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Updated 22 Days ago · 0 Likes · 0 Comments

By Uchem Obi, Awka

The trending news that a faceless and unknown group calling itself, Concerned Lawyers In Anambra State, has threatened to report Honourable Justice Nwabunike to the Nigeria Judicial Council, NJC, for hearing a motion ex parte, is a poorly scripted comedy acted by charlatans, who are merely out to exploit the ignorance of desperate and frustrated politicians to make quick money.

Even a fresh law graduate knows, that in civil procedures, ex parte is used to refer to motions for orders that can be granted without waiting for response from the other party. These orders are only in place until further hearings can be held, such as in present matter, a temporary restraining order. It does not stop the other party from challenging the order in court or continuing a substantive matter, and it does not amount to a judgement. In the absence of mischief, no ethical legal practitioner would in the present circumstances question the hearing of a motion ex parte.

Ex parte proceedings are permitted in law when a party needs urgent relief that cannot wait until the other party is informed and given opportunity to respond.

In the instant case, a candidate's right to enjoy the benefits of a fairly won primary election was in danger of absolute infringement, if urgent legal reliefs were not granted. In simple language, Senator Ugochukwu Uba's hard won victory at the PDP's primary election on June 26, 2021 was in danger of being torpedoed  by premeditated efforts that were both illegal and unlawful, championed by unscrupulous individuals.

Given the urgency required to stop the illegal and unlawful attempts to sabotage the Senator's victory, the option of ex parte motion was the most germane legal step to follow.

Moreover,the right to hear an ex parte application is entirely at the discretion of the judge, who is trusted by law to make wise decisions.

How come that this exercise of lawful discretion has come under attack. Are these truly lawyers, "contractors" or outright renegades?

Their threat of dragging the Honourable Judge before the NJC is laughable, infantile and dubious. Sound lawyers do not exhibit such embarrassing ignorance of elementary legal procedure. Their empty threat is more like the Shakespearean tale told by an idiot, full of sound and fury but signifying nothing.

Uchem Obi, a lawyer, writes from Awka

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Updated 1 Month ago · 0 Likes · 0 Comments

By IHRAF, US


As part of her contribution towards curbing the issues of human rights abuse and violation in Africa, the International Human Rights Art Festival (IHRAF) has thematically released a new classic and international essay anthology.

Edited by Nigerian author and journalist, Izunna Okafor, the anthology, entitled "The Malady and the Remedy" is a collection of twenty (20) essays on human rights abuse and violation in Africa, written by essayists, authors and human rights activists from different countries in Africa; as well fifteen (15) inspiring human rights quotes by selected activists around the world.

According to a statement, issued by the Coordinator of IHRAF in Africa, Mr. Wole Adedoyin, who announced the official release of the new anthology, the 20 essays published therein are the essays longlisted in the 2021 human rights essay competition recently organised by IHRAF (African Chapter), captioned "African Human Rights Essay Competition 2021", through which which 45 essays were received from different countries in Africa.

He congratulated all the entrants who participated in the essay competition, and appreciated everyone who contributed in one way or the other to the success of the initiative and the publication of the anthology, particularly the IHRAF founder, Tom Block, who is also an American author and playwright; as well as the editor of the anthology, Izunna Okafor, who is also an award-winning author and journalist.

In his Editor's Note, the editor of the new anthology, Izunna Okafor noted that the publication was a fulfilment of one of the promises made while calling for submissions of essays for the competition, during which only shortlisted entries and entrants were promised publication —a promise that was eventually extended to the longlisted essays and entrants, owing to the quality of their contents.

He wrote, "Although only the shortlisted essays and essayists were promised publication during the 'call for submissions', it became really wise to adjust further to accommodate all the longlisted essays and essayists in this publication, beholding the perceived extraordinary quality, relevance and efficacy of their contents in actualising the overall goal of the initiative, which is to promote human rights values in Africa and positively influence the betterment of the human rights situation in the continent.

"It is the conglomeration, editing and publication of these twenty longlisted essays that gave birth to this classic anthology, entitled "The Malady and the Remedy".

"The essays published herein take both the form of stories/narratives, analyses, etc, to x-ray, bemoan, condemn and challenge the incessant abuse and violation of human rights in Africa, the unsafeness of Africa for human rights activists and freedom fighters, as well as recommend the elixirs to all these ills against humanity.

"Aside its intriguing, thought-provoking, informative, educative and didactic qualities, another most outstanding feature of this anthology is that the essays published therein do not just condemn human rights violations and make recommendations; they are research-based and deep rooted. 

"In other words, these essays experientially and comparably look deep into the history of human rights and human rights abuse/violation in Africa, the causes, the types, what and what have been done so far to better the situation, why those things are not yielding the expected results, and finally propose/present better and more efficacious alternatives to addressing this age-long issue of human rights abuse, borrowing from the experience of yesterday, the situation of today, and the projection for tomorrow.

"Indeed, this anthology is a must-read for everyone who loves human rights and freedom. Every human being deserves to be treated as a human, for his being. Freedom fighting and right activism should be for all and for everyone. Human rights are for every human; and Africans are humans. For every other thing regarding that, flip through the pages of this anthology, and come out a better activist."


Download the book through the link below:

https://ihrafessayanthology.files.wordpress.com/2021/06/themaladyandtheremedyeditedbyizunnaokafor..-1.pdf


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Posted 7 Months ago · 2 Likes · 0 Comments

It is with a thankful heart of joy that young Nigerian Writer and Journalist, Izunna Okafor excelled unto his 27th rung in the ladder of years.

This was contained in a statement issued by the celebrant, Okafor, who celebrated his silver jubilee last year, being a fellow of January 9th 1994.


Recalling and recounting how hideous it was for him in his early years, particularly in his teens; Okafor, an award-winning said his life was indeed a testimony, and also appreciated God for His marvelous work and infinite mercies.


He went memory lane to narrate how he studied his primary school (at the Community Primary School, Ebenator) and some parts of his secondary school (at the Community Secondary School, Ebenator) barefooted, and with tattered school uniform, to the credit of his family's background.


According to him, being a son of a palm-wine tapper, hunter and electrician in a rural village; he started struggling his way out early in life, precisely during his secondary days when he began to do some handiworks, such as cutting palmnut, clearing bushes for farmers, tilling the ground/farmland, packing/dumping sands (in rivers), among things.


It was from these, which he said he was doing after school hours, that he saved money to publish his first book —Ikem's Adventure— back then in 2012 during his secondary school days —a single act that did not only pave way for metamorphosis in the taste of his life story, but also eventually landed him on the track of greatness where he rides and resides till date.


Born (9th January 1994) to the family of Mr. Josephat Okafor Udeze and Mrs. Susan Okafor Udeze in Ebenator, Nnewi South Local Government Area of Anambra State, Izunna Okafor, is an award-winning young Nigerian Novelist, Poet, Essayist, Journalist, Editor, Translator, Publicist, Igbo Language Activist and an Administrator.


He graduated from the Nnamdi Azikiwe University Awka, where he studied Public Administration. He also holds O.N.D in Public Administration from the same school.


A published and best-selling author, Izunna books include 'Ikem's Adventure' (his first book) published in Nigeria in 2012, during his secondary school; 'The Curse of A Widow' (his second novel), published in 2013; 'The Faithful Children' (his third book), published in 2014 (which received outstanding recognition in the Ezenwa Ohaeto Prize for Young Nigerian Novelists 2015); 'Ajọ Enyi,' his debut Igbo novel and fourth book, published in 2015. 


With 'Ajo Enyi', he became the first person to win the Nigerian Writers Award 2015/2016 as the Indigenous Writer of the Year. Also, with Ajo Enyi, he won the Pita Nwanna Award for Igbo Literature in 2015; and also got shortlisted for The 2015 Young Nigerian Writer of The Year, and the 2017 Nigerian Writers Award.


His other books include "African Blood" (A Short Story), "Nzúzù M Egbuo M," (Igbo novel), "Educated Illiterate," and "Teach Me Grammar."


He has been published in many anthologies, both nationally and internationally; has thousands of articles/essays as well as poems and short stories published online to his credit. 


A diglot writer, Izunna writes perfectly in Igbo and English languages, and has published widely in both languages. 


He has won and been nominated/shortlisted for a number of awards, which include:


The Nigerian Writers Award/Indigenous Writer of the Year 2015/2016


Pita Nwana Prize for Igbo Literature 2015


Society of Young Nigerian Writers Award Nigeria


Nigeria Heritage Icon Award 2016/Young Writer of the Year, Federal Republic of Nigeria


Merit Award from Society of Young Nigerian Writers (2016)


Award of Recognition from Students Union Government, Unizik (2017)


Nigerian Writers Award/Young Writer of the Year 2015/2016


SLAM Hero Youth International Award/Innovative Youth of the Year 2016


Anambra Exclusive Youth Choice Award/Youth Writer of the Year 2016


Award of Academic Excellence from the National Association of Public Administration Students (2016)


Inspire Award 2017/Outstanding Youth in Academics


Academic Icon of The Year 2017 (from National Association of Public Administration Students, NAPAS)


Anambra Campus Award 2017/Campus Writer of the Year 2017


Award of Excellence from the Society of Young Nigerian Writers 2016


The Future Award Africa/African Prize for Education, 2016.


