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Osita Eze, Youth Pastor
Posted 10 Days ago · 0 Likes · 0 Comments

     Sometime ago, I attended a youth programme and overheard one of the high-ranking priests lamenting that many of the youths in the Anglican Church are breaking their (spiritual) fathers’ hearts by relocating to the Pentecostal circle especially after they had invested so much virtues in them.  Several questions came up in my mind when I heard this statement. (1). Is it really compulsory for a Christian youth to remain permanently in the church/ denomination he was born into? My answer to that question is “No”. If God is leading a Christian youth to relocate to another church especially if he or she is no longer enjoying spiritual balanced diet, he or she should by no means move on to another church.

(2). Must all outstanding Christian youths become members of the hierarchical pastoral order of a church? My answer is “No”. If God has not called a youth into the ministry let no pastor or priest ‘call’ him into any of the five-fold ministries.  He or she should not be cajoled or pressurized into accepting such ‘call’. Otherwise that would amount to asking the young man or woman to take on more responsibilities than he or she was created/destined to handle.

(3). Is it really wrong for a member of a church or denomination to attend programmes of other churches or denominations? My answer is “No”. It is quite alarming that several Christian leaders had promoted and are still promoting disunity by discouraging their younger followers from attending meetings or fellowship organized by other church leaders or even interact with other Christians no matter how spiritual or godly they are.  Some of them even go to the extent of suspending those who attended such programmes from their responsibility (ies) in church. Let us stop the hypocrisy. Pray for unity in the Body of Christ, preach unity in the Body of Christ and practice unity in the Body of Christ.

(4). Is it compulsory for a Christian youth to remain bounded to his or her church/denomination by marrying a fellow believer from his or her church? Marrying a believer from your church/ denomination is a good idea but it is advisable that a Christian marries a man or woman that fears God, irrespective of his or her denomination.

     Please do not get me wrong. It is not that I do not care about the emotional pains pastors go through each time their followers relocate to another church for whatever reason. I do but the best bet is that pastors and priests should learn to release people from their hearts when they leave the churches they oversee without hurting themselves or anyone. It is also important for a pastor or priest to identify and discover the departments or units of his church where more hands are needed and personally ask the Lord of the harvest to send more labourers to meet those specific needs in the church he pastors.

                                                                                                        

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Osita Eze, Youth Pastor
Posted 10 Days ago · 0 Likes · 0 Comments

 

     According to the Oxford Advanced Learner’s Dictionary, a slave is ‘a person that is controlled by another person or thing’. He does not have an independent mind-his decisions are strongly influenced by another person or thing.

     A slave to sin is a person who is controlled by the force of sin. He cannot do without committing sin. He is strongly bonded to the yoke of sin no matter how much he tries to break free from it.  

 

WHAT IS SIN?

     Sin is the transgression of the law. It is an act of disobedience to God’s established laws and commandments. Anyone who lives with the habit of breaking God’s laws is a sinner.

 

CONSEQUENCES OF BEING A SLAVE TO SIN

      There are six main consequences of being a slave to sin. They are:

1. He is an alien to God: Anyone still living in sin is a stranger in God’s house. He does not have a permanent residence in God’s kingdom. “The slave does not continue in the house (God’s family) for ever… (John 8:35a, words in bracket mine). He cannot have access to God’s kingdom riches unless he repents from sin.

 2. He is the devil’s possession: Anyone who has the devil’s property (sin) in him is automatically a toy in the hands of the devil. “He who commits sin is of the devil” (1 John 3:8a). The devil uses him to fulfil his whims and caprices.

3. His prayers are unanswered: A sinner’s prayer is an abomination before God (Isaiah 59:1-2). God doesn’t hear such prayer. The only prayer of a sinner that is acceptable to God is the prayer of genuine repentance.

4. He is a victim of God’s wrath: God’s face is against anyone who does evil (1 Peter 3:12b).  His wrath rests evidently with sinners daily (Psalm 7:11b, John 3:36b).  

5. He is spiritually separated from God: Sin separates a man from God because His eyes are too holy to behold iniquity (Isaiah 59:2). It makes a man to be far from God. It is the cry for mercy that brings him close to God.

6. He has an eternal home in hell: A sinner has a permanent home in hell, a place that burns with fire and brimstone eternally if he fails to repent from his sins (Revelation 21:8). No unrighteous person will enter into heaven, the eternal home prepared for the saints.

 

THE WAY OUT OF SLAVERY

     Living a life that is free from the bondage of sin is a choice to be made by those who are tired of being the devil’s captive. 

     The first step to living a sin-free live is to hate sin, confess your previous sins and forsake them (Proverb 28:13).

     Secondly, you must invite Jesus into your heart by faith now that He can still be found. When He comes in, He will break the yoke of sin in your life and give you the power to become God’s child (Matthew 11:28-29, John 1:12).

   Thirdly, you must make a permanent commitment to Jesus to serve Him as your Lord and Saviour all the days of your life. Living a sin-free life comes with its own special demand and package-a life of total surrender to the Lordship of Jesus now and forever.

