigeria's foremost literary figures.


The Coordinator of the association, Mr. Izunna Okafor announced this during a one-day literary event organized by the association, in commemoration of the day in Anambra State.


The event which held at the Anambra State Central E-Library, Awka on Saturday, was also used to mark the association's March monthly reading, and also for remembering seven years of Achebe's exit, who coincidentally died on World Poetry Day (21st March, 2013).


He disclosed that the association has been in the forefront in celebrating the legend, Achebe,  and his works, through the annual 'Chinua Achebe Literary Festival'; through publishing of annual poetry/essay anthology in his honour; and through organizing annual secondary school essay writing competition in his honour, which he said, was recently endowed by the Anambra Newspapers and Printing Corporation, among other numerous ways they keep Achebe's memory alive.


According to him, the 2019 edition of the Chinua Achebe Literary Festival birthed a world class anthology —Arrows of Words; and also birthed a six-point communiqué and recommendation, which the association sent (with accompanying letter) to the State Governor, Chief Dr. Willie Obiano, and other concerned ministries and agencies of the State Government, for implementation.


He disclosed that the number-one item in the six-point communiqué (which he said they deliberately did not publish online for public consumption, until one month after the event) was the call for Chinua Achebe's immortalization, as well as suggestions/recommendations on how that could be best done.


Okafor, an award-winnig author and journalist, however, further regretted that, up till today, the State Government is yet to commence implementation of any of the items contained in the communiqué.


"The State Government needs not ignore or allow such a wonderful communiqué as that to die a natural death, as that would not be fair or encouraging who aspire to toe Achebe's path," he added.


He therefore reminded the State Government and other concerned authorities of the need to productively utilize the communiqué and immortalize Chinua Achebe, who he said is overdue for the that, owing to his great contributions and legacies in the literary field of life, before bowing out seven years ago. 


Others who spoke at the event, including the author of "Pregnancy of the gods" and Managing Director/Chief Creative Officer of Brande Aristotle Limited, Mr. Odili Ujubuońu; award-winnig Journalist, Dr. Odogwu Emeka Odogwu, among others, tasked the young writers on creativity, and further re-emphasize the inestimable importance of such literary gatherings to those who truly want to excel in the literary field.


The three-in-one event featured readings (both in honour of Achebe and the World Poetry Day), literary appreciation, observance of a minute silence in honour of Chinua Achebe's soul, among other literary packages slated for the day.

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Posted 7 Months ago · 1 Likes · 1 Comments

Editor's Note:

Out of their ardency, eighteen poets and poetry lovers identified with the need to give the 2020 Valentine celebration a poetic taste glamour.


With a view to harvest and immortalize this zeal, each of these bards donated a tranche of poetic condiment in response to a call for submissions made in that regard.


The fabrication of these romantic lines of epopees, as was edited by Izunna Okafor, gave birth to this panoramic poetic montage —My Love My All.


Here in this second edition of this journey, these poets explore the theme to register what love holds for them and their inamoratos in its various dimensions.




They write:



My love my all

In whose heart my treasure grows

From whose spine my pleasure flows

Nigher oh my love for in you I repose my all


Where is the inamorata who chained my treasure

She whose smile holds my pleasure!

The time fast approaches,

With its augur on rose hedges..


Where are you, my love, my all.

You whose love tower, I grow tall.

The field of love is verdant with hue;

My heart wanders for nothing, but you!


Give me the love that leads the way

And the kiss that heals the pierced heart

The faith that nothing can dismay

Lest I sink to be a clod.


Stretch your loving hand to me my love

The hand which comforts beyond measure 

In the midst of adversity  

You shall forever be my treasure.   


Come to me my love. 

And feel me all as my heart trembles for your love 

Out of my loneliness  

Heal me and hold me closer to thee.


Loneliness becomes an unbearable sickness

Every second your absence is felt

Storms trouble my sailing heart

In every flash of our last romance.


Never will the world ever be sweet

If not with you reposing on my laps

In you alone

I found meaningless of life without a woman.


You are my all and true love

Both far and near

For in you, I felt what Nnewi's progenitor felt for Nnobi damsel

That made him start a religion deifying her


Your love tastes like abacha 

And Nwoke Udi special palm-wine

joined together

My love my all

Ị sọgbuo m!!!


The smile on your face is sun

The only thing that stands when everything becomes dark.

Your smile is a map directing men of goodwill

I will camp you in my heart forever.


For you are my salt

That flavors the taste of my love.

And you are my light,

That brightens my darkest plights.


For God's love to all,

He gave His only Son.

But for His love for me,

He gave a precious gift of you

my heart's key.


You pick the lock

Oh! You do it all over again

My heart, creaking, opening its arms to you

You, gliding in with a fragrance of warmth.


Your visits leave me nimble

Your sweet perfume arouses my soul

And when you sway, that liquefied sublime motion

My brain falls into oblivion.


Deeper in your veins my love flows

Beckoning you closer to my sinews 

Peak me to the point my love temper swells

For in you all trust I my all


Your love and touch are sensational

They give this feeling of nostalgia

And make me feel like an infant

Please let me be your boo just for a day or two.


Thy love is better than wine

Thy cheeks are comely with rows of jewels

As the lilly among thorns

So is my love for you!


As the apple tree among trees,

So are you before me always.

Thy lips are like a thread of scarlet,

Onitemi! kiss me, with the kisses of your mouth.


Clothe my heart with your love,

For its own love is dead.

Toss off one bit of it,

And the garden would be finer than Eden.


Hold my lips, let's make it last,

Now I am seconds closer to you.

Let it be a thing they could jot down,

Knowing well how much we love each other.


Youare my love my all, 

On this beautiful island of scented glory, surrounded by the emerald sea 

Under the blue sky and crescent moon of passion

And blessed with the sweet serenade of nightingales. 


I crave to dwell in the freshness of your presence

Which is as pure as a lily;

As rare as a blue rose 

And as lovely as venus.


I only desire company of you

To better express the freedom

Found in our affection

For you are my all.


In sincere confession of this,

I beseech God to marry us

In timeless matrimony of divine and infinite love

Beneath the twilight of cupid's divinest dreams.


My love you’re my all

My forever Valentine 

My giant for eternity you make me feel secure even when all around me is chaos!

Your imperfections are nature's reward to me.


They define your humanity, 

In that man who is perfect lies all the deceit in the world.

My love you’re my all


While we fold and drink from each others' lips

And as moon lends a scenting aroma to our eyes

At this love station, countless for the trip,

Then I hear a voice pouring from the skies:


"This liquid love will soon solidify

Only take your sleep gently and watch tears dry

For I shall be coming by,

Yes, I."


How can I make you see what I feel

When love is blind? 

When I push hard

You might think love is wicked 


Here you are staring at me

The only thing I want is to deep my lips into yours

And our love will be unbreakable 

Don't call it magic, it's a miracle!


With you, it's like honey and bread

Sweet to the body and blessing to the soul

My love, with you I know we will reach for the stars and even beyond

With you, I have no cause to look elsewhere, cause I am at rest.


With you, I feel complete

You make me see the beauty in my imperfections

Your love gives me room to live and truly live

With you, I am a giant with great strides.


Give me your love, and I will give you my all

Kill me with love, and resurrect me with love

For it's a season of love

Oh! Valentine is here again.





Contributors:



Izunna Okafor

Nket Godwin

Odinaka Nworie

Innocent Chikodiri Paul

Nwokeabia, Ifeanyi John

O'star Eze

John Chizoba Vincent

Stanley Ezechukwu

Rosemary Nwadike

Dishon Obok

Gloria Oluchi John

Kayode Awojobi

Chidiebere Ezekwesili

Marcel Ike Okonkwo

Dayo Ayilara

Maureen Onyinye Kenneth

Udo Okoronkwo-chukwu

Michael David Ogbonnaya.



Compiled and Edited by Izunna Okafor

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By Izunna Okafor



It was Haruki Murakami who once said that death is not the opposite of life, but a part of it —an aphorism buttressed strongly by George Eliot's apothegm that "Our dead are never dead to us, until we have forgotten them."