Anambra Exclusive Youth Choice Award/Outstanding Youth of the Year 2017


Youth Writer of the Year 2016


NAPAS Essay Competition 2017


Starlett Entertainment Award/Creative Writer of the Year 2016


Young Author Award, 2018


Creative Crew Africa/Young Talent of the Year 2018, among others


Anambra Campus Award/Campus Best Writer 2018


Anambra Campus Award/Campus Best Journalist of the Year 2018


Best Secretary General of NAPAS (2018)


Young Achievers Award/Best Young Writer of the Year 2019.


Joint Winner, ANPC Best Staff of the Year 2019


Recognition Award, Anambra Through A Lens, 2020


Certificate of Award from SprinNG Literary Movement, 2020


Young Achievers Award/Most Influential Young Writer of the Year, 2020 (though yet-to-be awarded, due to COVID-19)


Certificate of Recognition, from ImpactField Global Initiative, 2018


Certificate of Award from Applex Art and Creative Crew Africa, 2018


Certificate of Completion for the SprinNG Advancement Fellowship, 2020


Certificate of Participation, Naija Haiku Poetry Workshop, 2020, among others.


At the age of 21, Izunna was nominated for The Future Award Africa 2016/African Prize For Education, which is the biggest and most prestigious African Youth Award.


He has been published in many literary magazines, websites, and blogs.


Aside being a creative writer, Izunna is also an Igbo Language Activist who has played and continued to play great roles in sustaining and promoting the Igbo Language and culture. He preaches and takes the 'gospel' of Igbo language and the need for its sustenance to ever nook and cranny, ranging from schools to churches, Radio/Television Stations, and to other public places, being part if his own contribution and strategic measures to ensure that the Igbo Language does not go extinct as predicted by the UNESCO in 2012.


He has also been featured in many radio and television stations across the country on this mission.


In addition to these, Izunna is also a renowned journalist and columnist currently working with the Anambra Newspaper and Printing Coporation, the publishers of National Light Newspaper, Ka Ọ Dị Taa —which is the only Igbo Language Newspaper in Nigeria —and Sportslight Xtra.


He also writes for Igbo Radio which is an online Igbo Language news hub with its headquarter in Canada, as well as freelance for other media/publishing houses, both the online and print media.


Izunna is the Coordinator of the Society of Young Nigerian Writers q (Anambra State Chapter), as well as the initiator, "Chinua Achebe Literary Festival," which is an annual literary event organized in memory and honour of Late Prof. Chinua Achebe, under the umbrella of Society of Young Nigerian Writers, Anambra Chapter. 


He is the Editor-in-Chief of Chinua Achebe Poetry/Essay Anthology which is an anthology annually published in honour of Nigerian literary star, Late Prof. Achebe, and which attracts entries and submissions from different countries of the world. The most recent of these anthologies is the "Achebe: A Man of the People" which was published in 2020, during the year's edition of the Chinua Achebe Literary Festival.


Izunna is the Chairman, Project Coordinator, Writers Against COVID-19 Movement, as well as the Editor-in-Chief of the "Ripostes of the Locked Down Voices" which is an international anthology of poems and essays on Coronavirus.


During his undergraduate days, Izunna was part of the editorial team of the FAMASSA Magazine.


He is Ambassador of TFA Africa in Nigeria, and the Ambassador of Read Across Nigeria in Anambra State.


An alumnus of Unizik, he is also a former Secretary General of the National Association of Public Administration Students (NAPAS), as well as the current National Secretary General of the Society of Young Nigerian Writers.


In 2019, Izunna met and discussed literature with Chimamanda Ngozi Adichie, at a literary evening that climaxed the 2019 Purple Hibiscus Creative Writing Workshop, organized by the international literary figure, Adichie.

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Updated 7 Months ago · 0 Likes · 1 Comments

As Organisers Name Outstanding Authors



Barely six weeks after the 2020 Chinua Achebe Literary Festival and Memorial Lecture held by the Society of Young Nigerian Writers (SYNW), Anambra State Chapter; the association has officially announced the release of its fifth edition of the Chinua Achebe Poetry/Essay Anthology, entitled "Achebe: A Man of the People".


Initiated in 2016 and organised by young writers in Anambra State, Nigeria, Chinua Achebe Literary Festival Festival and Memorial Lecture is an international literary event held in memory and honour of a foremost Nigerian literary legend, Late. Prof. Chinua Achebe, in celebration of his life, works and legacies in the literary field and beyond.


This year's edition of the event, themed "Achebe: Our Heritage in a New Normal" which held on 16th November, 2020, in Awka the Anambra State Capital, was also used to mark Achebe's 90th posthumous birthday as well as and the maiden edition of the Chinua Achebe Memorial Lecture, which was delivered by Mr. Oseloka Henry Obaze (a published Author and Diplomat), to the a large throng of audience and participants who joined both physically and virtually from different countries of the world.


In the word of the Project Coordinator, Izunna Okafor, who is also the Editor-in-Chief of the Chinua Achebe Poetry/Essay Anthology as well as the Coordinator of Society of Young Nigerian Writers (Anambra State Chapter), the event is an annual ritual, during which they also publish and unveil the annual Chinua Achebe Poetry/Essay Anthology.


He said, "Every year, prior to hosting this literary festival, we usually open 'Call for Submissions’ online, through which writers from different parts of the world write and submit their poems, essays or reviews (strictly written in honour of Achebe) for the anthology. Those hundreds of entries are what we collate, vet, and publish into an anthology, which we usually unveil on the day of the literary festival.


"We did this in 2016, 2017 and 2018 editions of the event. However, in preparation for the 2019 edition of the event, we decided not to call for submissions for a fresh anthology, but to collate the three previously published collections and publish them as a single anthology, still in honour of Achebe. And that birthed a classic anthology and masterpiece "Arrows of Words" which we published and unveiled last year during the 2019 edition of the Chinua Achebe Literary Festival. 


"This year, 2020, in preparation for the fifth edition of the Chinua Achebe Literary Festival and Maiden Chinua Achebe Memorial Lecture, we made another ‘Call for Submissions’ through which we received over a hundred submissions from writers across the world. It was the collation, selection, vetting, editing and the publication of those beautiful poems, essays and reviews that birthed this classic anthology entitled 'ACHEBE: A MAN OF THE PEOPLE'."


This year's anthology, he noted, features works of upcoming voices in the literary world as well as those of already announced writers from different countries of the world, including that of erstwhile winner of the Africa's biggest literary prize, the NLNG Prize, Prof. Akachi Adimora-Ezeigbo, among other prominent writers across the globe.


On what informed the title, Okafor said, "As usual, this year’s title of the anthology was informed by the contents of the entries (poems, essays and reviews) received and published therein, which do not only portray Achebe as a Savant, but also praise him as “Man of the People”, looking at his personality, works, achievements and legacies."


"Although the title somewhat coincides with the title of Achebe’s fourth novel “A MAN OF THE PEOPLE”; the two books are thematically unrelated. Also, Achebe’s ‘Man of the People’ title here in this anthology is absolutely different from that of Chief Nanga in the 1966 book of his –“A MAN OF THE PEOPLE” –which predicted the first Military Coup in Nigerian," he added.


Edited by Izunna Okafor, this year's edition of the anthology was not officially unveiled at the 2020 Chinua Achebe Literary Festival And Memorial Lecture, which as usual, held on Achebe's date of birth, November 16, as a result of failure and disappointment on the part of the publisher, who Okafor noted, was eventually discovered to have predetermined to 'make a mess of the Literary Festival, by withholding the expected story (the anthology) and telling his own story'.


He also revealed that legal action is being taken to re-write the publisher's story, who, he further noted, is still yet to release the hardcopy of the anthology. Okafor however noted that the softcopy of the anthology has been published, and is now available online here and here; hence this official unveiling and release of the anthology.


According to him, the association is also pleased to announce the names of the authors of outstanding works in this year's edition of the anthology, as it annually does, in keeping with one of the promises it made in the ''Call for Submissions' used to secure the entries, and also in recognition of the ten outstanding authors in the three categories of poetry, essays and reviews.


These authors and their works he announced as follows: 

Wisdom Ogbonna Offor (Chinua Achebe); Jimoh Taofik Adekunle (I Say, 'Ndo' Obo Dike); Mwiti Christopher (The Great Manoeuvrer's Oeuvre); Jude Chukwuemeka Muoneke (The Icon of Hope); Athol Williams (His Lines); Enitan Abdultawab (A Man of the People); Ibe, Kelechukwu K. (Achebe's Voice in Historic Nigeria); Ordinary Justice (Ifemelu); Akachi Adimora-ezeigbo (Wisdom of Words); Chidozie Emesowum (There Was a Country); Amaka Oguejiofo (Eagle on the Iroko); Innocent Chiemezie Ohaekwe (Achebe and the African Society); Goodness Chinweoruebube Akubueze (The Impacts of Achebe's Work and Lifestyle on All: A Personal Experience); Samuel Ephraim Edward  (Dinner for Our Hero); Chanima Wijebandara (Chinua Achebe the Eminent Jurist in the Garb of a Novelist); Ifeanyi Enoch Onuoha (The Embodiment of a Transgenerational Writer – A Focus on the Life of Chinua Achebe); Christopher Precious (Things Fall Apart); Ayokunmi O. Ojebode (Ájobí And Ájogbé: Fracture and Restructuring of Nigeria in Chinua Achebe's Selected Folktales); Ogonna, Divine Amarachi (How Chinua Achebe's Works Respond to the Question of the Authenticity of African Literature):Tony Oneweek Muonagor (Indelible Marks); Odogwu Emeka Odogwu (A Better Honour Than Gold); Samuel Edet (Marriage is a Private Affair); Obinna Tony-Francis Ochem (Chinụa Achebe's Literary Legacy: Re-examining Chigozie Obioma's Works); Henry Chukwuemeka Onyema ('There Was a Country': Chinua  Achebe's Undying Love for Nigeria that Dealt Him Blows); Anusha Pillay (Love and Free Choice in 'Marriage Is a Private Affair'); Ohita Afeisume (Things Fall Apart: Reflections); Usman Bashir Abubakar (A Sojourn Through Achebe's 'Things Fall Apart': A Literary Criticism); Anodo Rejoice (For Our Sake); Gimbiya Ekene Galadima (Nna Anyị: Our Father); Jesse D. Bitrus (Chinua Achebe: The Father of Modern African Literature); Isah Aliyu Chiroma (The Founding Father of Modern African Literature)

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PROCEDURES TO FINDING A GREAT LIFE PARTNER BY MUOMA VALENTINE CHIBUEZE.