     Lastly, learn everything you need to know about Jesus by attending a church where God’s words are taught with sincerity. Study and meditate on His actions, teachings and commandments. Ensure that you obey Him every time and everywhere. Regular obedience to God is the surest way to maintaining your liberty in Christ Jesus. Make the decision to obey Him today. Shalom.

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Updated 5 Months ago · 1 Likes · 0 Comments


By Izunna Okafor



It was Haruki Murakami who once said that death is not the opposite of life, but a part of it —an aphorism buttressed strongly by George Eliot's apothegm that "Our dead are never dead to us, until we have forgotten them."


It is on these long-standing witty sayings that the Nigerian literary community received the her first shocking news of 2020, that foremost Nigerian novelist, who was also the Traditional Ruler of Ndikelionwu Kingdom in Orumba North Local Government Area of Anambra, Eze Prof. Chukwuemeka Ike has gone asleep.


The news which ushered in the dawn of the second Thursday of the year was hitherto faulted and scored a grapevine, to the credit of two points —the source from which it came, and the terminology with which it was broken. 


By way of reaction to the news, it was rightly argued that, in Igbo land, Traditional Rulers do not die. In other words, in Igbo land, it is wrong for one to say that a Traditional Ruler is dead; instead, one could say that the king has joined his ancestors, is sleeping, is resting, or has fallen asleep.


Secondly, no one is authorised to disclose such information (that the king is sleeping) except the affected community's cabinets or Council of Elders, in agreement with the members of the royal family or the ruling dynasty, as the case may be. 

Although, people, especially the closest relatives or community members may be aware that the king has fallen asleep, they won't dare disclose it or tattle over it, pending an authorised disclosure by the right source.


Little wonder why, when interviewed on the hideous development, a stakeholder from the Ndikelionwu Community, Prince Emma Okoli-Ijeoma said, “'As far as I am concerned as a member of the ruling house in this Ndikelionwu Ancient Kingdom, I am saying that Prof. Chukwuemeka Ike Eze Ndikelionwu, the 11th of Ndikelionwu is not yet dead!

In our tradition, nobody opens his mouth to tell outsiders that the Traditional Ruler is dead. You don’t say it because according to the customary law of Anambra state, king doesn’t die!


"If at all there is anything of that nature, one would say the king has joined his ancestors. It is not the duty of anybody to tell outsiders that the king is dead. It is after the royal family has met and agreed before such thing would be announced. Not just a rifraf would come and say what he doesn’t know!


"So I am saying that as far as the royal family is concerned, we have not announced anything to the public, that is, if something really happened."


Also, in most cases, the Elder In Council may not even announce the news, except a replacement or heir is found, especially in a situation where the crown is rotational.


These formed the basis upon which the news of Prof. Chukwuemeka Ike joining his ancestors was held in the air on arrival.


Be it as it may, succeeding sunset and sunrise have unmasked and unearthed the rock.


As Nze Prof. Chukwuemeka Ike rests on in his ancestral home and palace, Ndikelionwu, literary enthusiasts, fans and some other stakeholders in the country have continued to register their feelings and pour their tributes to the legend.


Breaking the news, the Anambra State's Commissioner for Information and Public Enlightenment, Mr.  C-Don Adinuba said, "Goodnight, Prof Chukwuemeka Ike. We all drank from the fountain of The Bottled Leopard as students to assuage our curiousity for mystery. We were stunned by the shenanigans of Expo ’77 and thrilled, to no end, by Sunset at Dawn.


“As you join your ancestors, let’s pray you never stumble from The Chicken Chasers or undone by Conspiracy of Silence. Adieu, a great man of letters, a king who wore humility like a robe.”


On his own part, the Executive Governor of Anambra, H.E Chief Willie Obiano said, "I am saddened by the death of HRM Eze Chukwuemeka Ike. He was always a regal presence around us here, bringing his wealth of experience to bear on the deliberations of the Traditional Rulers Council. We shall sorely miss him. But we shall also find strength and consolation in his exemplary life and the legacies he left for mankind through his literary works and stellar contributions to the traditional institution in Anambra State.”


Former PDP Presidential Candidate, Alhaji Atiku Abubakar said, “I mourn one of Nigeria’s prolific novelists and traditional ruler of Ndikelionwu in Anambra State, H.R.H. (Prof.) Chukwuemeka Ike.


“He will be remembered for his classics: "Toads for Supper" and "Sunset at Dawn" among others. May he rest in peace."



In similar tones, other literary enthusiasts and concerned Nigerians have also bared their minds thematically on the development, ruefully registering their reactions to the news and their tributes for the legend, as collated below:


Denja Abdullahi, immediate past President of the Association of Nigerian Authors (ANA) says:


"Prof. Ike's death was sad all the same but it was not a shock because he was an old man. He was a contemporary of all other first generation of Nigerian writers and his death was like the end of an era. We could say that the last of the titans has gone home.  