It is on these long-standing witty sayings that the Nigerian literary community received the her first shocking news of 2020, that foremost Nigerian novelist, who was also the Traditional Ruler of Ndikelionwu Kingdom in Orumba North Local Government Area of Anambra, Eze Prof. Chukwuemeka Ike has gone asleep.


The news which ushered in the dawn of the second Thursday of the year was hitherto faulted and scored a grapevine, to the credit of two points —the source from which it came, and the terminology with which it was broken. 


By way of reaction to the news, it was rightly argued that, in Igbo land, Traditional Rulers do not die. In other words, in Igbo land, it is wrong for one to say that a Traditional Ruler is dead; instead, one could say that the king has joined his ancestors, is sleeping, is resting, or has fallen asleep.


Secondly, no one is authorised to disclose such information (that the king is sleeping) except the affected community's cabinets or Council of Elders, in agreement with the members of the royal family or the ruling dynasty, as the case may be. 

Although, people, especially the closest relatives or community members may be aware that the king has fallen asleep, they won't dare disclose it or tattle over it, pending an authorised disclosure by the right source.


Little wonder why, when interviewed on the hideous development, a stakeholder from the Ndikelionwu Community, Prince Emma Okoli-Ijeoma said, “'As far as I am concerned as a member of the ruling house in this Ndikelionwu Ancient Kingdom, I am saying that Prof. Chukwuemeka Ike Eze Ndikelionwu, the 11th of Ndikelionwu is not yet dead!

In our tradition, nobody opens his mouth to tell outsiders that the Traditional Ruler is dead. You don’t say it because according to the customary law of Anambra state, king doesn’t die!


"If at all there is anything of that nature, one would say the king has joined his ancestors. It is not the duty of anybody to tell outsiders that the king is dead. It is after the royal family has met and agreed before such thing would be announced. Not just a rifraf would come and say what he doesn’t know!


"So I am saying that as far as the royal family is concerned, we have not announced anything to the public, that is, if something really happened."


Also, in most cases, the Elder In Council may not even announce the news, except a replacement or heir is found, especially in a situation where the crown is rotational.


These formed the basis upon which the news of Prof. Chukwuemeka Ike joining his ancestors was held in the air on arrival.


Be it as it may, succeeding sunset and sunrise have unmasked and unearthed the rock.


As Nze Prof. Chukwuemeka Ike rests on in his ancestral home and palace, Ndikelionwu, literary enthusiasts, fans and some other stakeholders in the country have continued to register their feelings and pour their tributes to the legend.


Breaking the news, the Anambra State's Commissioner for Information and Public Enlightenment, Mr.  C-Don Adinuba said, "Goodnight, Prof Chukwuemeka Ike. We all drank from the fountain of The Bottled Leopard as students to assuage our curiousity for mystery. We were stunned by the shenanigans of Expo ’77 and thrilled, to no end, by Sunset at Dawn.


“As you join your ancestors, let’s pray you never stumble from The Chicken Chasers or undone by Conspiracy of Silence. Adieu, a great man of letters, a king who wore humility like a robe.”


On his own part, the Executive Governor of Anambra, H.E Chief Willie Obiano said, "I am saddened by the death of HRM Eze Chukwuemeka Ike. He was always a regal presence around us here, bringing his wealth of experience to bear on the deliberations of the Traditional Rulers Council. We shall sorely miss him. But we shall also find strength and consolation in his exemplary life and the legacies he left for mankind through his literary works and stellar contributions to the traditional institution in Anambra State.”


Former PDP Presidential Candidate, Alhaji Atiku Abubakar said, “I mourn one of Nigeria’s prolific novelists and traditional ruler of Ndikelionwu in Anambra State, H.R.H. (Prof.) Chukwuemeka Ike.


“He will be remembered for his classics: "Toads for Supper" and "Sunset at Dawn" among others. May he rest in peace."



In similar tones, other literary enthusiasts and concerned Nigerians have also bared their minds thematically on the development, ruefully registering their reactions to the news and their tributes for the legend, as collated below:


Denja Abdullahi, immediate past President of the Association of Nigerian Authors (ANA) says:


"Prof. Ike's death was sad all the same but it was not a shock because he was an old man. He was a contemporary of all other first generation of Nigerian writers and his death was like the end of an era. We could say that the last of the titans has gone home.  


Tributarily, Abdullahi said, "Prof. Chukwuemeka Ike was a productive writer of several novels with interesting stories and catchy titles. You could locate his works between the popular and literary fiction genre. He was a very good satirist of the human condition.I feel that he was not celebrated enough like some other people feel. It may be because of his self-effacing nature and unwillingness to indulge in needless literary and critical controversies.


"He has gone beyond just being a writer to contribute to the development of the Nigerian Book Industry through his Nigerian Book Foundation. He was always there anywhere you invite him to if it had to do with writing,writers and the books. 


"Prof Chukwuemeka Ike will live eternally in the minds of all of us through his evergreen stories of the foibles of man."



Mr. Oseloka Henry Obaze, a published author, poet and literary enthusiast says:


"The passing of HRM Prof. Chukwuemeka Ike, Eze Ndikelionwu is numbing.   He was an exceptional, gifted, resolute and most unassuming person.  I was privileged to be considered his friend and welcomed freely into his palace. He was chair of my book presentation in 2018. 


His tribute: "Eze Chukwuemeka Ike lived life fully and made enduring contributions to our educational system, literature, cultureand traditional institution. He motived many writers, even those who never met him personally. 


"He has immortalized his name and his footprints will linger for years to come.  May God grant him eternal rest and his dear wife HRM Bimpe Ike, the fortitude to bear the loss."



Okeke Chika Jerry, an author, publisher and literary arts promoter says:


"I was in deed shocked when I heard the sad news over the radio. I wished he stayed a bit longer so that this generation of ours will have tapped a lot more from his wealth of wisdom. 


"But I believe Professor Ike is not totally dead and he will never die completely because all his works are still breathing all over the world. "Rest in peace Papa ndi authors."



Odili Ujubuońu, award-winning author and literary enthusiast says: 


"This is a huge loss. Chukwuemeka Ike was a great inspiration to a lot of writers who came after him. The choice of subject matters he treated in his novels spoke a lot about the kind of man he was and the whole essence of his writing.


"He was never complex in his style and or his plot and that led us easily into the wonderful worlds he created. These worlds would live forever with us. Through them, we would keep remembering him. May his gentle and kind soul find eternal peace."


Reginald Chiedu Ofodile, author and international award-winning actor says:


"I received news of his demise with sighs. I'm told Professor Ike is asleep, which is a correct phrase to apply to a traditional ruler. His subsiding into sleep did not shock me. He lost his only child three years ago. It must have been a massive blow, and he was also in his late 80s."


Tribute: "Eze Ike was an engaging, fluent and satirical writer. He created fascinating characters and witty, wicked situations. I remember 'Sweetie' in TOADS FOR SUPPER, 'Peace Bozo' in THE CHICKEN CHASERS, 'Mrs Ikin' and 'Dr Okoro' in THE NAKED GODS... and many others.  I recall his books appeared under the FONTANA imprint, not the AFRICAN WRITERS' SERIES."



Prof. Sam Uzochukwu, Igbo Poet and Novelist says:


"Prof Ike's death is indeed a loss to the nation, particularly to the literary class.Though he lived to old age, death, particularly of an icon always evokes shock to the living; so I feel shocked by his death as his other admirers .


"Prof. Ike was among the respected writers, in the same class as Chinua Achebe, for which Umuahia Govt college was renowned. He produced novels that dealt with topical issues of his time. 


"Above all, Prof. Ike was a man imbued with tenacity of purpose. He never wavered on any issue he was convinced about. This quality of his was manifested when I worked with him, a few years ago, on an Igbo project for which we were appointed by the Anambra State Govt.

May the Lord grant him eternal rest, amen."





Untill he slept off, Eze Prof. Chukwuemeka Ike (born on April 23, 1931) was award-winning and pioneer Nigerian writer, known for a mixture of lampoon, humor and satire, a writing style believed to be tied to his Igbo cultural upbringing.


He attended the Government College, Umuahia, where he started writing for the school magazine, The Umuahian, which published his first ever written story —‘A Dreamland,’ a work which set his foot on the literary space.