Marriage as we all know is the union between man and a woman to become husband and wife. 


Most persons jump into marriage due to:

A. Peer pressure: they feel all their friends are getting married so they cannot be left behind


B. Family pressure: Nwakaego my son I need to see my grandchildren so you must marry my friends daughter Mgbeke 


C. Money: As a smart girl I  have to accept Obi proposal, he is a big boy at onitsha and I cannot allow this once in a lifetime opportunity of marrying a billionaire pass me by like that. "I be smart babe na I no be mugu"


D. Age: I would be 35 years by January and yet no husband. Is like I would consider Alhaji Bello's marriage proposal I don't mind being his fourth wife


E.  Infatuation / urge for sex: Nna body no be firewood oh, I need a pretty damsel as a wife at least make I use am keep body and soul together.


F. Just to have kids: chai, Mama Ada a lady am 10 years older than urged that mannerless ape she calls a daugher to insult me. Infact I must get married this month if possible tomorrow.


G. The feeling they have made money and must marry immediately


H. To fulfill all righteousness: meeting their target of getting married before the end of a given period



As a man there are certain procedures that should be followed in order to find your soulmate. 

These are my suggested steps that can help you find the love of your life:

1. Acquire formal education and technical skills, develop your intellect

2. Accumulation of wealth: Gather enough money that can sustain both yourself, wife, and children

Acquire properties.


3. Start preparing yourself for marriage physically, emotionally, psychologically, etc.   Start adjusting your lifestyle from that of a bachelor to a family man ( most people take this for granted)


4. Then you can start looking for your soulmate. Start by being close friends


5. Tell her everything about your past, your likes, dislikes, religious beliefs, tradition, while she does same


6. Conduct a thorough research and find out the culture of the village she is coming from and how they behave. (Your family members can help you with that)


7. Meet with her family (parents) while she meets yours. After studying them rigorously If you don't flow well with them after sometime then you can consider ending the relationship (you don't just marry a lady you also marry her family as well)


8. After running your own compatibility tests, ensure you also go for medical tests ie Genotype, STD tests(HIV, etc)


9. After passing through these processes then you can propose to her


10. Discuss with her on how you want to both of you to live as husband and wife (your expectations) while she does same.

11.  Seek God's guidance, approval and direction on how to go about your marriage 


12. Marriage proper: Traditional and white wedding.

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Updated 10 Months ago · 0 Likes · 0 Comments

The Society of Young Nigerian Writers (Anambra State Chapter) is seeking submissions of quality poems and essays from writers across the wolrd, for her 5th Chinua Achebe Poetry/Essay Anthology.


The annual anthology is published in honour and memory of Late Prof. Chinua Achebe, a foremost Nigerian literary legend and the father of morden African Literature. The prestigious anthology will (as usual) be unveiled at the 5th edition of Chinua Achebe Literary Festival which is slated to hold on 16th November 2020, at the Anambra State Central E-Library (also known as Prof. Kenneth Dike Central E-Library), in south-eastern Nigeria. 


According to the Project Coordinator, Izunna Okafor, who is also the Coordinator of Society of Young Nigerian Writers in Anambra State, Chinua Achebe Literary Festival is an annual literary festival held by Society of Young Nigerian Writers in memory and honour of Achebe, in celebration of his life, works, contributions and legacies in the literary field. The event, he notes, was initiated in 2016, and holds on Achebe's date of birth since then, with the last edition held in 2019, during which the most recent edition of the anthology Chinua Achebe Essay/Poetry Anthology —"Arrows of Words" —was unveiled.


It is with a view to mark this year's edition of the Festival in a more remarkable and memorable way that the organizers are calling for quality poems and essays from burgeoning and accomplished writers to enter their thematically-articulated essays and poetry in memory of Achebe for the fifth anthology. The anthology is in honour of Prof. Chinua Achebe; hence, only entries that revolve around Achebe, his works, his literary prowess and legacies will be accepted for publication.



SUBMISSION GUIDELINES:


1. Only essays and poems are accepted for the anthology


2. Entrant must specify the genre of his entry, that is, specify whether it is Poetry or Essay


3. The essays and poems MUST be in the memory of Chinua Achebe, and may focus on his life, works personality, writing style or other areas.


4. The essays or poems should be brief and concise —a maximum of 500 words for essays or reviews, and a maximum of 30 lines for poetry.


5. Author’s information —location/contact address, phone number, e-mail address, and a short bio of no more than 40 words should be included in the submission.


6. Submission is FREE and open to writers from any part of the world.


7. Entry MUST be the original work of the author/poet.


8. Only one entry per person is allowed.


9. Entrant may choose/write on any interesting title of his/her choice.


10. Entries should be sent via: synwanambrachapter@gmail.com , with the subject "FIFTH CHINUA ACHEBE ESSAY/POETRY ANTHOLOGY (SPECIFY THE GENRE OF YOUR ENTRY)"


11. Entry MUST be type-written and sent in the body of the mail; NOT AS AN ATTACHMENT. Entries sent as attachment will be automatically disqualified.


12. Submission Deadline: 20th October 2020. Late Entry will not be accepted.


13. Entries could be written in either English or Igbo Language.



BENEFITS:


● All successful/shortlisted essays and poetry will be published in the Fifth Chinua Achebe Poetry/Essay Anthology (soft and hard copies).


● Online promotion of successful/published essays and poems and the entrants.


● All successful entrants shall receive Certificate of Participation.


● Each successful entrant is entitled to author's copy of the published anthology


● Authors/poets of the best ten essays and poems shall be given outstanding recognitions and Certificate of Award at the 2020 Chinua Achebe Literary Festival.


● Entrants (if present at the event) shall be allowed to present their essays/poems at the event.


● Automatic/free membership and admission into the the Society of Young Nigerian Writers (for successful/published young Nigerian entrants.)


For inquiries or support, contact:


synwanambrachapter@gmail.com


08163938812

Izunna Okafor (Coordinator, Society of Young Nigerian Writers Anambra Chapter)


07010178124

Maureen Onyinyechi Kenneth

(Secretary)

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Osita Eze, Youth Pastor
Posted 11 Months ago · 0 Likes · 1 Comments


 

     Permit me to begin by commending the efforts of Senator AbiodunOlujimi for initiating the Gender Equality Bill recently rejected by members of the house of Senate. An erudite person may want to find out what the bill is all about. The bill proposed by Senator Abiodun Olujimi on the 15th of March, 2016 was to guarantee gender equality in politics, education, employment and marriage. The bill also seeks to protect the female gender against gender discrimination. The bill was rejected by a larger number of Senators in Nigeria because an aspect of the bill does not agree with what our traditional and reIigious institutions preach.

In my opinion, the bill is worth the consideration of members of Senate for many reasons.

     Firstly, I believe that there would be no meaningful development in every sector of Nigeria’s economy without the maximum involvement of the female gender in nation-building. The female gender is capable of increasing the financial, intellectual and technological base of Nigeria if given equal opportunities and rights as given to their male counterparts.

     Secondly, the rejection of the bill will never makeNigeria achieve conformity with the United Nations Conventions on gender issues. The poor representation of female gender in Nigeria in workplaces, educational institutions and governmental agencies will continue to negate international, regional and national benchmarks of at least thirty percent representation of the female gender generally agreed upon by members of the United Nations of which Nigeria is an active part of.

     Furthermore, everybody in spite of gender is created with specific talent and skill which needs to be expressed. Equal rights and opportunities to employment and education will provide an enabling environment for the female’s personal development and give them a senseof belonging to a nation which has their interest at heart. The female constitutes about sixty percent of Nigeria’s population, yet they occupy less than fifteen percent of the political postsin the national, state and local government levels-a trend which does not speak well of Nigeria as the most populous black nation on earth. The female gender must be given their place of pride in the scheme of things. The law will serve as the template to achieve this. The bill must not be delayed but immediately passed into law.

     Lastly, the rejection of the bill will only continue to promote gender discrimination and this will continue to make women insecure, deny them meaningful employment, expose them to exploitation and sexual violence and encourage other discriminatory practices against women. To avoid all these, the Nigerian Senate must therefore wake up to its task of making credible laws and accept the Gender Equality Bill presented before it. Its failure to do this would simply mean one thing: hatred for their wives, mothers, sisters and daughters.

    However, while the above-listed reasons may be valid, I have a few reservations on the aspect of the bill that emphasizes gender equality in marriage. I am of the opinion that a woman may not enjoy equality with her husband in the true sense of the word.This is because our traditional and religious institutions do not preach gender equality in marriage. The men have always been the leaders of their various families and have always been responsible for their welfare. Their authority to lead is believed to have been bestowed on them by God Almighty.No one dare alter this natural order.