Tributarily, Abdullahi said, "Prof. Chukwuemeka Ike was a productive writer of several novels with interesting stories and catchy titles. You could locate his works between the popular and literary fiction genre. He was a very good satirist of the human condition.I feel that he was not celebrated enough like some other people feel. It may be because of his self-effacing nature and unwillingness to indulge in needless literary and critical controversies.


"He has gone beyond just being a writer to contribute to the development of the Nigerian Book Industry through his Nigerian Book Foundation. He was always there anywhere you invite him to if it had to do with writing,writers and the books. 


"Prof Chukwuemeka Ike will live eternally in the minds of all of us through his evergreen stories of the foibles of man."



Mr. Oseloka Henry Obaze, a published author, poet and literary enthusiast says:


"The passing of HRM Prof. Chukwuemeka Ike, Eze Ndikelionwu is numbing.   He was an exceptional, gifted, resolute and most unassuming person.  I was privileged to be considered his friend and welcomed freely into his palace. He was chair of my book presentation in 2018. 


His tribute: "Eze Chukwuemeka Ike lived life fully and made enduring contributions to our educational system, literature, cultureand traditional institution. He motived many writers, even those who never met him personally. 


"He has immortalized his name and his footprints will linger for years to come.  May God grant him eternal rest and his dear wife HRM Bimpe Ike, the fortitude to bear the loss."



Okeke Chika Jerry, an author, publisher and literary arts promoter says:


"I was in deed shocked when I heard the sad news over the radio. I wished he stayed a bit longer so that this generation of ours will have tapped a lot more from his wealth of wisdom. 


"But I believe Professor Ike is not totally dead and he will never die completely because all his works are still breathing all over the world. "Rest in peace Papa ndi authors."



Odili Ujubuońu, award-winning author and literary enthusiast says: 


"This is a huge loss. Chukwuemeka Ike was a great inspiration to a lot of writers who came after him. The choice of subject matters he treated in his novels spoke a lot about the kind of man he was and the whole essence of his writing.


"He was never complex in his style and or his plot and that led us easily into the wonderful worlds he created. These worlds would live forever with us. Through them, we would keep remembering him. May his gentle and kind soul find eternal peace."


Reginald Chiedu Ofodile, author and international award-winning actor says:


"I received news of his demise with sighs. I'm told Professor Ike is asleep, which is a correct phrase to apply to a traditional ruler. His subsiding into sleep did not shock me. He lost his only child three years ago. It must have been a massive blow, and he was also in his late 80s."


Tribute: "Eze Ike was an engaging, fluent and satirical writer. He created fascinating characters and witty, wicked situations. I remember 'Sweetie' in TOADS FOR SUPPER, 'Peace Bozo' in THE CHICKEN CHASERS, 'Mrs Ikin' and 'Dr Okoro' in THE NAKED GODS... and many others.  I recall his books appeared under the FONTANA imprint, not the AFRICAN WRITERS' SERIES."



Prof. Sam Uzochukwu, Igbo Poet and Novelist says:


"Prof Ike's death is indeed a loss to the nation, particularly to the literary class.Though he lived to old age, death, particularly of an icon always evokes shock to the living; so I feel shocked by his death as his other admirers .


"Prof. Ike was among the respected writers, in the same class as Chinua Achebe, for which Umuahia Govt college was renowned. He produced novels that dealt with topical issues of his time. 


"Above all, Prof. Ike was a man imbued with tenacity of purpose. He never wavered on any issue he was convinced about. This quality of his was manifested when I worked with him, a few years ago, on an Igbo project for which we were appointed by the Anambra State Govt.

May the Lord grant him eternal rest, amen."





Untill he slept off, Eze Prof. Chukwuemeka Ike (born on April 23, 1931) was award-winning and pioneer Nigerian writer, known for a mixture of lampoon, humor and satire, a writing style believed to be tied to his Igbo cultural upbringing.


He attended the Government College, Umuahia, where he started writing for the school magazine, The Umuahian, which published his first ever written story —‘A Dreamland,’ a work which set his foot on the literary space.

Some eminent Nigerian writers who attended the school include Chinua Achebe, Christopher Okigbo, and Ken Saro Wiwa, among others.


A graduate of the University College, Ibadan, Prof. Ike made a plethora of impacts and left great legacies in the literary and academic fields, and was conferred the Nigerian National Order of Merit (NNOM) Award which is Nigeria's highest and most prestigious national prize for academic and intellectual attainment, making him the second Novelist to receive the award since its inauguration in 1979, the first being Prof. Chinua Achebe.


Prof. Ike's works include Toads for Supper (1965), The Naked God’s (1970), The Potter’s Wheel (1973), Sunset and Dawn (1976), Expo ’77 (1980), The Bottled Leopard (1985), Our Children are Coming (1990); Conspiracy of Silence  (2001), among other publications.