Some eminent Nigerian writers who attended the school include Chinua Achebe, Christopher Okigbo, and Ken Saro Wiwa, among others.


A graduate of the University College, Ibadan, Prof. Ike made a plethora of impacts and left great legacies in the literary and academic fields, and was conferred the Nigerian National Order of Merit (NNOM) Award which is Nigeria's highest and most prestigious national prize for academic and intellectual attainment, making him the second Novelist to receive the award since its inauguration in 1979, the first being Prof. Chinua Achebe.


Prof. Ike's works include Toads for Supper (1965), The Naked God’s (1970), The Potter’s Wheel (1973), Sunset and Dawn (1976), Expo ’77 (1980), The Bottled Leopard (1985), Our Children are Coming (1990); Conspiracy of Silence  (2001), among other publications.


Away from the literary flank, Prof. Ike served as an academic in different roles such as a lecturer at the University of Ibadan, registrar at the University of Nigeria, Nsukka (UNN), and visiting professor at the University of Jos.


He was also the President of the Nigerian Book Foundation, as well as the first Nigerian to be the registrar of the West Africa Examination Council (WAEC).


Ike slept at 88.


As Prof. Chukwuemeka Ike peacefully joined his ancestors, Nigerian literary community, fans, and the world at large heartily bid him farewell and wish him eternal repose in the world of immorality.

Goodnight great man.





About the Author:


Izunna Okafor is an award-winning Nigerian Novelist, Poet, Journalist, Essayist, Editor, Translator, Publicist, Igbo Language Activist and Administrator who hails from Ebenator in Nnewi South L.G.A of Anambra State Nigeria. He writes perfectly in English and Igbo languages, and has published several books in both languages.

Izunna has received over 25 awards, and has over 2000 articles published online, both nationally and internationally. 

He can be reached via: izunnaokafor70@mail.com


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By Izunna Okafor 


Writing has once again been described as the king of all arts, and the indispensable route to the bottom line of every art destination.

This made the idea for discussion at the grand finale of the 2019 Purple Hibiscus Trust Creative Writing, organized by award-winning Nigerian literary figure — Chimamanda Ngozi Adichie, which she held in Anambra, her home state, for the first time.

The interactive event which ended with fanfare and literary communion tagged "A Literary Evening With Chimamanda" aimed at inspiring and raising a brand of creative writers of African descent who will not only tell African stories, but also utilize their writing prowess in solving societal problems.

Speaking at the event, the convener, Adichie who hails from Abba in Njikoka Local Government Area of Anambra State asserted that  every nation needs storytellers without whom humanity will be diminished, and further maintained that there are many yet-to-be-told stories about Africa, which should not be left for non Africans to tell; as, according to her, stories of Africa can only be best told by Africans themselves.


She said, "If we don't tell our story as Africans, somebody else would tell it for us; and if we don't take responsibilities for supporting our storytellers, other people would tell our story, but in the way it suits them."


While decrying the poor reading culture in the society today, the international literary icon charged the participants to hold reading to a high esteem, as that is a prerequisite for anyone who must excel in the literary field or contribute intellectually to the growth and development of his society.


Contributing, the MD/CEO of Anambra Newspapers and Printing Corporation, Sir Chuka Nnabuife appreciated Adichie for bringing the workshop down to her homestate this year, and eulogized on her great feats in the literary field, which he said has helped to project the image of the state in the international community; even as he suggested to her, the need to  articulate and come up with a book that conglomerates her works in activism and advocacy so far, which he said her millions of fans all over the world would be very eager and happy to welcome on arrival.

Among other climax, the event featured premiering of video clip that biographically highlights excerpts of some recent feats attained by Adichie; as well as an interactive session with her, during which questions, opinions, suggestions, and observations were sourced from the participants and fans, all of which she perfectly and consummately reacted to.

Others who graced the literary evening included the state's Commissioner for Information and Public Enlightenment, Mr. C-Don Adinuba; the founder of JohnBosco Onunkwo Foundation, Engr. JohnBosco Onunkwo; former media aide to former President Goodluck Jonathan, Dr. Reuben Abati; the Dean, Faculty of Arts, Chukwuemeka Odumegwu Ojukwu University, Igbariam, Prof. Ngozi Chuma-Udeh, as well as Adichie's parents, among others.

Sharing their views earlier, some of the successful entrants who were selected for this year's writing workshop, among whom were Kasimma Chinelo Okani from Achina, Anambra state, Anthony Nonso Dim from Imo state but lives in Germany, and Gloria Mwaniga Odary, a teacher from Kenya, all confessed that the workshop offered them golden opportunities to tap from Adichie’s wealth of knowledge in literary arts, even as they urged the government and other wealthy individuals to assist in sponsoring and providing the needed logistics to sustain the exercise in subsequent years.

Formerly known as the Farafina Trust Creative Writing Workshop with previous editions in Lagos, the 2019 workshop marked its 10th year.

Adichie's remaining of the workshop after her debut novel "Purple Hibiscus" was explainable, as she had earlier left her longtime Nigerian publishers, Kachifo Limited—the parent company of Farafina Trust—for Narrative Landscape Press, co-founded by her friend, Eghosa Imasuen, author of Fine Boys, and the editor Anwuli Ojogwu.

Izunna Okafor, a young Nigerian writer and Coordinator of young writers in Anambra State used the platform to identify and familiarize with Adichie, and also told her about the Chinua Achebe Literary Festival which the young writers are organizing annually in honour of Chinua Achebe, and presented her with a copy of "Arrows of Words" which is an anthology of poems and essays published by the young writers in this year's edition of the event.

He also discussed the non existence of writers residency in Anambra State with Adichie, an idea which she swiftly subscribed to and promised to do something about.


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By Izunna Okafor


It was Antoine De Saint-Exupery who once said "Love does not stop at gazing at each other, but involves looking outward together in the same direction, and taking a mutual stride thereto."


It is on this age-long dictum that the award-winning Nigerian author, Godwin Cornelius Udagbor sets to walk down the aisle with Marygina Akan Owan.


In an interview with our reporter, Godwin, who, together with his spouse, hails from Bekwara Local Government Area of Cross River State, said the traditional marriage will hold on 30th November at Ochagbe in the Bekwarra Local Government, while the white wedding will hold on 7th December at Christ the King Catholic Church, Kubwa, Abuja.


Disclosing how he found his inamorata, the scribbler explained that Marygina found her way into his life through the Facebook window, following a post about his classic short story — Cry of the Forest — which is an epic story that looks at the place of polygamy in civilization. 


Godwin had, through the book, proved his worth in the field of pen, following its shortlisting in the first ever Dusty Manuscript Contest in 2018, and consequent panegyric showered on the book by literary doyens and savants, including award-winning authors, critics and publishing companies, both nationally and internationally.


It was Marygina’s fecund inquisition to know the author of the Cry of the Forest, which is a story about Ochagbe, her home town, that birthed  love. The 'cry' attracted her attention to the forest, and in rummaging the forest, she found smile, which at last birthed their love.


"In tightening this nut of everlasting affection," Godwin says, "I and my heart throb therefore, joyfully invite writers, readers, publishers, friends, well-wishers and other literay enthusiasts to join us in these epoch-making events and conviviality." 

 

In his words, "The traditional marriage will hold on 30th November, 2019 at Akan Owan Compound, Afrike Ochagbe in Bekwarra Local Government Area of Cross River State, while the white wedding will be on 7th December, 2019 at Christ the king Catholic Church Kubwa FCT, Abuja, Nigeria, starting at 9.am."







A bright and ardent young Nigerian Writer, Godwin Cornelius Udagbor started his writing career back then in his university days which earned him the highly contended opportunity to serve as a PRO to the Federation of Catholic Medical and Dental Students(FECAMDS).


In 2010, he received a diplomatic certificate from World Bank for International Essay Competition.

He has published a plethora of articles about critical issues bordering on the affairs of Nigeria as a country.


His debut novel, "Bena's Dream Comes True" was published in 2014, and was indeed a worthy contender at the 2015 NLNG prize.