    In addition, male and female were created with physiological and behavioural differences. They were never created to be competitors-they have their areas of strengths and weaknesses. Each of them must discover and learn to cherish these differences in their own interests.While it is true that men and women were created to play different but complementary social roles, it is important that men should stand and speak up for the women in their lives. Defensive mechanisms that would promote the welfare of their female counterparts should be put in place.

    In the interim, it is advisable that Senator Abiodun Olujimi should take into consideration some of the sentiments expressed by her colleagues especially on issues pertaining to gender equality, make basic amendments on the bill and re-present it to the Senate.

    In conclusion, I want to state this clearly that the Gender Equality Bill is not a battle of the sexes; it is not a bill that removes the submissiveness of women to their husbands neither is it a bill that seeks to erode the responsibility of the women in her home. It only seeks to give the woman more opportunity to assist herself and the man in the home. It is a bill that will benefit the men andthe society at large.

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Updated 12 Months ago · 0 Likes · 0 Comments

Book Title: Verdict of the Gods

Playwright: Iwu Jeff

Publisher: Transconventional Publishers

Date Published: July, 2020

ISBN: 978-978-979-443-0

Number of Pages: 84

Reviewer: Nwokeabia, Ifeanyi John.



When gods choose not to let the rain drop, the effort of a rain maker is in vain. The birds of the air always feel betrayed and confused when a thunderous fart is released in the air by an unknown spirit. The land, water and the entire space of Achara which has experienced in the past, peace and transquility, turns into a mourning zone. Night visited Achara community in a broad daylight.Iwu Jeff's play, Verdict of the Gods is an epic tragedy. It exposes a land in turmoil. But the big question is: can sins of fathers be visited on their children?

Sleep has become a stranger to the eyes of the citizens of Achara. Eze Obioha, the traditional ruler of the community is disturbed;  his emotions restless. An elder cannot fold his arms and watch a goat suffer in parturition. He seeks measures to dispel the spell wreaking havoc in his land as a leader who has the well being of the people at heart, and consequently, his family suffers the same endemic,. He's traumatised and unrelentingly quests for answers and solutions to the plight of his people.

In page 9 of the play: 

EZE OBIOHA : My daughters are down, they can no longer speak...we have followed every smell our nose can perceive, yet we have not seen any rotten thing. Where is the smell of evil coming from? Oh! My ancestors, please give us another eye, another nose, another ear and mouth. The ones we are wearing have no use ... Our gods are silent my people. I am not spared from this calamity. The spell is everywhere...

Eze Obioha being a leader who feels the pain of his people, he continually summons his cabinet members to put heads together to find lasting solutions to their problems. The cry of his people has become a thorn on his fresh and he sometimes laments to the gods questioning them on the ways his community or himself has wronged them.

In pag 77, he has this to say:

EZE OBIOHA: ...my son died two nights ago; before he died, an extra hand came out through his chest. My daughter was suddenly struck with imbecility... Who did my fathers offend?

Countless questions are asked and ountless visitations, made to the shrine of different Dibias but all efforts prove abortive. The gods remain remain 'mute' and 'tongue-tied', refusing to draw humans to the closer view of their boiling angers. Drought and famine become two beautiful maid married without a bride price, gummed like bedbugs to their land and refusing to leave. Death toll keeps multiplying on daily basis. The living prefers death as solutions are not in sight. Who will save the dying land?

Amidst the seriousness of the play, Iwu introduces two characters: Ezemma and Nwokeocha, who are members of the cabinet to ease the tension arouse by the unfolding events. These two revered men help to crack the ribs of the readers with comic banter.

In page 20;

EZEMMA: what am I saying? Wisdom! Wisdom! Igwe, I am full of...[Nwokeocha intrudes]

NWOKEOCHA [scornfully] Madman!

EZEMMA: will you shut up and listen to...

NWOKEOCHA: What wisdom can one possibly get from a lunatic? I do not blame you; a child that suckled a goat's milk will definitely act like a goat even in his old age. You need to return to your mother in her grave so you can have a taste of her breast milk.

EZEMMA: [Rises and faces Nwokeocha] How dare you call my dead mother into this? I see, you have really want to show me that you have grown enough hairs around your manhood.

ELDERS: Chai! [Elders exclaim, laughing and turning left and right] Enough!

NWOKEOCHA: [Stands up, pointing a finger at Ezemma] And you whose hairs are now overgrown into a forest, you need to be weeded...

This play is both revelational and revolutional. On the former, Iwu reveals that there's more to scapegotism as a concept. Some great African writers Wole Soyinka, Femi Osofisan and a host of others in their various plays, but Verdict of the Gods introduces a new scapegotism. However, on the latter, it demolishes the stereotype created  in most African writings, where the  God of the new religion is often given ultimate power of purifying African lands of its mess. In Verdict of the Gods, it is different as the  African gods reign supreme in sanctifying their people and their lands of sins.

The masterful ink of the playwright is laudable in his ability to select suitable words for his characters. The social standing of his characters are discernable through the quality of their language. Every scene in this play is opened with a beautiful African proverb dancing into your eyes and the use of African proverbs by the characters show the rich culture of Achara community.

The cover design of the play has great significance in the over development and arrangement of the play. Its from cover has the head of three gods joined together in a threesome unity. However, the play is not arranged in Acts and Scenes but it's divided into three - Beginning, Middle and End. The use of three gods has Biblical allusion of God the Father, Son and HolySpirit. That's, the Trinity in one God. In this play, one discovers that these Gods are one and their verdict is equally one. Despite the deviation from play's convention of Acts and Scenes, the play maintains the three unity of place, time and event which solidifies its beauty as a play. Although some might raise alarm on his use of uppercase in 'Gods' but I don't think he has committed as grammatical blunder on that. I think, it's a question of choice.


The Playwright 

Iwu Jeff ( Iwuchukwu Jephta) is an award-winning writer who has written in the three genres of literature - poetry, drama and prose. His works have gained homes in different Anthologies and online publication.

From the beginning, through the middle and to the end, the play is suspensely decorated and readers won't have any reason to drop it for a moment until one gets to the very end. Are you ready to discover the verdict of the gods for Achara people? Are you equally ready to discover how a wounded lion got its healing balm? Grab your own copy of Verdict of the Gods.

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     Sometime ago, I attended a youth programme and overheard one of the high-ranking priests lamenting that many of the youths in the Anglican Church are breaking their (spiritual) fathers’ hearts by relocating to the Pentecostal circle especially after they had invested so much virtues in them.  Several questions came up in my mind when I heard this statement. (1). Is it really compulsory for a Christian youth to remain permanently in the church/ denomination he was born into? My answer to that question is “No”. If God is leading a Christian youth to relocate to another church especially if he or she is no longer enjoying spiritual balanced diet, he or she should by no means move on to another church.

(2). Must all outstanding Christian youths become members of the hierarchical pastoral order of a church? My answer is “No”. If God has not called a youth into the ministry let no pastor or priest ‘call’ him into any of the five-fold ministries.  He or she should not be cajoled or pressurized into accepting such ‘call’. Otherwise that would amount to asking the young man or woman to take on more responsibilities than he or she was created/destined to handle.

(3). Is it really wrong for a member of a church or denomination to attend programmes of other churches or denominations? My answer is “No”. It is quite alarming that several Christian leaders had promoted and are still promoting disunity by discouraging their younger followers from attending meetings or fellowship organized by other church leaders or even interact with other Christians no matter how spiritual or godly they are.  Some of them even go to the extent of suspending those who attended such programmes from their responsibility (ies) in church. Let us stop the hypocrisy. Pray for unity in the Body of Christ, preach unity in the Body of Christ and practice unity in the Body of Christ.

(4). Is it compulsory for a Christian youth to remain bounded to his or her church/denomination by marrying a fellow believer from his or her church? Marrying a believer from your church/ denomination is a good idea but it is advisable that a Christian marries a man or woman that fears God, irrespective of his or her denomination.

     Please do not get me wrong. It is not that I do not care about the emotional pains pastors go through each time their followers relocate to another church for whatever reason. I do but the best bet is that pastors and priests should learn to release people from their hearts when they leave the churches they oversee without hurting themselves or anyone. It is also important for a pastor or priest to identify and discover the departments or units of his church where more hands are needed and personally ask the Lord of the harvest to send more labourers to meet those specific needs in the church he pastors.

                                                                                                        

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     According to the Oxford Advanced Learner’s Dictionary, a slave is ‘a person that is controlled by another person or thing’. He does not have an independent mind-his decisions are strongly influenced by another person or thing.

     A slave to sin is a person who is controlled by the force of sin. He cannot do without committing sin. He is strongly bonded to the yoke of sin no matter how much he tries to break free from it.  

 

WHAT IS SIN?

     Sin is the transgression of the law. It is an act of disobedience to God’s established laws and commandments. Anyone who lives with the habit of breaking God’s laws is a sinner.

 

CONSEQUENCES OF BEING A SLAVE TO SIN

      There are six main consequences of being a slave to sin. They are:

1. He is an alien to God: Anyone still living in sin is a stranger in God’s house. He does not have a permanent residence in God’s kingdom. “The slave does not continue in the house (God’s family) for ever… (John 8:35a, words in bracket mine). He cannot have access to God’s kingdom riches unless he repents from sin.

 2. He is the devil’s possession: Anyone who has the devil’s property (sin) in him is automatically a toy in the hands of the devil. “He who commits sin is of the devil” (1 John 3:8a). The devil uses him to fulfil his whims and caprices.