Away from the literary flank, Prof. Ike served as an academic in different roles such as a lecturer at the University of Ibadan, registrar at the University of Nigeria, Nsukka (UNN), and visiting professor at the University of Jos.


He was also the President of the Nigerian Book Foundation, as well as the first Nigerian to be the registrar of the West Africa Examination Council (WAEC).


Ike slept at 88.


As Prof. Chukwuemeka Ike peacefully joined his ancestors, Nigerian literary community, fans, and the world at large heartily bid him farewell and wish him eternal repose in the world of immorality.

Goodnight great man.





About the Author:


Izunna Okafor is an award-winning Nigerian Novelist, Poet, Journalist, Essayist, Editor, Translator, Publicist, Igbo Language Activist and Administrator who hails from Ebenator in Nnewi South L.G.A of Anambra State Nigeria. He writes perfectly in English and Igbo languages, and has published several books in both languages.

Izunna has received over 25 awards, and has over 2000 articles published online, both nationally and internationally. 

He can be reached via: izunnaokafor70@mail.com


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Posted 6 Months ago · 0 Likes · 0 Comments

Written By Izunna Okafor


It was indeed a festival words and  dulcet epopees at Awka, the capital city of Anambra State, as Opinions From Africa for (OFA) rocked the state with first made-in-Anambra Poetry Concert, which held amidst cultural displays and musical pantomime.

Speaking at the event, the state's Commissioner for Basic Education, Prof. Kate Omenugha described the event as apt and impactful, and further maintained that it was in line with the policy and programs of Governor Willie Obiano, who she said, is greatly committed to discovering, empowering promoting, enhancing and encouraging creativity among the youths in the state.


Prof. Omenugha, who was represented by the Public Relation Officer of the ministry, Mr. Nnaemeka Egwuonwu, expressed satisfaction with the presentations by the young talents, and argued that there were lots of lessons to be learnt from them.


She said, "I cannot fully express how excited I am, seeing these well talented youths come and talk about very serious issues in the society with carefully chosen and artistically designed poetic lines and words, and give us food for thought on what is happening in the society today, thereby giving us hope for Africa, for the Black Race, for Nigeria and for the society in general. 

"So I feel highly delighted being part of this program; and I also commend the organizers for the wonderful work they have done."


Earlier in his opening remarks, the convener of the event, Mrs. Jidechukwu Angela Nwabueze said the event tagged "African Sensation," was aimed at celebrating Africa, telling the Africa's story, and proffering solutions to Africa's problems through poetry, as well as featuring young poets from various parts of the country.

She appreciated individuals and organisations who contributed in one way towards the success of the event, including the Anambra Newspapers and Printing Corporation (ANPC) which is also one of their media partners 


On his own part, the founder of Opinions From Africa (OFA), Mr. Kaosisochukwu Nwagboso said the association founded in 2017 is a non-governmental organization with the objective of gathering poets, creative minds and intellectuals from different a academic fields, to utilize their skills, talents and brain power in rebranding and making Africa great. 


Some of the participants at the event, including Maryjane Onyekaba who presented a poem entitled "Good Morning Africa;"  Ibiam Ude Ufiem who presented "Ozoemena;" Cynthia Ekeka who presented "The Voice of Africa;" and Raymond Mimi who presented "Africa Who Are We?" among others called on Africans, particularly the youths to wake up, hold tight their heritage as Ndi Africa, and also contribute to the development of Africa and promoting her identity.

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Written By Izunna Okafor


It is no longer a novelty that every calendar year wakes up and sleeps off with a natural book of many pages. Pages of dreams and visions, pages of imaginations and realities, pages of successes and failures, pages of joy and sorrow, pages of progress and regress, pages of victories and losses, pages of smiles and tears, among many others. 

These pages indeed represent what the year holds for men.

       Among many others, Nigerian Literary Industry has been a silent character that has tasted a paragraph in virtually all the pages of the natural book in the year 2018. That is to say that a lot of pages have opened and closed to the literary industry as the year 2018 blinks away.

       Nigerian Literary industry has been one of the most highly revered industries in the country, owing to her gargantuan contributions towards the development of the country, coupled with the venerable caliber of people therein.

     Analytically speaking, the year 2018 was neither all white nor all black for the industry, as many writers recorded while many others were recorded in different books in the year.

For Nigerian writers, the year 2018 began with good news, following the long listing of a 30-year old Ayobami Adebayo in the 'Wellcome Book Prize' on 9th February, for her debut novel “Stay With Me” published in 2017, making her the only African Writer that made it to the list of the highly competitive annual British Literary Award.

      Shortly after this, sad news crawled in, following the shocking news of Akinwunmi Ishola's demise on Saturday, 17th February, being the first global sad news to surface from the corner of literary industry across the world in 2018. Prof. Ishola was a Yoruba literary scholar, novelist, playwright and culture icon whose works: Oleku, Efunsetan Aniwura, Koseegbe, Saworoide, Agogo Eewo and Campus Queen were widely regarded as among the best literary works produced by writers of his generation.