As a fast rising author, Godwin has helped upcoming writers in a plethora of ways, to find their feet in the literary field. Some of his mentees, Omeiza, the author of "Cry of An Orphan" and Queen Easter Ashim, the author of "Friends Forever" stand out as quintessential testimonies of his mentorship, as some of their books are currently used as literary texts in all schools in the Federal Capital Territory, Abuja.


He is a member of over 40 literary organizations online.

Currently, he is the Coordinator of Society of Young Nigerian Writers (SYNW) Abuja Chapter.

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By Izunna Okafor


History will make itself again on Sunday November 24 2019, as the Christ the King College Old Boys’ Association, Abuja branch sets to join the Catholic faithful across Nigeria in the annual celebration of the feast of Christ the King, with a Pubic Presentation of a CKC new book — "Sons of a Priest" by a CKC old boy and multiple award-winning author, Odili Ujubuoñu.


This was contained in a statement issued by the President of CKC Onitsha Old Boys’ Association Abuja Branch, Chief Emeka Eriobuna, in which he disclosed that the day is also the feast day celebration of the Christ the King College, Onitsha, which is one of the foremost secondary school schools in Nigeria.

He said this year’s event, which would involve old boys of the college with members of their families, will commence with a High Mass at the Holy Cross Catholic Church, Gwarinpa Abuja by 9:00 a.m. 

According to him, the book is a collection of testimonials of past students of the longest serving and first black principal of the college, the late Very Reverend Fr. Nicholas Chukwuemeka Tagbo OON. 

These past students, he said, include: Governor Willie of Obiano of Anambra State, Dr. Peter Odili former Governor of Rivers State, Mr. Peter Obi former Governor of Anambra State, Senator Mike Ajegbo, His Lordship Archbishop Valarian Okeke–Archbishop of the Archdiocese of Onitsha–Hon. Justice P.N.C Umeadi former Chief Judge of Anambra State, among others.


The statement reads in part: "The book project began in 2016 shortly before the death of the old priest, Fr. Tagbo at the age of 87 years.

"Sons of a Priest is a strong emotional statement by over a hundred past students, united in their voices in proudly telling the world how a simple and humble priest sacrificed his life so that tens of thousands of ordinary boys could become leaders, influencers of society and very remarkable successes in different walks of life and around the world. When our branch saw the great work the author, whom we are very proud of, was embarking on we decided to partner with him.

“Rev. Fr. Tagbo was a man of quality and everything that bears his name goes with quality that is why we are making this a very quality event.”

"The Public Presentation would be done by another distinguished old boy Mr. Cecil Osakwe an Abuja based Lawyer and Luxury Property Developer."


Speaking further, Chief Eriobuna, an Estate Surveyor, opines “This event would be attended not just by CKC greats but captains of industry, the diplomatic community, members of the media, political and party leaders and members of the clergy –who form the primary constituency of our late principal, priest, father, mentor and friend. The Book event would take place by 4.00pm at the Sandralia Hotel, Jabi, Abuja, FCT.”


He concludes “In order to make the fame of our college last forever, we must keep ensuring that Christ the King College stands head and shoulders above its contemporaries in academics, sports, discipline and morals. The book event, apart from celebrating our former principal, will enable us pay attention to the immediate and remote needs of our alma mater."


Christ the King College was founded in 1933 by Irish missionaries led by the then Archbishop of Onitsha, Archbishop Charles Heerey. Among the eminent products of the school are the late Rev. Fr. N.C. Tagbo himself,  late Justice Chukwudifu Oputah, Justice Chuba Ikpeazu, Dominic Cardinal Ekandem, Prince Felix Esayande Akenzua, Chief Chike Ofodile, SAN, Dr. Ibe Nwoga, Justice Allagoa, Dr. Ene Henshaw, the great novelist John Munonye and a host of countless others. 


Rev. Fr. Nicholas Chukwuemeka Tagbo OON was born in 1929 in present day Anambra State. He graduated from the college in 1949 and was first appointed the first black principal of the Christ the King College, Onitsha in 1963. Under his tutelage, Dr. Peter Odili served as a senior prefect and several other great men earned their early leadership formation. During the war, Rev. Fr. Tagbo preserved CKC’s rich archives and tradition and was able to return the school to its early glory immediately after the Nigerian Civil war. 


This culminated in the school winning, for Nigeria, the nation’s first ever world football trophy by bringing home from Dublin-Ireland, the World Schools’ Soccer Cup in 1977. Tagbo  died in July of 2016 after a protracted illness. He received a grand burial from Christ the King College Onitsha, Old Boys. It was reported that at his burial, thousands of his former students besieged the commercial city of Onitsha from every corner of the earth to pay their last respects to him. Among N.C. Tagbo’s exceptional past students was the world renowned Computer Scientist, Philip Emeagwali and Dr. John Agwunobi who was once the Secretary of Health, the State of California, U.SA. 

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¶Unveil New Anthology For Chinua Achebe


It was a fecund and commemorative gathering yesterday as literary enthusiasts and writers converged in Awka, the Anambra State Capital, to mark the 2019 Chinua Achebe Literary Festival organized young writers in the state.


The event which is a literay festival held annually in honour of foremost Nigerian literary champion, Late Prof. Chinua Achebe in celebration of his worthy life, works and legacies in the literary field.


Delivering a lead paper on the event's theme — ''Intellectuals And National Development: The Chinua Achebe Approach,'' the Guest Lecturer, at the event, RC (Reginald Chiedu) Ofodile described Achebe as a great intellectual and patriot whose commitment to national development was uncommon, being a man who placed his nation’s advancement above his personal glorification, as evidenced by his two-time rejection of the honour of Commander of the Order of the Federal Republic of Nigeria.


Going memory lane through Achebe's works and life, Mr. Ofodile, an international award-winning writer and actor said "In his approach as an intellectual striving for national development, abjuring art for art’s sake; Chinua Achebe walked his talk, and posterity gives him credit for that."


Describing the event as auspicious, the Chairman of the occasion who is also an award-winning poet and author of 'Pregnancy of the gods' Mr. Odili Ujubuońu noted that Chinua Achebe was not only a great writer but also a cultural activist who through his pen and mastery of art, exposed to the world, the real beauty of Igbo culture and that of Africa at large.


Earlier in his address of welcome, the convener of the event and Coordinator of Society of Young Nigerian Writers (Anambra Chapter), Mr. Izunna Okafor said the primary aim of the event was to celebrate Achebe as a hero and eagle on the Iroko of African Literature, immortalize him in their own way as young writers, and also remind the concerned authorities to immortalize him the best way he deserves.

He said "Aside these, we also, through this event, promote, encourage and reward creative writing and reading culture among our youths and students; discover and harness the hidden but amazing talents among our young ones, in the literary field; and also present writers and readers (intellectuals) as the elixirs to the country's ailments, among other objectives we pursue through it."


Acknowledging that Anambra State has given the world arrays of writers, Izunna who himself is an award-winning author and journalist also called for public and private support for the subsequent editions of the event, even as he urged the  state government to appoint aide(s)  (Special Assistant or Senior Special Assistant or even both) on literary matters, who will stand as a bridge between the government and writers in the state, both young and established.


Responding, the Executive Governor of Anambra State, Chief Dr. Willie Obiano, represented by his Chief Press Secretary, Mr. James Ezeh extolled the young writers for initiating and sustaining the literary festival in honour of Achebe the legend, and also avowed the state government's continuous support to the young writers and youths in the state, being a youth friendly Governor.


The Governor was thereafter presented with a gift of pictorial artwork containing a sonnet, creatively crafted by one of the young writers, Mr. Chinonso Okafor.


The 2019 Chinua Achebe Literary Festival featured, among other literay packages, the unveiling and official presentation of Chinua Achebe Poetry/Essay Anthology, entitled "Arrows of Words" which is a new (85-paged) anthology of poems and essays, published by the young writers in honour of Achebe.

The event also featured presentation of awards to some deserving personalities and organisations in the state, as well as presentation of prizes to the winning schools and students in the Chinua Achebe Essay Writing Competition, which is an essay writing competition for secondary schools in Anambra State, endowed by the Anambra Newspapers and Printing Corporation (publishers of the National Light Newspaper, Ka O Di Taa Igbo Newspaper and Sportslight Xtra).