3. His prayers are unanswered: A sinner’s prayer is an abomination before God (Isaiah 59:1-2). God doesn’t hear such prayer. The only prayer of a sinner that is acceptable to God is the prayer of genuine repentance.

4. He is a victim of God’s wrath: God’s face is against anyone who does evil (1 Peter 3:12b).  His wrath rests evidently with sinners daily (Psalm 7:11b, John 3:36b).  

5. He is spiritually separated from God: Sin separates a man from God because His eyes are too holy to behold iniquity (Isaiah 59:2). It makes a man to be far from God. It is the cry for mercy that brings him close to God.

6. He has an eternal home in hell: A sinner has a permanent home in hell, a place that burns with fire and brimstone eternally if he fails to repent from his sins (Revelation 21:8). No unrighteous person will enter into heaven, the eternal home prepared for the saints.

 

THE WAY OUT OF SLAVERY

     Living a life that is free from the bondage of sin is a choice to be made by those who are tired of being the devil’s captive. 

     The first step to living a sin-free live is to hate sin, confess your previous sins and forsake them (Proverb 28:13).

     Secondly, you must invite Jesus into your heart by faith now that He can still be found. When He comes in, He will break the yoke of sin in your life and give you the power to become God’s child (Matthew 11:28-29, John 1:12).

   Thirdly, you must make a permanent commitment to Jesus to serve Him as your Lord and Saviour all the days of your life. Living a sin-free life comes with its own special demand and package-a life of total surrender to the Lordship of Jesus now and forever.

     Lastly, learn everything you need to know about Jesus by attending a church where God’s words are taught with sincerity. Study and meditate on His actions, teachings and commandments. Ensure that you obey Him every time and everywhere. Regular obedience to God is the surest way to maintaining your liberty in Christ Jesus. Make the decision to obey Him today. Shalom.

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Editor's Note:

Out of their ardency, eighteen poets and poetry lovers identified with the need to give the 2020 Valentine celebration a poetic taste glamour.


With a view to harvest and immortalize this zeal, each of these bards donated a tranche of poetic condiment in response to a call for submissions made in that regard.


The fabrication of these romantic lines of epopees, as was edited by Izunna Okafor, gave birth to this panoramic poetic montage —My Love My All.


Here in this second edition of this journey, these poets explore the theme to register what love holds for them and their inamoratos in its various dimensions.




They write:



My love my all

In whose heart my treasure grows

From whose spine my pleasure flows

Nigher oh my love for in you I repose my all


Where is the inamorata who chained my treasure

She whose smile holds my pleasure!

The time fast approaches,

With its augur on rose hedges..


Where are you, my love, my all.

You whose love tower, I grow tall.

The field of love is verdant with hue;

My heart wanders for nothing, but you!


Give me the love that leads the way

And the kiss that heals the pierced heart

The faith that nothing can dismay

Lest I sink to be a clod.


Stretch your loving hand to me my love

The hand which comforts beyond measure 

In the midst of adversity  

You shall forever be my treasure.   


Come to me my love. 

And feel me all as my heart trembles for your love 

Out of my loneliness  

Heal me and hold me closer to thee.


Loneliness becomes an unbearable sickness

Every second your absence is felt

Storms trouble my sailing heart

In every flash of our last romance.


Never will the world ever be sweet

If not with you reposing on my laps

In you alone

I found meaningless of life without a woman.


You are my all and true love

Both far and near

For in you, I felt what Nnewi's progenitor felt for Nnobi damsel

That made him start a religion deifying her


Your love tastes like abacha 

And Nwoke Udi special palm-wine

joined together

My love my all

Ị sọgbuo m!!!


The smile on your face is sun

The only thing that stands when everything becomes dark.

Your smile is a map directing men of goodwill

I will camp you in my heart forever.


For you are my salt

That flavors the taste of my love.

And you are my light,

That brightens my darkest plights.


For God's love to all,

He gave His only Son.

But for His love for me,

He gave a precious gift of you

my heart's key.


You pick the lock

Oh! You do it all over again

My heart, creaking, opening its arms to you

You, gliding in with a fragrance of warmth.


Your visits leave me nimble

Your sweet perfume arouses my soul

And when you sway, that liquefied sublime motion

My brain falls into oblivion.


Deeper in your veins my love flows

Beckoning you closer to my sinews 

Peak me to the point my love temper swells

For in you all trust I my all


Your love and touch are sensational

They give this feeling of nostalgia

And make me feel like an infant

Please let me be your boo just for a day or two.


Thy love is better than wine

Thy cheeks are comely with rows of jewels

As the lilly among thorns

So is my love for you!


As the apple tree among trees,

So are you before me always.

Thy lips are like a thread of scarlet,

Onitemi! kiss me, with the kisses of your mouth.


Clothe my heart with your love,

For its own love is dead.

Toss off one bit of it,

And the garden would be finer than Eden.


Hold my lips, let's make it last,

Now I am seconds closer to you.

Let it be a thing they could jot down,

Knowing well how much we love each other.


Youare my love my all, 

On this beautiful island of scented glory, surrounded by the emerald sea 

Under the blue sky and crescent moon of passion

And blessed with the sweet serenade of nightingales. 


I crave to dwell in the freshness of your presence

Which is as pure as a lily;

As rare as a blue rose 

And as lovely as venus.


I only desire company of you

To better express the freedom

Found in our affection

For you are my all.


In sincere confession of this,

I beseech God to marry us

In timeless matrimony of divine and infinite love

Beneath the twilight of cupid's divinest dreams.


My love you’re my all

My forever Valentine 

My giant for eternity you make me feel secure even when all around me is chaos!

Your imperfections are nature's reward to me.


They define your humanity, 

In that man who is perfect lies all the deceit in the world.

My love you’re my all


While we fold and drink from each others' lips

And as moon lends a scenting aroma to our eyes

At this love station, countless for the trip,

Then I hear a voice pouring from the skies:


"This liquid love will soon solidify

Only take your sleep gently and watch tears dry

For I shall be coming by,

Yes, I."


How can I make you see what I feel

When love is blind? 

When I push hard

You might think love is wicked 


Here you are staring at me

The only thing I want is to deep my lips into yours

And our love will be unbreakable 

Don't call it magic, it's a miracle!


With you, it's like honey and bread

Sweet to the body and blessing to the soul

My love, with you I know we will reach for the stars and even beyond

With you, I have no cause to look elsewhere, cause I am at rest.


With you, I feel complete

You make me see the beauty in my imperfections

Your love gives me room to live and truly live

With you, I am a giant with great strides.


Give me your love, and I will give you my all

Kill me with love, and resurrect me with love

For it's a season of love

Oh! Valentine is here again.





Contributors:



Izunna Okafor

Nket Godwin

Odinaka Nworie

Innocent Chikodiri Paul

Nwokeabia, Ifeanyi John

O'star Eze

John Chizoba Vincent

Stanley Ezechukwu

Rosemary Nwadike

Dishon Obok

Gloria Oluchi John

Kayode Awojobi

Chidiebere Ezekwesili

Marcel Ike Okonkwo

Dayo Ayila

Maureen Onyinye Kenneth

Udo Okoronkwo-chukwu

Michael David Ogbonnaya.



Compiled and Edited by Izunna Okafor

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By Izunna Okafor



It was Haruki Murakami who once said that death is not the opposite of life, but a part of it —an aphorism buttressed strongly by George Eliot's apothegm that "Our dead are never dead to us, until we have forgotten them."


It is on these long-standing witty sayings that the Nigerian literary community received the her first shocking news of 2020, that foremost Nigerian novelist, who was also the Traditional Ruler of Ndikelionwu Kingdom in Orumba North Local Government Area of Anambra, Eze Prof. Chukwuemeka Ike has gone asleep.


The news which ushered in the dawn of the second Thursday of the year was hitherto faulted and scored a grapevine, to the credit of two points —the source from which it came, and the terminology with which it was broken. 


By way of reaction to the news, it was rightly argued that, in Igbo land, Traditional Rulers do not die. In other words, in Igbo land, it is wrong for one to say that a Traditional Ruler is dead; instead, one could say that the king has joined his ancestors, is sleeping, is resting, or has fallen asleep.


Secondly, no one is authorised to disclose such information (that the king is sleeping) except the affected community's cabinets or Council of Elders, in agreement with the members of the royal family or the ruling dynasty, as the case may be. 

Although, people, especially the closest relatives or community members may be aware that the king has fallen asleep, they won't dare disclose it or tattle over it, pending an authorised disclosure by the right source.


Little wonder why, when interviewed on the hideous development, a stakeholder from the Ndikelionwu Community, Prince Emma Okoli-Ijeoma said, “'As far as I am concerned as a member of the ruling house in this Ndikelionwu Ancient Kingdom, I am saying that Prof. Chukwuemeka Ike Eze Ndikelionwu, the 11th of Ndikelionwu is not yet dead!

In our tradition, nobody opens his mouth to tell outsiders that the Traditional Ruler is dead. You don’t say it because according to the customary law of Anambra state, king doesn’t die!


"If at all there is anything of that nature, one would say the king has joined his ancestors. It is not the duty of anybody to tell outsiders that the king is dead. It is after the royal family has met and agreed before such thing would be announced. Not just a rifraf would come and say what he doesn’t know!


"So I am saying that as far as the royal family is concerned, we have not announced anything to the public, that is, if something really happened."


Also, in most cases, the Elder In Council may not even announce the news, except a replacement or heir is found, especially in a situation where the crown is rotational.