       This was followed by the death of Mr. Elizabeth Fagunwa, a renowned literary promoter and wife of foremost writer and author, late Chief Daniel O. Fagunwa. Her death was described as a great loss for the Nigerian literary community, owing to the great roles she played in advancing, peaking and championing the cause of literary activities in the country, especially through the Fagunwa Literary Foundation. 

Among these, the most recent and most unsavory of all the ugly news that elicited tears from the eyes of Nigerian writers in 2018 was the announcement of Ikeogu Oke's fall on 24th November. 

       Oke was a great Nigerian bard who, with his classic poem “The Heresiad", won the Africa’s biggest literary prize, the Nigerian Prize for Literature 2017, sponsored by the Nigeria Liquefied Natural Gas (NLNG) at the tune of $100,000 (N37m).

       On the laudatory flank of the journey, Nigerian creative industry recorded leviathan feats in the year 2018, as many Nigerian writers, both burgeoning and established, proved their worth in the field of pen this year both nationally and internationally, thereby emblazing and embellishing the hope for the advancement of literary arts in Nigeria. 

      If there is any set of people that have kept Nigeria's image alive and shinny for decades in the international community, it is Nigerian Writers. And this year is not an exception.

Several Nigerian writers toed their foot in the literary field this year while many others advanced in their echelons. 

          In her corner, a leading character in the Nigerian literary scene, Chimamanda Ngozi Adichie indeed recorded some of her greatest achievements in the literary field this year, following her prodigious victories in various international and globally acclaimed literary contests, awards, coupled with other noble honours she received in the year.

      Adichie opened the award year with the 2018 Barnes & Nobel ‘Writers for Writers’ award which she received in the fall of the quarter of the year. Shortly after that, the literati has, within couple of months clasp several other awards and Honorary Degrees among which are: the 'Shorty Award 2018', Pen Pinter Prize 2018; 2018 Action Against Hunger Humanitarian Award; 2019 Everett M. Rogers Award; Thought Leadership Award from the Global Hope Coalition (GHC); 

Honorary Doctor of Literature (DLit) degree, School of Oriental and African Studies (SOAS); University of London, UK; Honorary Doctor of Humane Letters Degree, Duke University, North Carolina, USA;

Honorary Doctor of Humane Letters Degree, Amherst College, Massachusetts, USA;

Honorary Doctor of Letters Degree, Bowdoin College, Maine, USA, among others. 

      Other great and upcoming writers who recorded great feats with their pen in the year include: Anietie Isong whose debut novel "Radio Sunrise" won UK’S biggest literary prize, the 2018 McKItterick Prize; Nigerian-German Efua Traoré who emerged the African regional winner in the world's most global literary prize, the 2018 Commonwealth Short Story Prize; Chinua Ezenwa-Ohaeto who won the New Hampshire Institute of Art’s 2018 Writing Award, and the Castello di Duino Poesia International Prize 2018; Abimbola Dare who won the 2018 Bath Novel International Award among others. The highly coveted 2018 NLNG Prize for Literature which is the Africa’s biggest Literary Prize (worthing $100,000) went to Soji Cole for his drama 'Embers’. Be it as it may, this year's Wole Soyinka Prize for Literature went to an Ugandan writer Harriet Anena making her the first Ugandan to win the prize, while, with her 'Fanta Blackcurrant', a Kenyan writer Makena Onjerika won the 2018 Caine Prize, in which three Nigerian writers: Nonyelum Ekwempu, Olufunke Ogundimu and Wole Talabi were shortlisted out of 147 entrants from 20 African countries. 

     It is also worthy to recall that two Nigerian authors: Chimamanda Adichie and Nnedi Okorafor were this year 2018, nominated for the Nobel Prize for Literature, for the first time in 36 years, after Wole Soyinka became the first black person to win the world's most coveted literary prize. 

Though, due to some circumstances challenging the public confidence in the members of the Swedish Academy hosting the award; the winner of prize was no longer announced this year, but postponed to next year. Nevertheless, one of the Caribbean most renowned authors, Maryse Conde was said to have won an alternative prize created to replace this year's Nobel Literature Prize. Hence, according to the organizers, who were being torn apart by kerfuffle evolving from certain claims and accusations, two Nobel Laureates will be announced next year, being for 2018 and 2019 respectively.

      Aside awards and recognitions, many Nigerian writers, especially the young ones published internationally acclaimed books this year. Nigerian literary industry  also welcomed new members this year, among whom were topnotch politicians who decided to 'test' their 'fortunes' in creative writing, and hence now wear the badge of 'author'.

      The most recent of these politicians turned authors include:

H.E. Sullivan Chime who authored

"An Honour to Serve: Enugu State in the Sullivan Years" and

Former President Goodluck Jonathan, who authored 'My Transition Hours'. Professionally as it may have been written, president Jonathan's book surprisingly made it to the list of 15 best books published in the year 2018. Other newly published books and Nigerian  authors who made it to the prestigious international list include: ‘Devil’s Pawn’ by Kukogho Iruesiri Samson; 'When Trouble Sleeps' by Leye Adenle; ‘When Day Breaks’ by Adamu Usman Garko (a secondary school student); ‘Children of Blood and Bone’ by Tomi Adeyemi ‘Embers’ by Soji Cole among others.