Others great writers and literary enthusiasts who graced the occasion included the Traditional Ruler of Obosi, H.R.M Igwe Chidubem Iweka, represented by Chief Okey Mgbemena (Uzzi Obosi); Sir Chuka Nnabuife (author of 'Mbize: Rage of Red Earth, and MD, National Light Newspaper); Mr. Uzor Maxim Uzoatu (author of  God of Poetry, and Senior Special Assistant to the Governor on Communication); Rev. Fr. Ositadimma Amakeze (author of The Last Carver); Mr. Okeke Chika Jerry (author of The gods Are Hungry); Mr. Isidore Emeka Uzoatu (author of Vision Impossible); the Director of Anambra State Library Board, Dr. Nkechi Udeze, and MD/CEO of Naira Rice industry, Comr. Arinze Omenwa, among others.


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All is now set for the 2019 edition of the Chinua Achebe Literary Festival which will hold this Saturday in Akwa, the Anambra State Capital.


This was contained in a statement issued by the State Coordinator of the Society of Young Nigerian Writers, (Anambra State Chapter), Mr. Izunna Okafor who is also the convener of the event.


He said the event will draw the participation of literary enthusiasts and figures, writers of all class, and intellectuals from different parts of the country, and will feature, among other literay packages: lectures in memory of Achebe, dramatizing of Achebe’s selected books, Open Mic/Spoken Word, Chinua Achebe Essay Writing Competition (for secondary school students, sponsored by the Anambra Newspapers and Printing Corporation), unveiling and presentation of the Chinua Achebe Poetry/Essay Anthology entitled "Arrows of Words" (which is the association's newest collection of poems and essays published in honour of Achebe), award presentation, and many more...


According to him, the literary festival which holds annually since 2016 is organized by the Society of Young Nigerian Writers, (Anambra State Chapter) in honour of Nigeria's literary legend and father of the African Literature — Late Prof. Chinua Achebe who died in March 2013, in commemoration and celebration of his immense contributions and legacies in the literary field.

While unveiling the 2019 theme of the event — 'Intellectuals And National Development: The Chinua Achebe Approach' Izunna described it as apt, given the rueful position of Nigeria today on the developmental ladder, and the envisaged roles the intellectuals have in fixing it, using Chinua Achebe as a benchmark. 


It would be recalled that Late Achebe, until his death, was a die-hard chauvinistic countryman who, with his wealth of knowledge, contributed immensely in propelling the developmental wheel of his country Nigeria, Africa and the world at large. He was also an intellectual with integrity, as evidenced by his two-time rejection of the country's second highest award for intellectual achievement and contribution to National Development —the Commander of the Order of the Federal Republic — in 2004 and 2011 respectively, simply because he perceived things were not going the way they should in the country, as under-development, corruption and impunity were the order of the day.


'This auspicious theme,' Izunna says, 'will be further dissected at the literary festival by an international award-winnig actor and author R.C (Reginald Chiedu) Ofodile who will be the lead paper presenter and Guest Lecturer at the event.'


He further disclosed that the literary festival which is done in collaboration with the Anambra State Library Board will be declared open by H. E. Chief Dr. Willie Obiano, the Executive Governor of Anambra State, who will grace the occasion as the Chief Guest of Honour.


The statement reads in part: "Other guests and literary enthusiasts expected at the literary festival include: Senator Uche Ekwunife (Senator, representing Anambra Central); the state's Commissioner for Information and Public Enlightenment, Hon. C-Don Adinuba; Chief Oseloka Obaze (author and former guber candidate); Mr. James Ezeh (Chief Press Secretary to the Governor); Sir Chuka Nnabuife, (author of 'Mbize: Rage of Red Earth, and MD/CEO, National Light Newspaper); Chief Uche Nworah (Author of The Long Harmattan Season, and MD/CEO, Anambra Broadcasting Service); Rev. Fr. Ositadimma Amakeze (author of The Last Carver); Okeke Chika Jerry (author of The gods Are Hungry); Odili Ujubuoñu (author of Pregnancy of the gods); Uzor Maxim Uzoatu (author of  God of Poetry); Isidore Emeka Uzoatu (author of Vision Impossible)"


Furthermore, it enumerated the Royal Fathers of the day to include: 


H R.M Igwe Alex Uzor Onyido


(The raditional Ruler of Ogidi Kingdom)



H.R.M. Prof. Chukwuemeka Ike


(The Traditional Ruler of Ndikelionwu)



H.R.M. Igwe Chidubem Iweka


(The Traditional Ruler of Obosi)



The statement reads: "Participation in the 2019 Chinua Achebe Literary Festival is  absolutely FREE and open to all.



Date: 16th November, 2019


Venue: Prof. Kenneth Dike Central E-Library, Awka, (Beside Aroma Junction).


Time: 10.am


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Posted 1 Year ago · 3 Likes · 1 Comments

Zuma is set to publish debut novel, Fib and the Axe of fury by Esosa Kolawole in 2019. 

Fib and the Axe of fury is a young adult story of Fibikemi Adeosun, a determined, girl of St. Martha’s school.

Here’s the blurb: Aaron Oni has just two more months to live.

When Fibikemi lost her eyeglasses, a magical barrier protecting her from herself, she encounters something strange.

It’s only the beginning of a weird and terrifying journey and in a matter of time, someone dangerous will come for her.

Her obsession with saving Aaron pushes her to do the unimaginable and eventually, she discovers exactly why she must never take off her eyeglasses outside her home.

Brilliantly paced, with a young, exciting heroine and a twisting, imaginative story line, Fib and the Axe of fury is a strange West African mythological story.

This story sheds light on the Yoruba gods/ goddesses and more will be established in the spin off. It also deals with mental issues and how people handle it differently.

“I wanted to write a book that touched some social issues, but still have some fun. I’m glad I was able to do that. Even though some of my characters were quirky and fun to relate with, I was able to  delve into what  loss of loved one can cause, rape and the resulting effect. Even boys are not safe too.”

Esosa Kolawole first wrote a novella titled Dear Dave in 2017, but developed a strong connection with paranormal stories. Some of her short stories includes: Asákè and the goddess of death, The house of tiny people, The Ant Queen, Portal of Faili and many more.

Esosa’s writings have appeared in Fiction magazines  including the 81 words and 101 fiction.She holds a degree in Estate management. When not working, she plays adventure games on her play station.

Fib and the Axe of fury will be available in retail stores in Nigeria in 2019Esosa Kolawole author of Fib and the Axe of fury

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Updated 1 Year ago · 2 Likes · 1 Comments

The traditional African religions are a set of highly diverse beliefs that include various ethnic religions. Generally, these traditions are oral rather than scriptural, include belief in a supreme creator, mythology gods and goddesses, belief in spirits, veneration of the dead, use of magic and traditional medicine. 

There are African writers, who invest their energy to make sure these African myths and folktales never die.

Here's why we have compiled this short list of African mythology novels about myths, folktales, king gods and spirits from Africa.


  1. Children of blood and bones

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Children of Blood and Bone is a 2018 young adult fantasy novel by Nigerian-American novelist Tomi Adeyemi. The book, Adeyemi's debut novel and the first book in a planned trilogy, follows heroine Zélie Adebola as she attempts to restore magic to the kingdom of Orïsha, following the ruling class kosidáns' brutal suppression of the class of magic practitioners Zélie belongs to, the maji.


Writing the book over 18 months and 45 drafts, Adeyemi drew inspiration from novels like Harry Potter and An Ember in the Ashes as well as West African mythology and the Yoruba culture and language.


 The hopelessness she felt at police shootings of black Americans also motivated her to develop the story of Children of Blood and Bone. The book received one of the biggest young adult publishing deals ever, including preemptive sale of film rights to Fox 2000



Blurb:


They killed my mother.

They took our magic.

They tried to bury us.

Now we rise.


Zélie Adebola remembers when the soil of Orïsha hummed with magic. Burners ignited flames, Tiders beckoned waves, and Zélie’s Reaper mother summoned forth souls.