These formed the basis upon which the news of Prof. Chukwuemeka Ike joining his ancestors was held in the air on arrival.


Be it as it may, succeeding sunset and sunrise have unmasked and unearthed the rock.


As Nze Prof. Chukwuemeka Ike rests on in his ancestral home and palace, Ndikelionwu, literary enthusiasts, fans and some other stakeholders in the country have continued to register their feelings and pour their tributes to the legend.


Breaking the news, the Anambra State's Commissioner for Information and Public Enlightenment, Mr.  C-Don Adinuba said, "Goodnight, Prof Chukwuemeka Ike. We all drank from the fountain of The Bottled Leopard as students to assuage our curiousity for mystery. We were stunned by the shenanigans of Expo ’77 and thrilled, to no end, by Sunset at Dawn.


“As you join your ancestors, let’s pray you never stumble from The Chicken Chasers or undone by Conspiracy of Silence. Adieu, a great man of letters, a king who wore humility like a robe.”


On his own part, the Executive Governor of Anambra, H.E Chief Willie Obiano said, "I am saddened by the death of HRM Eze Chukwuemeka Ike. He was always a regal presence around us here, bringing his wealth of experience to bear on the deliberations of the Traditional Rulers Council. We shall sorely miss him. But we shall also find strength and consolation in his exemplary life and the legacies he left for mankind through his literary works and stellar contributions to the traditional institution in Anambra State.”


Former PDP Presidential Candidate, Alhaji Atiku Abubakar said, “I mourn one of Nigeria’s prolific novelists and traditional ruler of Ndikelionwu in Anambra State, H.R.H. (Prof.) Chukwuemeka Ike.


“He will be remembered for his classics: "Toads for Supper" and "Sunset at Dawn" among others. May he rest in peace."



In similar tones, other literary enthusiasts and concerned Nigerians have also bared their minds thematically on the development, ruefully registering their reactions to the news and their tributes for the legend, as collated below:


Denja Abdullahi, immediate past President of the Association of Nigerian Authors (ANA) says:


"Prof. Ike's death was sad all the same but it was not a shock because he was an old man. He was a contemporary of all other first generation of Nigerian writers and his death was like the end of an era. We could say that the last of the titans has gone home.  


Tributarily, Abdullahi said, "Prof. Chukwuemeka Ike was a productive writer of several novels with interesting stories and catchy titles. You could locate his works between the popular and literary fiction genre. He was a very good satirist of the human condition.I feel that he was not celebrated enough like some other people feel. It may be because of his self-effacing nature and unwillingness to indulge in needless literary and critical controversies.


"He has gone beyond just being a writer to contribute to the development of the Nigerian Book Industry through his Nigerian Book Foundation. He was always there anywhere you invite him to if it had to do with writing,writers and the books. 


"Prof Chukwuemeka Ike will live eternally in the minds of all of us through his evergreen stories of the foibles of man."



Mr. Oseloka Henry Obaze, a published author, poet and literary enthusiast says:


"The passing of HRM Prof. Chukwuemeka Ike, Eze Ndikelionwu is numbing.   He was an exceptional, gifted, resolute and most unassuming person.  I was privileged to be considered his friend and welcomed freely into his palace. He was chair of my book presentation in 2018. 


His tribute: "Eze Chukwuemeka Ike lived life fully and made enduring contributions to our educational system, literature, cultureand traditional institution. He motived many writers, even those who never met him personally. 


"He has immortalized his name and his footprints will linger for years to come.  May God grant him eternal rest and his dear wife HRM Bimpe Ike, the fortitude to bear the loss."



Okeke Chika Jerry, an author, publisher and literary arts promoter says:


"I was in deed shocked when I heard the sad news over the radio. I wished he stayed a bit longer so that this generation of ours will have tapped a lot more from his wealth of wisdom. 


"But I believe Professor Ike is not totally dead and he will never die completely because all his works are still breathing all over the world. "Rest in peace Papa ndi authors."



Odili Ujubuońu, award-winning author and literary enthusiast says: 


"This is a huge loss. Chukwuemeka Ike was a great inspiration to a lot of writers who came after him. The choice of subject matters he treated in his novels spoke a lot about the kind of man he was and the whole essence of his writing.


"He was never complex in his style and or his plot and that led us easily into the wonderful worlds he created. These worlds would live forever with us. Through them, we would keep remembering him. May his gentle and kind soul find eternal peace."


Reginald Chiedu Ofodile, author and international award-winning actor says:


"I received news of his demise with sighs. I'm told Professor Ike is asleep, which is a correct phrase to apply to a traditional ruler. His subsiding into sleep did not shock me. He lost his only child three years ago. It must have been a massive blow, and he was also in his late 80s."


Tribute: "Eze Ike was an engaging, fluent and satirical writer. He created fascinating characters and witty, wicked situations. I remember 'Sweetie' in TOADS FOR SUPPER, 'Peace Bozo' in THE CHICKEN CHASERS, 'Mrs Ikin' and 'Dr Okoro' in THE NAKED GODS... and many others.  I recall his books appeared under the FONTANA imprint, not the AFRICAN WRITERS' SERIES."



Prof. Sam Uzochukwu, Igbo Poet and Novelist says:


"Prof Ike's death is indeed a loss to the nation, particularly to the literary class.Though he lived to old age, death, particularly of an icon always evokes shock to the living; so I feel shocked by his death as his other admirers .


"Prof. Ike was among the respected writers, in the same class as Chinua Achebe, for which Umuahia Govt college was renowned. He produced novels that dealt with topical issues of his time. 


"Above all, Prof. Ike was a man imbued with tenacity of purpose. He never wavered on any issue he was convinced about. This quality of his was manifested when I worked with him, a few years ago, on an Igbo project for which we were appointed by the Anambra State Govt.

May the Lord grant him eternal rest, amen."





Untill he slept off, Eze Prof. Chukwuemeka Ike (born on April 23, 1931) was award-winning and pioneer Nigerian writer, known for a mixture of lampoon, humor and satire, a writing style believed to be tied to his Igbo cultural upbringing.


He attended the Government College, Umuahia, where he started writing for the school magazine, The Umuahian, which published his first ever written story —‘A Dreamland,’ a work which set his foot on the literary space.

Some eminent Nigerian writers who attended the school include Chinua Achebe, Christopher Okigbo, and Ken Saro Wiwa, among others.


A graduate of the University College, Ibadan, Prof. Ike made a plethora of impacts and left great legacies in the literary and academic fields, and was conferred the Nigerian National Order of Merit (NNOM) Award which is Nigeria's highest and most prestigious national prize for academic and intellectual attainment, making him the second Novelist to receive the award since its inauguration in 1979, the first being Prof. Chinua Achebe.


Prof. Ike's works include Toads for Supper (1965), The Naked God’s (1970), The Potter’s Wheel (1973), Sunset and Dawn (1976), Expo ’77 (1980), The Bottled Leopard (1985), Our Children are Coming (1990); Conspiracy of Silence  (2001), among other publications.


Away from the literary flank, Prof. Ike served as an academic in different roles such as a lecturer at the University of Ibadan, registrar at the University of Nigeria, Nsukka (UNN), and visiting professor at the University of Jos.


He was also the President of the Nigerian Book Foundation, as well as the first Nigerian to be the registrar of the West Africa Examination Council (WAEC).


Ike slept at 88.


As Prof. Chukwuemeka Ike peacefully joined his ancestors, Nigerian literary community, fans, and the world at large heartily bid him farewell and wish him eternal repose in the world of immorality.

Goodnight great man.





About the Author:


Izunna Okafor is an award-winning Nigerian Novelist, Poet, Journalist, Essayist, Editor, Translator, Publicist, Igbo Language Activist and Administrator who hails from Ebenator in Nnewi South L.G.A of Anambra State Nigeria. He writes perfectly in English and Igbo languages, and has published several books in both languages.

Izunna has received over 25 awards, and has over 2000 articles published online, both nationally and internationally. 

He can be reached via: izunnaokafor70@mail.com


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Written By Izunna Okafor


It was indeed a festival words and  dulcet epopees at Awka, the capital city of Anambra State, as Opinions From Africa for (OFA) rocked the state with first made-in-Anambra Poetry Concert, which held amidst cultural displays and musical pantomime.

Speaking at the event, the state's Commissioner for Basic Education, Prof. Kate Omenugha described the event as apt and impactful, and further maintained that it was in line with the policy and programs of Governor Willie Obiano, who she said, is greatly committed to discovering, empowering promoting, enhancing and encouraging creativity among the youths in the state.


Prof. Omenugha, who was represented by the Public Relation Officer of the ministry, Mr. Nnaemeka Egwuonwu, expressed satisfaction with the presentations by the young talents, and argued that there were lots of lessons to be learnt from them.


She said, "I cannot fully express how excited I am, seeing these well talented youths come and talk about very serious issues in the society with carefully chosen and artistically designed poetic lines and words, and give us food for thought on what is happening in the society today, thereby giving us hope for Africa, for the Black Race, for Nigeria and for the society in general. 

"So I feel highly delighted being part of this program; and I also commend the organizers for the wonderful work they have done."


Earlier in his opening remarks, the convener of the event, Mrs. Jidechukwu Angela Nwabueze said the event tagged "African Sensation," was aimed at celebrating Africa, telling the Africa's story, and proffering solutions to Africa's problems through poetry, as well as featuring young poets from various parts of the country.