       Nnedi Okorafor, Chimamanda Ngozi Adichie, Tochi Onyebuchi, Tomi Adeyemi, Lola Shoneyin, Roye Okupe, and Chika Unigwe had earlier in the year been listed by Pulse as among the authors currently setting the pace in the literary field.

      However interesting these may be, it is also more interesting to puff the sore truth that book piracy and plagiarism received great boost in Nigeria in 2018, as reports reveal several cases of the ugly act carried out this year. Even President Jonathan's new book was said to have been pirated by an unknown malignant, in just less than 48 hours after its launching.

     However, a number of individuals, groups and nongovernmental organizations in the country played great roles in waging war against this old-centuries global issue which has pauperized many writers across the world. A most recent of this brawl was the one waged by the Anti-Piracy Society of Nigeria in her 2018 annual convention in which the MD/Editor-in-chief of the National Light Newspaper, Sir Chuka Nnabuife, who is also a renowned author and poet lectured on: "Evolving Challenges-Innovative Responses".

It is generally believed that piracy and plagiarism trailed in the year despite the fierce campaigns truculently championed against it.

      On the aspect of activities, 2018 recorded the celebration of numerous literary events and activities by Nigerian writers. The outstanding among these literary activities and events include: the 37th Annual National Convention of the Association of Nigerian Authors; 2018 CORA Book Party; NSPP Awards Ceremony hosted by  Poets In Nigeria (PIN); Lagos Book and Art Festival 2018; Return To Idoto 2018 (in honour of late Poet Christopher Okigbo), hosted by Awka Literary Society; the 2018 Chinua Achebe Literary Festival, hosted by the Society of Young Nigerian Writers (Anambra Chapter); Northern Nigerian Writers’ Summit 2018; the 2018 Ake Arts and Book Festival; Anambra Book and Creativity Festival (ANBUKRAFT) 2018; first Poetry Slam in Anambra, hosted by Poets in Nigeria (PIN), Awka Connect Centre; 2018 Carter Literary Festival, Enugu; 2018 admission of writers into the Ebedi Writers Residency, Iseyi, the only writers residency in Nigeria; among other literary activities.

     Indeed, 2018 has been a historic year for the Nigeria's literary industry, given the bizarre feats and achievements recorded by the members/ Nigerian writers in the year in their quest to advance globally in the field promote Nigerian Literature and Nigeria's image in the international community. In fact, the industry is believed to be among the few sectors that have consistently projected and upheld the image and dignity of the country till today. Ipso facto, it is optimistically believe that the sector and the actors will take even more historic dives and achieve more selcouth feats before the fall of 2019.



About The Author:


Izunna Okafor is an award-wining creative Young Nigerian Novelist, Poet, Essayist, Journalist, Editor, Translator, Publicist , Igbo Language Activist and an Administrator who hails from Ebenator in Nnewi South L.G.A of Anambra State Nigeria. He has published seven novels, won over 25 awards, and has over 800 articles published online.

His awards include:

Nigerian Writers Award/Indigenous Writer of The Year 2015/2016

Pita Nwana Prize For Igbo Literature 2015

Society of Young Nigerian Writers Award Nigeria

Heritage Icon Award/Young Writer of the Year Federal Republic of Nigeria 2016;

Merit Award from The Society of Young Nigerian Writers (2016);

Award of Recognition From Students’ Union Government, Unizik (2017)

Nigerian Writers Award/Young Writer of The Year 2015/2016;

N.Y.S.C. Essay Competition 2012;

SLAM Hero Youth International Award/Innovative Youth of the Year 2016;

AEYC/Youth Writer of The Year 2016

Award of Academic Excellence from The National Association of Public Administration Students (2016);

Inspire Award /Outstanding Youth in Academics 2017.

NAPAS Academic Icon of The Year 2017;

Anambra Campus Award 2017/Campus Writer of The Year 2017

Award of Excellence from The Society of Young Nigerian Writers 2016;

Anambra Exclusive Youth Choice Award/Outstanding Youth of the Year 2017;

Youth Writer of The Year 2016 NAPAS Essay Competition 2017;

Starlett Entertainment Award/Creative Writer of the Year 2016;

LitraNation Indigenous Book of The Month (December) 2016

Ambassador TFA in Nigeria

Creative Crew Africa/ Young Talent of The Year 2018, among others;

Campus Best Writer 2018/Campus Journalist of The Year 2018

Best Secretary General of NAPAS (2018).