But everything changed the night magic disappeared. Under the orders of a ruthless king, maji were killed, leaving Zélie without a mother and her people without hope.

Now Zélie has one chance to bring back magic and strike against the monarchy. With the help of a rogue princess, Zélie must outwit and outrun the crown prince, who is hell-bent on eradicating magic for good.

Danger lurks in Orïsha, where snow leoponaires prowl and vengeful spirits wait in the waters. Yet the greatest danger may be Zélie herself as she struggles to control her powers and her growing feelings for an enemy.


This book was published by: Henry Holt and company

https://us.macmillan.com/henryholt/



2. Akata Warriors









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Nnedi Okorafor (full name: Nnedimma Nkemdili Okorafor; previously known as Nnedi Okorafor-Mbachu; translated from Igbo into English as "mother is good", born April 8, 1974) is a Nigerian-American writer of fantasy and science fiction for both children and adults. She is best known for Binti, Who Fears Death, Zahrah the Windseeker, and Akata Witch.



Blurb:

A year ago, Sunny Nwazue, an American-born girl Nigerian girl, was inducted into the secret Leopard Society. As she began to develop her magical powers, Sunny learned that she had been chosen to lead a dangerous mission to avert an apocalypse, brought about by the terrifying masquerade, Ekwensu. Now, stronger, feistier, and a bit older, Sunny is studying with her mentor Sugar Cream and struggling to unlock the secrets in her strange Nsibidi book.


Eventually, Sunny knows she must confront her destiny. With the support of her Leopard Society friends, Orlu, Chichi, and Sasha, and of her spirit face, Anyanwu, she will travel through worlds both visible and invisible to the mysteries town of Osisi, where she will fight a climactic battle to save humanity.

Much-honored Nnedi Okorafor, winner of the Hugo, Nebula, and World Fantasy awards, merges today’s Nigeria with a unique world she creates. Akata Warrior blends mythology, fantasy, history and magic into a compelling tale that will keep readers spellbound.

This book was publsihed by :

Penguine random house









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3. Children of vengeance and virtue


Blurb: After battling the impossible, Zélie and Amari have finally succeeded in bringing magic back to the land of Orïsha. But the ritual was more powerful than they could’ve imagined, reigniting the powers of not only the maji, but of nobles with magic ancestry, too.

Now, Zélie struggles to unite the maji in an Orïsha where the enemy is just as powerful as they are. But when the monarchy and military unite to keep control of Orïsha, Zélie must fight to secure Amari's right to the throne and protect the new maji from the monarchy's wrath.









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4. Black panther


Ta-Nehisi Coates is a senior editor for The Atlantic, where he writes about culture, politics, and social issues for TheAtlantic.com and the magazine. He is the author of the 2008 memoir The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood. His book Between the World and Me, released in 2015, won the National Book Award for Nonfiction. Coates received the MacArthur Foundation "Genius Grant" in 2015.



Blurb:


Klaw stands supreme! The Black Panther's greatest foe has returned, ready for war! Can T'Challa finally defeat Ulysses Klaw, the man who killed his father, while his country threatens to rip itself apart? To make matters worse, Wakanda's gods disappear - and the Originators return! The former gods are back, but what are their intentions for a land that has forgotten them? And all this is only the beginning, as a cadre of villains returns, monsters pour through strange gateways and Wakanda is brought to its knees! T'Challa must defend his country from within - but with his hands full, who will come to Ayo and Aneka's aid? And as Klaw steals the very lifeblood of Wakanda, the Panther turns to unlikely allies. Who will join the king's ill-fated crusade? The answers will surprise you!


This book was published by Marvel.









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5. Fib and the axe of fury


Esosa Kolawole (a Nigerian) is already making waves in respect of creative writing. She is mostly conspicuous on the internet, and has already published some tentative works and books.


Yes she loves ‘spooky’ stories about magic, myths etc! She has written a number of thrilling short stories, and at least a novella titled Tella. She's a big fan of Percy Jackson series and Cupid's Match.


Blurb:


Aaron Oni has just two more months to live.

When Fibikemi lost her eyeglasses, a magical barrier protecting her from herself, she encounters something strange.

It’s only the beginning of a weird and terrifying journey and in a matter of time, someone dangerous will come for her. Her obsession with saving Aaron pushes her to do the unimaginable and eventually, she discovers exactly why she must never take off her eyeglasses outside her home.

Brilliantly paced, with an exciting heroine and a twisting, imaginative story line, Fib and the Axe of fury is a strange African mythological story.


This book will be publsihed by Zuma Publishing

https://zumapublishing.com





6. Anansi the Spider




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Gerald McDermott is an award-winning children’s book illustrator and an expert on mythology. His work often combines bright colors and styles with ancient imagery.


He has created more than 25 books and animated films. His first book, Anansi the Spider, was awarded a Caldecott Honor, and he’s since won the Caldecott Medal for Arrow to the Sun and another Caldecott Honor.


Anansi the Spider is one of the great folk heroes of the world. He is a rogue, a mischief maker, and a wise, lovable creature who triumphs over larger foes.


In this traditional Ashanti tale, Anansi sets out on a long, difficult journey. Threatened by Fish and Falcon, he is saved from terrible fates by his sons. But which of his sons should Anansi reward? Calling upon Nyame, the God of All Things, Anansi solves his predicament in a touching and highly resourceful fashion.


In adapting this popular folktale, Gerald McDermott merges the old with the new, combining bold, rich color with traditional African design motifs and authentic Ashanti language rhythms.



7. Mufaro's Beautiful Daughters


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John Steptoe was an award-winning author and illustrator of children's books from New York City. He began working on his first children's book, Stevie, while still a teenager and achieved great success during his tragically short career, encouraging the advancement of African American culture by producing work about the African American experience that children could appreciate. 



Blurb:


A Caldecott Honor and Reading Rainbow book, this memorable retelling of Cinderella is perfect for introducing children to the fairy tale as well as the history, culture, and geography of the African nation of Zimbabwe.


Inspired by a traditional African folktale, this is the story of Mufaro, who is proud of his two beautiful daughters. Nyasha is kind and considerate, but everyone—except Mufaro—knows that Manyara is selfish and bad-tempered.


When the Great King decides to take a wife and invites the most worthy and beautiful daughters in the land to appear before him, Mufaro brings both of his daughters—but only one can be queen. Who will the king choose?


Award-winning artist John Steptoe’s rich cultural imagery of Africa earned him the Coretta Scott King Award for Mufaro’s Beautiful Daughters. The book also went on to win the Boston Globe-Horn Book Award. This stunning story is a timeless treasure that readers will enjoy for generations.




8. Precious and the Monkeys




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Alexander McCall Smith is the author of the international phenomenon The No. 1 Ladies' Detective Agency series, the Isabel Dalhousie Series, the Portuguese Irregular Verbs series, and the 44 Scotland Street series. He is professor emeritus of medical law at the University of Edinburgh in Scotland and has served on many national and international bodies concerned with bioethics. He was born in what is now known as Zimbabwe and he was a law professor at the University of Botswana. He lives in Scotland.



Blurb:


Well before Precious Ramotswe founded her Number One Ladies Detective Agency, as an eight-year-old girl she was already solving mysteries. Here we find out just who has been stealing her schoolfriend's snacks and how the young Precious became the crafty and intuitive private investigator we all know and love



9. Zoo City



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Lauren Beukes


She is the author of Broken Monsters, about art, ambition, damaged people and not-quite-broken cities, The Shining Girls, about a time-travelling serial killer, the nature of violence, and how we are haunted by history, Zoo City, a phantasmagorical noir set in Johannesburg which won the Arthur C Clarke Award and Moxyland, a dystopian political thriller about a corporate apartheid state where people are controlled by their cell phones. Her first book was a feminist pop-history, Maverick: Extraordinary Women From South Africa’s Past, which has recently been reprinted.


Blurb:


Zinzi has a Sloth on her back, a dirty 419 scam habit and a talent for finding lost things. But when a little old lady turns up dead and the cops confiscate her last paycheck, she’s forced to take on her least favourite kind of job – missing persons.