She appreciated individuals and organisations who contributed in one way towards the success of the event, including the Anambra Newspapers and Printing Corporation (ANPC) which is also one of their media partners 


On his own part, the founder of Opinions From Africa (OFA), Mr. Kaosisochukwu Nwagboso said the association founded in 2017 is a non-governmental organization with the objective of gathering poets, creative minds and intellectuals from different a academic fields, to utilize their skills, talents and brain power in rebranding and making Africa great. 


Some of the participants at the event, including Maryjane Onyekaba who presented a poem entitled "Good Morning Africa;"  Ibiam Ude Ufiem who presented "Ozoemena;" Cynthia Ekeka who presented "The Voice of Africa;" and Raymond Mimi who presented "Africa Who Are We?" among others called on Africans, particularly the youths to wake up, hold tight their heritage as Ndi Africa, and also contribute to the development of Africa and promoting her identity.

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Written By Izunna Okafor


It is no longer a novelty that every calendar year wakes up and sleeps off with a natural book of many pages. Pages of dreams and visions, pages of imaginations and realities, pages of successes and failures, pages of joy and sorrow, pages of progress and regress, pages of victories and losses, pages of smiles and tears, among many others. 

These pages indeed represent what the year holds for men.

       Among many others, Nigerian Literary Industry has been a silent character that has tasted a paragraph in virtually all the pages of the natural book in the year 2018. That is to say that a lot of pages have opened and closed to the literary industry as the year 2018 blinks away.

       Nigerian Literary industry has been one of the most highly revered industries in the country, owing to her gargantuan contributions towards the development of the country, coupled with the venerable caliber of people therein.

     Analytically speaking, the year 2018 was neither all white nor all black for the industry, as many writers recorded while many others were recorded in different books in the year.

For Nigerian writers, the year 2018 began with good news, following the long listing of a 30-year old Ayobami Adebayo in the 'Wellcome Book Prize' on 9th February, for her debut novel “Stay With Me” published in 2017, making her the only African Writer that made it to the list of the highly competitive annual British Literary Award.

      Shortly after this, sad news crawled in, following the shocking news of Akinwunmi Ishola's demise on Saturday, 17th February, being the first global sad news to surface from the corner of literary industry across the world in 2018. Prof. Ishola was a Yoruba literary scholar, novelist, playwright and culture icon whose works: Oleku, Efunsetan Aniwura, Koseegbe, Saworoide, Agogo Eewo and Campus Queen were widely regarded as among the best literary works produced by writers of his generation.

       This was followed by the death of Mr. Elizabeth Fagunwa, a renowned literary promoter and wife of foremost writer and author, late Chief Daniel O. Fagunwa. Her death was described as a great loss for the Nigerian literary community, owing to the great roles she played in advancing, peaking and championing the cause of literary activities in the country, especially through the Fagunwa Literary Foundation. 

Among these, the most recent and most unsavory of all the ugly news that elicited tears from the eyes of Nigerian writers in 2018 was the announcement of Ikeogu Oke's fall on 24th November. 

       Oke was a great Nigerian bard who, with his classic poem “The Heresiad", won the Africa’s biggest literary prize, the Nigerian Prize for Literature 2017, sponsored by the Nigeria Liquefied Natural Gas (NLNG) at the tune of $100,000 (N37m).

       On the laudatory flank of the journey, Nigerian creative industry recorded leviathan feats in the year 2018, as many Nigerian writers, both burgeoning and established, proved their worth in the field of pen this year both nationally and internationally, thereby emblazing and embellishing the hope for the advancement of literary arts in Nigeria. 

      If there is any set of people that have kept Nigeria's image alive and shinny for decades in the international community, it is Nigerian Writers. And this year is not an exception.

Several Nigerian writers toed their foot in the literary field this year while many others advanced in their echelons. 

          In her corner, a leading character in the Nigerian literary scene, Chimamanda Ngozi Adichie indeed recorded some of her greatest achievements in the literary field this year, following her prodigious victories in various international and globally acclaimed literary contests, awards, coupled with other noble honours she received in the year.

      Adichie opened the award year with the 2018 Barnes & Nobel ‘Writers for Writers’ award which she received in the fall of the quarter of the year. Shortly after that, the literati has, within couple of months clasp several other awards and Honorary Degrees among which are: the 'Shorty Award 2018', Pen Pinter Prize 2018; 2018 Action Against Hunger Humanitarian Award; 2019 Everett M. Rogers Award; Thought Leadership Award from the Global Hope Coalition (GHC); 

Honorary Doctor of Literature (DLit) degree, School of Oriental and African Studies (SOAS); University of London, UK; Honorary Doctor of Humane Letters Degree, Duke University, North Carolina, USA;

Honorary Doctor of Humane Letters Degree, Amherst College, Massachusetts, USA;

Honorary Doctor of Letters Degree, Bowdoin College, Maine, USA, among others. 

      Other great and upcoming writers who recorded great feats with their pen in the year include: Anietie Isong whose debut novel "Radio Sunrise" won UK’S biggest literary prize, the 2018 McKItterick Prize; Nigerian-German Efua Traoré who emerged the African regional winner in the world's most global literary prize, the 2018 Commonwealth Short Story Prize; Chinua Ezenwa-Ohaeto who won the New Hampshire Institute of Art’s 2018 Writing Award, and the Castello di Duino Poesia International Prize 2018; Abimbola Dare who won the 2018 Bath Novel International Award among others. The highly coveted 2018 NLNG Prize for Literature which is the Africa’s biggest Literary Prize (worthing $100,000) went to Soji Cole for his drama 'Embers’. Be it as it may, this year's Wole Soyinka Prize for Literature went to an Ugandan writer Harriet Anena making her the first Ugandan to win the prize, while, with her 'Fanta Blackcurrant', a Kenyan writer Makena Onjerika won the 2018 Caine Prize, in which three Nigerian writers: Nonyelum Ekwempu, Olufunke Ogundimu and Wole Talabi were shortlisted out of 147 entrants from 20 African countries. 

     It is also worthy to recall that two Nigerian authors: Chimamanda Adichie and Nnedi Okorafor were this year 2018, nominated for the Nobel Prize for Literature, for the first time in 36 years, after Wole Soyinka became the first black person to win the world's most coveted literary prize. 

Though, due to some circumstances challenging the public confidence in the members of the Swedish Academy hosting the award; the winner of prize was no longer announced this year, but postponed to next year. Nevertheless, one of the Caribbean most renowned authors, Maryse Conde was said to have won an alternative prize created to replace this year's Nobel Literature Prize. Hence, according to the organizers, who were being torn apart by kerfuffle evolving from certain claims and accusations, two Nobel Laureates will be announced next year, being for 2018 and 2019 respectively.

      Aside awards and recognitions, many Nigerian writers, especially the young ones published internationally acclaimed books this year. Nigerian literary industry  also welcomed new members this year, among whom were topnotch politicians who decided to 'test' their 'fortunes' in creative writing, and hence now wear the badge of 'author'.

      The most recent of these politicians turned authors include:

H.E. Sullivan Chime who authored

"An Honour to Serve: Enugu State in the Sullivan Years" and

Former President Goodluck Jonathan, who authored 'My Transition Hours'. Professionally as it may have been written, president Jonathan's book surprisingly made it to the list of 15 best books published in the year 2018. Other newly published books and Nigerian  authors who made it to the prestigious international list include: ‘Devil’s Pawn’ by Kukogho Iruesiri Samson; 'When Trouble Sleeps' by Leye Adenle; ‘When Day Breaks’ by Adamu Usman Garko (a secondary school student); ‘Children of Blood and Bone’ by Tomi Adeyemi ‘Embers’ by Soji Cole among others.

       Nnedi Okorafor, Chimamanda Ngozi Adichie, Tochi Onyebuchi, Tomi Adeyemi, Lola Shoneyin, Roye Okupe, and Chika Unigwe had earlier in the year been listed by Pulse as among the authors currently setting the pace in the literary field.

      However interesting these may be, it is also more interesting to puff the sore truth that book piracy and plagiarism received great boost in Nigeria in 2018, as reports reveal several cases of the ugly act carried out this year. Even President Jonathan's new book was said to have been pirated by an unknown malignant, in just less than 48 hours after its launching.

     However, a number of individuals, groups and nongovernmental organizations in the country played great roles in waging war against this old-centuries global issue which has pauperized many writers across the world. A most recent of this brawl was the one waged by the Anti-Piracy Society of Nigeria in her 2018 annual convention in which the MD/Editor-in-chief of the National Light Newspaper, Sir Chuka Nnabuife, who is also a renowned author and poet lectured on: "Evolving Challenges-Innovative Responses".

It is generally believed that piracy and plagiarism trailed in the year despite the fierce campaigns truculently championed against it.

      On the aspect of activities, 2018 recorded the celebration of numerous literary events and activities by Nigerian writers. The outstanding among these literary activities and events include: the 37th Annual National Convention of the Association of Nigerian Authors; 2018 CORA Book Party; NSPP Awards Ceremony hosted by  Poets In Nigeria (PIN); Lagos Book and Art Festival 2018; Return To Idoto 2018 (in honour of late Poet Christopher Okigbo), hosted by Awka Literary Society; the 2018 Chinua Achebe Literary Festival, hosted by the Society of Young Nigerian Writers (Anambra Chapter); Northern Nigerian Writers’ Summit 2018; the 2018 Ake Arts and Book Festival; Anambra Book and Creativity Festival (ANBUKRAFT) 2018; first Poetry Slam in Anambra, hosted by Poets in Nigeria (PIN), Awka Connect Centre; 2018 Carter Literary Festival, Enugu; 2018 admission of writers into the Ebedi Writers Residency, Iseyi, the only writers residency in Nigeria; among other literary activities.