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Ambrose Alli University JAMB cut off mark  180

Adekunle A

jasin University Anyingba (AAUA) JAMB cut off mark  180

Abia state polytechnic JAMB cut off mark  150

Abia State University Uturu (ABSU) JAMB cut off mark  180

Ahmadu Bello University (ABU) Zaria JAMB cut off mark  180

Afe Babalola University Ado-Ekiti (ABUAD) JAMB cut off mark  180

Akwa-Ibom State University (AKSU) JAMB cut off mark  180

Alvan Ikoku Federal College of Education JAMB cut off mark  180

Anambra State University Uli (ANSU) JAMB cut off mark  180

Auchi Polytechnic JAMB cut off mark  150

Benson Idahosa University JAMB cut off mark  180

Bauchi State University JAMB cut off mark  180

Bells University of Technology JAMB cut off mark  180

Bowen University JAMB cut off mark  170

Benue State University JAMB cut off mark 180

Bayero University Kano JAMB cut off mark  180

Covenant University cut off mark for JAMB  180

Cross River University (CRUTECH) JAMB cut off mark  180

Delta State University, Abraka (DELSU) JAMB cut off mark  180

Dental School Enugu JAMB cut off mark  150

Ebonyi State University (EBSU) JAMB cut off mark  180

Ekiti State University, Ado-Ekiti (EKSU) JAMB cut off mark  180

Enugu State University of Science Technology (ESUT) JAMB cut off mark 180

Federal Polytechnic Nekede JAMB cut off mark  150

Federal Polytechnic Ado-Ekiti JAMB cut off mark  170

Federal Polytechnic (Bida) JAMB cut off mark  150

Federal Poly Ede JAMB cut off mark  150

Federal Polytechnic Idah JAMB cut off mark  150

Federal Polytechnic Ilaro JAMB cut off mark  150

Federal Polytechnic Nasarawa JAMB cut off mark  150

Federal Polytechnic Offa JAMB cut off mark 150

Federal Polytechnic Oko JAMB cut off mark  150

Federal University of Agric Makurdi JAMB cut off mark  180

Federal University Dutse JAMB cut off mark  180

Federal University Dutsin-Ma JAMB cut off mark  180

Federal University Kashere JAMB cut off mark  180

Federal University Lafia JAMB cut off mark  180

Federal University Lokoja JAMB cut off mark  180

Federal University Ndufu-Alike JAMB cut off mark  180

Federal University Otuoke JAMB cut off mark  180

Federal University Oye-Ekiti JAMB cut off mark  180

Federal University of Petroleum Resources JAMB cut off mark  180

Federal University of Technology Akure JAMB cut off mark  200

Federal University of Technology Owerri JAMB cut off mark  180

Federal University Wukari JAMB cut off mark 180

Gombe State University JAMB cut off mark  180

Ibrahim Badamasi Babangida University JAMB cut off mark  180

Imo State Polytechnic JAMB cut off mark  150

Imo State University JAMB cut off mark  180

InstituIte of Management and Technology JAMB cut off mark  150

Kaduna Polytechnic JAMB cut off mark 150

Kaduna State University JAMB cut off mark  180

Kogi state polytechnic JAMB cut off mark  150

Kogi State University JAMB cut off mark  180

Kebbi State University of Science and Technology JAMB cut off mark  180

Kano University of Science and Technology JAMB cut off mark  180

Kwara State Polytechnic Ilorin JAMB cut off mark  150

Kwara State University JAMB cut off mark  180

Lagos Polytechnic JAMB cut off mark  150

Lagos State University JAMB cut off mark  180

Ladoke Akintola University of Technology, Ogbomoso (LAUTECH) JAMB cut off mark  200

Modibbo Adama University of Technology (MAUTECH) JAMB cut off mark  180

Michael Okpara University of Agriculture, Umudike JAMB cut off mark  180

Nasarawa State University, Keffi JAMB cut off mark  180

Nnamdi Azikiwe University (NAU/UNIZIK) JAMB cut off mark 180

Obafemi Awolowo University JAMB cut off mark  200

Olabisi Onabanjo University OOU JAMB cut off mark  180

Ondo State University of Science and Technology (OSUSTECH) JAMB cut off mark  180

Osun State University (UNIOSUN) JAMB cut off mark  180 (Economics, Accounting, Law, and Political Science  200)

Polytechnic Ibadan JAMB cut off mark  150

Rivers State University of Science and Technology (RSUST) JAMB cut off mark  180

TAI Solarin University of Education (TASUED) JAMB cut off mark  180

Umaru Musa Yaradua University JAMB cut off mark  180

Usman Danfodio University Sokoto UDUSOK JAMB cut off mark 180

The University of Abuja JAMB cut off mark 180

Uniben cut off mark for JAMB JAMB cut off mark 200

The University of Calabar JAMB cut off mark  180

The University of Ibadan cut off mark for JAMB  200

Unilag JAMB cut off mark for all courses  200

Unilorin cut off mark for JAMB  180 (Please take into consideration that the cut off mark may differ depending on the university course)