Being hired by reclusive music producer Odi Huron to find a teenybop pop star should be her ticket out of Zoo City, the festering slum where the criminal underclass and their animal companions live in the shadow of hell’s undertow.


Instead, it catapults Zinzi deeper into the maw of a city twisted by crime and magic, where she’ll be forced to confront the dark secrets of former lives – including her own.






____________________________________________



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Written By Izunna Okafor


It is no longer a novelty that every calendar year wakes up and sleeps off with a natural book of many pages. Pages of dreams and visions, pages of imaginations and realities, pages of successes and failures, pages of joy and sorrow, pages of progress and regress, pages of victories and losses, pages of smiles and tears, among many others. 

These pages indeed represent what the year holds for men.

       Among many others, Nigerian Literary Industry has been a silent character that has tasted a paragraph in virtually all the pages of the natural book in the year 2018. That is to say that a lot of pages have opened and closed to the literary industry as the year 2018 blinks away.

       Nigerian Literary industry has been one of the most highly revered industries in the country, owing to her gargantuan contributions towards the development of the country, coupled with the venerable caliber of people therein.

     Analytically speaking, the year 2018 was neither all white nor all black for the industry, as many writers recorded while many others were recorded in different books in the year.

For Nigerian writers, the year 2018 began with good news, following the long listing of a 30-year old Ayobami Adebayo in the 'Wellcome Book Prize' on 9th February, for her debut novel “Stay With Me” published in 2017, making her the only African Writer that made it to the list of the highly competitive annual British Literary Award.

      Shortly after this, sad news crawled in, following the shocking news of Akinwunmi Ishola's demise on Saturday, 17th February, being the first global sad news to surface from the corner of literary industry across the world in 2018. Prof. Ishola was a Yoruba literary scholar, novelist, playwright and culture icon whose works: Oleku, Efunsetan Aniwura, Koseegbe, Saworoide, Agogo Eewo and Campus Queen were widely regarded as among the best literary works produced by writers of his generation.

       This was followed by the death of Mr. Elizabeth Fagunwa, a renowned literary promoter and wife of foremost writer and author, late Chief Daniel O. Fagunwa. Her death was described as a great loss for the Nigerian literary community, owing to the great roles she played in advancing, peaking and championing the cause of literary activities in the country, especially through the Fagunwa Literary Foundation. 

Among these, the most recent and most unsavory of all the ugly news that elicited tears from the eyes of Nigerian writers in 2018 was the announcement of Ikeogu Oke's fall on 24th November. 

       Oke was a great Nigerian bard who, with his classic poem “The Heresiad", won the Africa’s biggest literary prize, the Nigerian Prize for Literature 2017, sponsored by the Nigeria Liquefied Natural Gas (NLNG) at the tune of $100,000 (N37m).

       On the laudatory flank of the journey, Nigerian creative industry recorded leviathan feats in the year 2018, as many Nigerian writers, both burgeoning and established, proved their worth in the field of pen this year both nationally and internationally, thereby emblazing and embellishing the hope for the advancement of literary arts in Nigeria. 

      If there is any set of people that have kept Nigeria's image alive and shinny for decades in the international community, it is Nigerian Writers. And this year is not an exception.

Several Nigerian writers toed their foot in the literary field this year while many others advanced in their echelons. 

          In her corner, a leading character in the Nigerian literary scene, Chimamanda Ngozi Adichie indeed recorded some of her greatest achievements in the literary field this year, following her prodigious victories in various international and globally acclaimed literary contests, awards, coupled with other noble honours she received in the year.

      Adichie opened the award year with the 2018 Barnes & Nobel ‘Writers for Writers’ award which she received in the fall of the quarter of the year. Shortly after that, the literati has, within couple of months clasp several other awards and Honorary Degrees among which are: the 'Shorty Award 2018', Pen Pinter Prize 2018; 2018 Action Against Hunger Humanitarian Award; 2019 Everett M. Rogers Award; Thought Leadership Award from the Global Hope Coalition (GHC); 

Honorary Doctor of Literature (DLit) degree, School of Oriental and African Studies (SOAS); University of London, UK; Honorary Doctor of Humane Letters Degree, Duke University, North Carolina, USA;

Honorary Doctor of Humane Letters Degree, Amherst College, Massachusetts, USA;

Honorary Doctor of Letters Degree, Bowdoin College, Maine, USA, among others. 

      Other great and upcoming writers who recorded great feats with their pen in the year include: Anietie Isong whose debut novel "Radio Sunrise" won UK’S biggest literary prize, the 2018 McKItterick Prize; Nigerian-German Efua Traoré who emerged the African regional winner in the world's most global literary prize, the 2018 Commonwealth Short Story Prize; Chinua Ezenwa-Ohaeto who won the New Hampshire Institute of Art’s 2018 Writing Award, and the Castello di Duino Poesia International Prize 2018; Abimbola Dare who won the 2018 Bath Novel International Award among others. The highly coveted 2018 NLNG Prize for Literature which is the Africa’s biggest Literary Prize (worthing $100,000) went to Soji Cole for his drama 'Embers’. Be it as it may, this year's Wole Soyinka Prize for Literature went to an Ugandan writer Harriet Anena making her the first Ugandan to win the prize, while, with her 'Fanta Blackcurrant', a Kenyan writer Makena Onjerika won the 2018 Caine Prize, in which three Nigerian writers: Nonyelum Ekwempu, Olufunke Ogundimu and Wole Talabi were shortlisted out of 147 entrants from 20 African countries. 

     It is also worthy to recall that two Nigerian authors: Chimamanda Adichie and Nnedi Okorafor were this year 2018, nominated for the Nobel Prize for Literature, for the first time in 36 years, after Wole Soyinka became the first black person to win the world's most coveted literary prize. 

Though, due to some circumstances challenging the public confidence in the members of the Swedish Academy hosting the award; the winner of prize was no longer announced this year, but postponed to next year. Nevertheless, one of the Caribbean most renowned authors, Maryse Conde was said to have won an alternative prize created to replace this year's Nobel Literature Prize. Hence, according to the organizers, who were being torn apart by kerfuffle evolving from certain claims and accusations, two Nobel Laureates will be announced next year, being for 2018 and 2019 respectively.

      Aside awards and recognitions, many Nigerian writers, especially the young ones published internationally acclaimed books this year. Nigerian literary industry  also welcomed new members this year, among whom were topnotch politicians who decided to 'test' their 'fortunes' in creative writing, and hence now wear the badge of 'author'.

      The most recent of these politicians turned authors include:

H.E. Sullivan Chime who authored

"An Honour to Serve: Enugu State in the Sullivan Years" and

Former President Goodluck Jonathan, who authored 'My Transition Hours'. Professionally as it may have been written, president Jonathan's book surprisingly made it to the list of 15 best books published in the year 2018. Other newly published books and Nigerian  authors who made it to the prestigious international list include: ‘Devil’s Pawn’ by Kukogho Iruesiri Samson; 'When Trouble Sleeps' by Leye Adenle; ‘When Day Breaks’ by Adamu Usman Garko (a secondary school student); ‘Children of Blood and Bone’ by Tomi Adeyemi ‘Embers’ by Soji Cole among others.

       Nnedi Okorafor, Chimamanda Ngozi Adichie, Tochi Onyebuchi, Tomi Adeyemi, Lola Shoneyin, Roye Okupe, and Chika Unigwe had earlier in the year been listed by Pulse as among the authors currently setting the pace in the literary field.

      However interesting these may be, it is also more interesting to puff the sore truth that book piracy and plagiarism received great boost in Nigeria in 2018, as reports reveal several cases of the ugly act carried out this year. Even President Jonathan's new book was said to have been pirated by an unknown malignant, in just less than 48 hours after its launching.

     However, a number of individuals, groups and nongovernmental organizations in the country played great roles in waging war against this old-centuries global issue which has pauperized many writers across the world. A most recent of this brawl was the one waged by the Anti-Piracy Society of Nigeria in her 2018 annual convention in which the MD/Editor-in-chief of the National Light Newspaper, Sir Chuka Nnabuife, who is also a renowned author and poet lectured on: "Evolving Challenges-Innovative Responses".