     Indeed, 2018 has been a historic year for the Nigeria's literary industry, given the bizarre feats and achievements recorded by the members/ Nigerian writers in the year in their quest to advance globally in the field promote Nigerian Literature and Nigeria's image in the international community. In fact, the industry is believed to be among the few sectors that have consistently projected and upheld the image and dignity of the country till today. Ipso facto, it is optimistically believe that the sector and the actors will take even more historic dives and achieve more selcouth feats before the fall of 2019.



About The Author:


Izunna Okafor is an award-wining creative Young Nigerian Novelist, Poet, Essayist, Journalist, Editor, Translator, Publicist , Igbo Language Activist and an Administrator who hails from Ebenator in Nnewi South L.G.A of Anambra State Nigeria. He has published seven novels, won over 25 awards, and has over 800 articles published online.

His awards include:

Nigerian Writers Award/Indigenous Writer of The Year 2015/2016

Pita Nwana Prize For Igbo Literature 2015

Society of Young Nigerian Writers Award Nigeria

Heritage Icon Award/Young Writer of the Year Federal Republic of Nigeria 2016;

Merit Award from The Society of Young Nigerian Writers (2016);

Award of Recognition From Students’ Union Government, Unizik (2017)

Nigerian Writers Award/Young Writer of The Year 2015/2016;

N.Y.S.C. Essay Competition 2012;

SLAM Hero Youth International Award/Innovative Youth of the Year 2016;

AEYC/Youth Writer of The Year 2016

Award of Academic Excellence from The National Association of Public Administration Students (2016);

Inspire Award /Outstanding Youth in Academics 2017.

NAPAS Academic Icon of The Year 2017;

Anambra Campus Award 2017/Campus Writer of The Year 2017

Award of Excellence from The Society of Young Nigerian Writers 2016;

Anambra Exclusive Youth Choice Award/Outstanding Youth of the Year 2017;

Youth Writer of The Year 2016 NAPAS Essay Competition 2017;

Starlett Entertainment Award/Creative Writer of the Year 2016;

LitraNation Indigenous Book of The Month (December) 2016

Ambassador TFA in Nigeria

Creative Crew Africa/ Young Talent of The Year 2018, among others;

Campus Best Writer 2018/Campus Journalist of The Year 2018

Best Secretary General of NAPAS (2018).

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Ambrose Alli University JAMB cut off mark  180

Adekunle A

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Abia state polytechnic JAMB cut off mark  150

Abia State University Uturu (ABSU) JAMB cut off mark  180

Ahmadu Bello University (ABU) Zaria JAMB cut off mark  180

Afe Babalola University Ado-Ekiti (ABUAD) JAMB cut off mark  180

Akwa-Ibom State University (AKSU) JAMB cut off mark  180

Alvan Ikoku Federal College of Education JAMB cut off mark  180

Anambra State University Uli (ANSU) JAMB cut off mark  180

Auchi Polytechnic JAMB cut off mark  150

Benson Idahosa University JAMB cut off mark  180

Bauchi State University JAMB cut off mark  180

Bells University of Technology JAMB cut off mark  180

Bowen University JAMB cut off mark  170

Benue State University JAMB cut off mark 180

Bayero University Kano JAMB cut off mark  180

Covenant University cut off mark for JAMB  180

Cross River University (CRUTECH) JAMB cut off mark  180

Delta State University, Abraka (DELSU) JAMB cut off mark  180

Dental School Enugu JAMB cut off mark  150

Ebonyi State University (EBSU) JAMB cut off mark  180

Ekiti State University, Ado-Ekiti (EKSU) JAMB cut off mark  180

Enugu State University of Science Technology (ESUT) JAMB cut off mark 180

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Kebbi State University of Science and Technology JAMB cut off mark  180

Kano University of Science and Technology JAMB cut off mark  180

Kwara State Polytechnic Ilorin JAMB cut off mark  150

Kwara State University JAMB cut off mark  180

Lagos Polytechnic JAMB cut off mark  150

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Ladoke Akintola University of Technology, Ogbomoso (LAUTECH) JAMB cut off mark  200

Modibbo Adama University of Technology (MAUTECH) JAMB cut off mark  180

Michael Okpara University of Agriculture, Umudike JAMB cut off mark  180

Nasarawa State University, Keffi JAMB cut off mark  180

Nnamdi Azikiwe University (NAU/UNIZIK) JAMB cut off mark 180

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Olabisi Onabanjo University OOU JAMB cut off mark  180

Ondo State University of Science and Technology (OSUSTECH) JAMB cut off mark  180

Osun State University (UNIOSUN) JAMB cut off mark  180 (Economics, Accounting, Law, and Political Science  200)

Polytechnic Ibadan JAMB cut off mark  150

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University of Maiduguri (UNIMAID) JAMB cut off mark  180

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Chinua Achebe, who died in Boston today at the age of eighty-two, was a few weeks shy of thirty years old when Nigeria was granted independence from the British Empire, on October 1, 1960, and he was already acclaimed, worldwide, as the preëminent novelist of black Africa. The British publisher Heinemann had brought out Achebe's first novel, Things Fall Apart, only two years earlier, and it had to have been the first African novel that many of his admirers on the continent and off had read. The sure tragedian's authority with which Achebe tells the story of Okonkwo, an Igbo elder of immense strength and pride, a figure of heroic qualities within the traditions of his culture, who is ill-served, brought low, and undone by those same qualities in his first violent encounters with colonial power, has ensured that still today, with more than ten million copies sold, Things Fall Apart remains the best-known work of African literature.
The great African novel? The book could as truly be called a great novel, period. Many writers would prefer to carry that badge of universality, but Achebe who has gone to his grave without ever receiving the Nobel Prize he deserved as much as any novelist of his era has said that to be called simply a writer, rather than an African writer, is a statement of defeat. Why? Because his project has always been to resist emphatically the notion that African identity must be erased as a prerequisite to being called civilized. Growing up as what he called a British-protected child in the colonial order, the young writer came to see that the Empire's claim that Africans had no history was a violent, if at times ignorant or unconscious, counter-factual effort to annihilate the history of his continent's peoples.
Achebe made his case in many forms essays and lectures, interviews and acts of protest, and as an ideologue and propagandist for the failed Igbo-nationalist secessionist state of Biafra but he made it most cogently on the final page of Things Fall Apart. With the reader in the full emotional grip of the many dimensions of Okonkwo's epic fate, the author boldly and deftly adds another, shifting to the perspective of a colonial governor who considers Okonkwo's story good material perhaps not a whole chapter but a reasonable paragraph for the book he is planning to write:  The Pacification of the Primitive Tribes of the Lower Niger.
Having, with his first effort, created a permanent place for the African novel in the world literary canon, Achebe continued to be a prolific imaginative writer, producing novels and stories that evoked, in a range of voices, the trials of Nigeria's pre-colonial and colonial history, and the traumas of its post-independence ordeals: from No Longer at Ease and A Man of the People in the sixties to Girls at War and Anthills of the Savannah in the aftermath of the Biafran war. But the fact that he must be remembered as not only the father but the godfather of modern African literature owes at least as much to the decades he spent as the editor of Heinemann's African Writers Series. In that capacity, Achebe served as the discoverer, mentor, patron, and presenter-to-the-world of so many of the now-classic African authors of the latter half of the twentieth century. The series's orange-spined, generously inexpensive paperbacks carried a stamp of excellence that drew readers everywhere to essential works by writers as varied as Kenneth Kaunda, Ngugi wa Thiong'o, Dennis Brutus, Tayeb Salih, Léopold Sédar Senghor, Ousmane Sembène, Wole Soyinka, and Nadine Gordimer, to name but a few: it is an extraordinary legacy.
As a storyteller, as a voice of his nation, as a cultural impresario, an intellectual combatant and provocateur, Achebe gained with age the status in Nigeria of a bard and a sage that the modern world rarely affords to writers. After suffering terrible injuries in a car crash, he spent much of his time in the last decades of his life in America, where he settled into long-term professorships at Bard College and Brown University. But when he returned to Nigeria he was received as a national hero. Crowds of thousands sometimes tens of thousands gathered to pay tribute to him. The adoration hardly softened him, though. He was, in his old age, as much a scold to his compatriots as he had ever been in his youth.
I met Achebe a few times in his wheelchair-bound American years. When he gave you his hand it was at once firm and soft and notably warm. He had a gentle presence a man fully capable of wit and mischief and open laughter, but whose default expression, at ease, was one of sympathetic melancholy. His voice was another matter: low-pitched and rich and adamant. When he spoke, it was with great command and unmistakable music. In Boston, in 1999, at a celebration of the centennial of Ernest Hemingway s birth, I had the honor of sitting on a panel with Achebe, on the subject of writing about Africa. He was as cogently withering about Hemingway's Africa a place he could not recognize because there were no speaking Africans there as he was, in one of his most famous essays, about Joseph Conrad s. At the end of the session, the floor was opened to questions. An evidently confused woman in the audience took the opportunity to ask In what sense are you writers about Africa? The other panelists Nadine Gordimer and Kwame Anthony Appiah were too baffled to respond. Not Achebe. He leaned into his microphone, and very slowly and melodically, with rolling Rs and drawn out Os, roared: Read. Our. Books. The woman said, But I'm asking you. And Achebe said, I'm telling you: Read. Our. Books. 
What better epitaph for the man, and what better way to remember him today: read his books.
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