University of Maiduguri (UNIMAID) JAMB cut off mark  180

University of Port Harcourt (UNIPORT) JAMB cut off mark  180

University of Uyo (UNIUYO) JAMB cut off mark  180

UNN cut off mark for JAMB  180

Yabatech JAMB cut off mark JAMB cut off mark  150

Yobe State University (YSU) JAMB cut off mark  180

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Chinua Achebe, who died in Boston today at the age of eighty-two, was a few weeks shy of thirty years old when Nigeria was granted independence from the British Empire, on October 1, 1960, and he was already acclaimed, worldwide, as the preëminent novelist of black Africa. The British publisher Heinemann had brought out Achebe's first novel, Things Fall Apart, only two years earlier, and it had to have been the first African novel that many of his admirers on the continent and off had read. The sure tragedian's authority with which Achebe tells the story of Okonkwo, an Igbo elder of immense strength and pride, a figure of heroic qualities within the traditions of his culture, who is ill-served, brought low, and undone by those same qualities in his first violent encounters with colonial power, has ensured that still today, with more than ten million copies sold, Things Fall Apart remains the best-known work of African literature.
The great African novel? The book could as truly be called a great novel, period. Many writers would prefer to carry that badge of universality, but Achebe who has gone to his grave without ever receiving the Nobel Prize he deserved as much as any novelist of his era has said that to be called simply a writer, rather than an African writer, is a statement of defeat. Why? Because his project has always been to resist emphatically the notion that African identity must be erased as a prerequisite to being called civilized. Growing up as what he called a British-protected child in the colonial order, the young writer came to see that the Empire's claim that Africans had no history was a violent, if at times ignorant or unconscious, counter-factual effort to annihilate the history of his continent's peoples.
Achebe made his case in many forms essays and lectures, interviews and acts of protest, and as an ideologue and propagandist for the failed Igbo-nationalist secessionist state of Biafra but he made it most cogently on the final page of Things Fall Apart. With the reader in the full emotional grip of the many dimensions of Okonkwo's epic fate, the author boldly and deftly adds another, shifting to the perspective of a colonial governor who considers Okonkwo's story good material perhaps not a whole chapter but a reasonable paragraph for the book he is planning to write:  The Pacification of the Primitive Tribes of the Lower Niger.
Having, with his first effort, created a permanent place for the African novel in the world literary canon, Achebe continued to be a prolific imaginative writer, producing novels and stories that evoked, in a range of voices, the trials of Nigeria's pre-colonial and colonial history, and the traumas of its post-independence ordeals: from No Longer at Ease and A Man of the People in the sixties to Girls at War and Anthills of the Savannah in the aftermath of the Biafran war. But the fact that he must be remembered as not only the father but the godfather of modern African literature owes at least as much to the decades he spent as the editor of Heinemann's African Writers Series. In that capacity, Achebe served as the discoverer, mentor, patron, and presenter-to-the-world of so many of the now-classic African authors of the latter half of the twentieth century. The series's orange-spined, generously inexpensive paperbacks carried a stamp of excellence that drew readers everywhere to essential works by writers as varied as Kenneth Kaunda, Ngugi wa Thiong'o, Dennis Brutus, Tayeb Salih, Léopold Sédar Senghor, Ousmane Sembène, Wole Soyinka, and Nadine Gordimer, to name but a few: it is an extraordinary legacy.
As a storyteller, as a voice of his nation, as a cultural impresario, an intellectual combatant and provocateur, Achebe gained with age the status in Nigeria of a bard and a sage that the modern world rarely affords to writers. After suffering terrible injuries in a car crash, he spent much of his time in the last decades of his life in America, where he settled into long-term professorships at Bard College and Brown University. But when he returned to Nigeria he was received as a national hero. Crowds of thousands sometimes tens of thousands gathered to pay tribute to him. The adoration hardly softened him, though. He was, in his old age, as much a scold to his compatriots as he had ever been in his youth.
I met Achebe a few times in his wheelchair-bound American years. When he gave you his hand it was at once firm and soft and notably warm. He had a gentle presence a man fully capable of wit and mischief and open laughter, but whose default expression, at ease, was one of sympathetic melancholy. His voice was another matter: low-pitched and rich and adamant. When he spoke, it was with great command and unmistakable music. In Boston, in 1999, at a celebration of the centennial of Ernest Hemingway s birth, I had the honor of sitting on a panel with Achebe, on the subject of writing about Africa. He was as cogently withering about Hemingway's Africa a place he could not recognize because there were no speaking Africans there as he was, in one of his most famous essays, about Joseph Conrad s. At the end of the session, the floor was opened to questions. An evidently confused woman in the audience took the opportunity to ask In what sense are you writers about Africa? The other panelists Nadine Gordimer and Kwame Anthony Appiah were too baffled to respond. Not Achebe. He leaned into his microphone, and very slowly and melodically, with rolling Rs and drawn out Os, roared: Read. Our. Books. The woman said, But I'm asking you. And Achebe said, I'm telling you: Read. Our. Books. 
What better epitaph for the man, and what better way to remember him today: read his books.
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