It is generally believed that piracy and plagiarism trailed in the year despite the fierce campaigns truculently championed against it.

      On the aspect of activities, 2018 recorded the celebration of numerous literary events and activities by Nigerian writers. The outstanding among these literary activities and events include: the 37th Annual National Convention of the Association of Nigerian Authors; 2018 CORA Book Party; NSPP Awards Ceremony hosted by  Poets In Nigeria (PIN); Lagos Book and Art Festival 2018; Return To Idoto 2018 (in honour of late Poet Christopher Okigbo), hosted by Awka Literary Society; the 2018 Chinua Achebe Literary Festival, hosted by the Society of Young Nigerian Writers (Anambra Chapter); Northern Nigerian Writers’ Summit 2018; the 2018 Ake Arts and Book Festival; Anambra Book and Creativity Festival (ANBUKRAFT) 2018; first Poetry Slam in Anambra, hosted by Poets in Nigeria (PIN), Awka Connect Centre; 2018 Carter Literary Festival, Enugu; 2018 admission of writers into the Ebedi Writers Residency, Iseyi, the only writers residency in Nigeria; among other literary activities.

     Indeed, 2018 has been a historic year for the Nigeria's literary industry, given the bizarre feats and achievements recorded by the members/ Nigerian writers in the year in their quest to advance globally in the field promote Nigerian Literature and Nigeria's image in the international community. In fact, the industry is believed to be among the few sectors that have consistently projected and upheld the image and dignity of the country till today. Ipso facto, it is optimistically believe that the sector and the actors will take even more historic dives and achieve more selcouth feats before the fall of 2019.



About The Author:


Izunna Okafor is an award-wining creative Young Nigerian Novelist, Poet, Essayist, Journalist, Editor, Translator, Publicist , Igbo Language Activist and an Administrator who hails from Ebenator in Nnewi South L.G.A of Anambra State Nigeria. He has published seven novels, won over 25 awards, and has over 800 articles published online.

His awards include:

Nigerian Writers Award/Indigenous Writer of The Year 2015/2016

Pita Nwana Prize For Igbo Literature 2015

Society of Young Nigerian Writers Award Nigeria

Heritage Icon Award/Young Writer of the Year Federal Republic of Nigeria 2016;

Merit Award from The Society of Young Nigerian Writers (2016);

Award of Recognition From Students’ Union Government, Unizik (2017)

Nigerian Writers Award/Young Writer of The Year 2015/2016;

N.Y.S.C. Essay Competition 2012;

SLAM Hero Youth International Award/Innovative Youth of the Year 2016;

AEYC/Youth Writer of The Year 2016

Award of Academic Excellence from The National Association of Public Administration Students (2016);

Inspire Award /Outstanding Youth in Academics 2017.

NAPAS Academic Icon of The Year 2017;

Anambra Campus Award 2017/Campus Writer of The Year 2017

Award of Excellence from The Society of Young Nigerian Writers 2016;

Anambra Exclusive Youth Choice Award/Outstanding Youth of the Year 2017;

Youth Writer of The Year 2016 NAPAS Essay Competition 2017;

Starlett Entertainment Award/Creative Writer of the Year 2016;

LitraNation Indigenous Book of The Month (December) 2016

Ambassador TFA in Nigeria

Creative Crew Africa/ Young Talent of The Year 2018, among others;

Campus Best Writer 2018/Campus Journalist of The Year 2018

Best Secretary General of NAPAS (2018).

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Onukele Udoka
Posted 3 Years ago · 1 Likes · 0 Comments
God is great
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Chinua Achebe, who died in Boston today at the age of eighty-two, was a few weeks shy of thirty years old when Nigeria was granted independence from the British Empire, on October 1, 1960, and he was already acclaimed, worldwide, as the preëminent novelist of black Africa. The British publisher Heinemann had brought out Achebe's first novel, Things Fall Apart, only two years earlier, and it had to have been the first African novel that many of his admirers on the continent and off had read. The sure tragedian's authority with which Achebe tells the story of Okonkwo, an Igbo elder of immense strength and pride, a figure of heroic qualities within the traditions of his culture, who is ill-served, brought low, and undone by those same qualities in his first violent encounters with colonial power, has ensured that still today, with more than ten million copies sold, Things Fall Apart remains the best-known work of African literature.
The great African novel? The book could as truly be called a great novel, period. Many writers would prefer to carry that badge of universality, but Achebe who has gone to his grave without ever receiving the Nobel Prize he deserved as much as any novelist of his era has said that to be called simply a writer, rather than an African writer, is a statement of defeat. Why? Because his project has always been to resist emphatically the notion that African identity must be erased as a prerequisite to being called civilized. Growing up as what he called a British-protected child in the colonial order, the young writer came to see that the Empire's claim that Africans had no history was a violent, if at times ignorant or unconscious, counter-factual effort to annihilate the history of his continent's peoples.
Achebe made his case in many forms essays and lectures, interviews and acts of protest, and as an ideologue and propagandist for the failed Igbo-nationalist secessionist state of Biafra but he made it most cogently on the final page of Things Fall Apart. With the reader in the full emotional grip of the many dimensions of Okonkwo's epic fate, the author boldly and deftly adds another, shifting to the perspective of a colonial governor who considers Okonkwo's story good material perhaps not a whole chapter but a reasonable paragraph for the book he is planning to write:  The Pacification of the Primitive Tribes of the Lower Niger.
Having, with his first effort, created a permanent place for the African novel in the world literary canon, Achebe continued to be a prolific imaginative writer, producing novels and stories that evoked, in a range of voices, the trials of Nigeria's pre-colonial and colonial history, and the traumas of its post-independence ordeals: from No Longer at Ease and A Man of the People in the sixties to Girls at War and Anthills of the Savannah in the aftermath of the Biafran war. But the fact that he must be remembered as not only the father but the godfather of modern African literature owes at least as much to the decades he spent as the editor of Heinemann's African Writers Series. In that capacity, Achebe served as the discoverer, mentor, patron, and presenter-to-the-world of so many of the now-classic African authors of the latter half of the twentieth century. The series's orange-spined, generously inexpensive paperbacks carried a stamp of excellence that drew readers everywhere to essential works by writers as varied as Kenneth Kaunda, Ngugi wa Thiong'o, Dennis Brutus, Tayeb Salih, Léopold Sédar Senghor, Ousmane Sembène, Wole Soyinka, and Nadine Gordimer, to name but a few: it is an extraordinary legacy.
As a storyteller, as a voice of his nation, as a cultural impresario, an intellectual combatant and provocateur, Achebe gained with age the status in Nigeria of a bard and a sage that the modern world rarely affords to writers. After suffering terrible injuries in a car crash, he spent much of his time in the last decades of his life in America, where he settled into long-term professorships at Bard College and Brown University. But when he returned to Nigeria he was received as a national hero. Crowds of thousands sometimes tens of thousands gathered to pay tribute to him. The adoration hardly softened him, though. He was, in his old age, as much a scold to his compatriots as he had ever been in his youth.
I met Achebe a few times in his wheelchair-bound American years. When he gave you his hand it was at once firm and soft and notably warm. He had a gentle presence a man fully capable of wit and mischief and open laughter, but whose default expression, at ease, was one of sympathetic melancholy. His voice was another matter: low-pitched and rich and adamant. When he spoke, it was with great command and unmistakable music. In Boston, in 1999, at a celebration of the centennial of Ernest Hemingway s birth, I had the honor of sitting on a panel with Achebe, on the subject of writing about Africa. He was as cogently withering about Hemingway's Africa a place he could not recognize because there were no speaking Africans there as he was, in one of his most famous essays, about Joseph Conrad s. At the end of the session, the floor was opened to questions. An evidently confused woman in the audience took the opportunity to ask In what sense are you writers about Africa? The other panelists Nadine Gordimer and Kwame Anthony Appiah were too baffled to respond. Not Achebe. He leaned into his microphone, and very slowly and melodically, with rolling Rs and drawn out Os, roared: Read. Our. Books. The woman said, But I'm asking you. And Achebe said, I'm telling you: Read. Our. Books. 
What better epitaph for the man, and what better way to remember him today: read his books.
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